Look Around You

Wonderful show - both series.

Series one is based on Schools programmes of the seventies while Series two does Tomorrows world.

Series 2 wins for me as it has Olivia Colman looking stunning.

Look out as well for The Peter Serafinawitz Show - all should be more well known.

Look Around You is quite possibly my favourite comedy show ever. (Particularly series 2, which this review relates more to.)

A lot of people might not see why it's so funny, and I can understand that reaction. After all, it's pretty slow-paced and has hardly any "jokes".

All I can tell you is that when I watch an episode, I sit there laughing hysterically almost uninterrupted for 30 minutes. (And I'm not someone who laughs out loud much while watching TV.)

So what's so good about Look Around You? For me, there are five main reasons:

1. ACCURACY. First, it's funny because it's an uncannily accurate pastiche of early 80s educational programmes. The attention to detail is staggering, and it's those little details that are funny. Things like over-use of camera zooming; the announcer noisily opening his mouth before speaking; the somewhat more formal manner of TV presenters of the time. It's all so subtly done, and all these subtle little details are where the humour lies. If you don't fondly remember 70s/80s television, this will be lost on you completely.

2. SURREALISM. Hidden below the surface of this apparently serious TV programme are all kinds of completely off-the-wall, surreal elements (such as people flying, or people french-kissing in the most inappropriate of contexts). But these surreal elements are usually either very brief or not immediately obvious, giving them more comedy impact when they do surface. For me, Look Around You is bit like one of those "What's wrong with this picture?" drawings: at first all seems to be normal, but when you notice something is "wrong", it's extremely rewarding and funny.

3. IMPRACTICAL INVENTIONS. A large part of the fun of the programme is that almost all the inventions are impractical, idiotic, dangerous, or often downright sinister and creepy; yet they are all presented in the most cheerfully optimistic manner. As with the surreal elements, a lot of the fun comes from "spotting" that something is very wrong with the invention, despite the presenter assuring you that all is well.

4. NOSTALGIA. Humour aside, I just can't help but adore this programme for the nostalgic quality. It's a heart-warming trip back in time to my childhood, only with the tongue-in-cheek sensibility of a contemporary comedy show.

5. TALENT. On top of it all, I have such admiration and respect for creators Peter Serafinowicz and Robert Popper. These men are creative geniuses. Writing and producing the show, they also created all the music themselves, and every piece of music is utterly outstanding in every way, from the title theme, to the unforgettable entrants for "Music 2000" competition (which I can't stop singing/rapping). There seems to be no end to the talents of these two men. They also both make extremely charismatic and likable TV presenters. Watching the show, it is quite clear how much care, attention and scrutiny these men have put into every detail.

Overall, this is just a perfect comedy series for me. The Prince Charles finale (with the two "Hanks" at the end) is an amazing conclusion. I only wish there were more episodes.

I didn't realise this comedy series spoofing the golden era of TOMORROW'S WORLD was first broadcast in 2002 and looking at this site's info on the show it originally started off as a series of nine minute sketches . This was probably the right format for the show because watching the 2004 series with episodes that last for 30 minutes I instantly became aware that the novelty out stays its welcome as a large chunk of an episode's running time is taken up with say an operation on a presenter by medibot ( Don't ask ) which drags pace wise and stretches a one trick pony into an unnatural length

A lot of people have spoken on the flaws of DIRECTOR'S COMMENTARY especially the point that the show may have been a good idea as a five minute feature in a sketch show . These flaws are identical to the ones seen in LOOK AROUND YOU which bizarrely started off in a format that suited it best . I have to repeat that 30 minutes an episode is too much time for this comedy series to be successful

For those of you that haven't ever seen any British schools' TV, especially that of the golden 1970's-1980's period, Look Around You is a send-up of some educational programmes that were, and still are, shown to school children in the UK in order to augment their classroom experience. In the 1970s-80s, having the treat of a TV show to break up the day was a looked-forward to experience for most, as it meant you didn't have to actually do any work whilst the programme was on, not to mention it was about the maximum interactivity availbale at that time (no PCs in the classroom until about 1983!) others seem to think it's an OU send-up actually it's probabaly closer to a 1970's/early 80's school's programme called "Experiment", dangerously close in fact. I think the guy who narrates the series may even be the same one that narrated the proper educational programme.

Look Around You is superb, keenly observed from its source material and surreal in execution. Well worth a watch, especially in the 25-40 age group who witnessed it all for real, but others may well enjoy the silliness of it all as well.

I happened upon this inspired bit of British comedy after watching Goodness Gracious Me (hit and miss). I was curious why there would be a ten minute show on TV. At first, I actually thought it was a children's instructional science program. Indeed, it is easy to to be fooled. The tone, pacing, narration, are all uncannily like those insipid PBS programs I'd watch when home sick from school or when the teacher wanted a hour off during class.

So now I know all about iron... I now count my iron flakes every day and make lists of clusters in my iron log book. Thank you.

Of course, the programmers at BBC America are a capricious lot. Their scheduling has all the consistency of runny tapioca pudding. One week it's on, another week, not to be found. If I would watch this silly, insane show, even it it meant I had to watch the last five minutes of crap like My Family or Coupling. OR, at least release a DVD coded for the US audiences! I'd buy it!