A história do que acontece depois que um renomado ladrão realiza seu último grande golpe, quando o FBI O agente que prometeu capturá-lo está prestes a fazer isso.A história do que acontece depois que um renomado ladrão realiza seu último grande golpe, quando o FBI O agente que prometeu capturá-lo está prestes a fazer isso.A história do que acontece depois que um renomado ladrão realiza seu último grande golpe, quando o FBI O agente que prometeu capturá-lo está prestes a fazer isso.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Obba Babatundé
- Zacharias
- (as Obba Babatunde)
Avaliações em destaque
This is a light, happy-go-lucky movie set mostly on Nassau in the Bahamas. Meet Max and Lola, two diamond thieves who have retired to this idyllic location to spend their loot. The problem is Stan, a shambolic, rather wild-eyed FBI agent who has been outwitted by them for years. Not content with letting them enjoy their retirement, he shows up on their (beachfront) doorstep and proceeds to lure them into another big heist. Lola's content with watching sunsets, but Max still has the bug. Will he take the bait? Complications arise because of the involvement of two locals: beautiful cop Sophie and bad guy Henri Mooré.
This movie was enjoyable enough as summer television-like movie, but it doesn't go much deeper than that. There's not a lot of realism and art here. It was like a television movie.
I don't know what makes television movies different from regular movies. Is it the writing? The plot development? The acting? They have a certain cliché nature, don't they? At times this movie definitely had the cheesiness and artificiality of television shows like the Love Boat and To Catch a Thief. That's not necessarily a bad thing. A lot of people love that kind of thing. It's not too demanding. And it's fun. People were laughing.
I suppose part of the problem for me was, well, Pierce Brosnan and Woody Harrelson. I just couldn't see these two with Salma Hayek and Naomie Harris, respectively. Isn't the age difference a little too much? Is it wrong for me to point out that -- unlike the women they were with -- these two were (by 2004) no longer hot enough to generate heat in their love scenes?
I have seen these two actors deliver outstanding performances. They are strong enough to pull off a film like this in their sleep. However, I am just not interested in them enough to spend two hours watching their buddy antics (drinking, fishing, even in bed). They are not lovable fun characters to me, although I think that's the effect the director was trying to achieve. These scenes were too forced. I saw no buddy chemistry.
There was a good deal of wise-cracking (eg "I knew that when I married you. I knew that when I divorced you!") and slapstick (eg Stan gets hit in the head by a trombone.) The scuba scenes and the cruise ship scenes at the end were not believable, not that I think this movie's intended audience would care about that. It's all meant to be part of the fun.
The person I was with walked out of the film halfway through. I thought it was OK. I mean, I didn't hate it.
This movie was enjoyable enough as summer television-like movie, but it doesn't go much deeper than that. There's not a lot of realism and art here. It was like a television movie.
I don't know what makes television movies different from regular movies. Is it the writing? The plot development? The acting? They have a certain cliché nature, don't they? At times this movie definitely had the cheesiness and artificiality of television shows like the Love Boat and To Catch a Thief. That's not necessarily a bad thing. A lot of people love that kind of thing. It's not too demanding. And it's fun. People were laughing.
I suppose part of the problem for me was, well, Pierce Brosnan and Woody Harrelson. I just couldn't see these two with Salma Hayek and Naomie Harris, respectively. Isn't the age difference a little too much? Is it wrong for me to point out that -- unlike the women they were with -- these two were (by 2004) no longer hot enough to generate heat in their love scenes?
I have seen these two actors deliver outstanding performances. They are strong enough to pull off a film like this in their sleep. However, I am just not interested in them enough to spend two hours watching their buddy antics (drinking, fishing, even in bed). They are not lovable fun characters to me, although I think that's the effect the director was trying to achieve. These scenes were too forced. I saw no buddy chemistry.
There was a good deal of wise-cracking (eg "I knew that when I married you. I knew that when I divorced you!") and slapstick (eg Stan gets hit in the head by a trombone.) The scuba scenes and the cruise ship scenes at the end were not believable, not that I think this movie's intended audience would care about that. It's all meant to be part of the fun.
The person I was with walked out of the film halfway through. I thought it was OK. I mean, I didn't hate it.
Opening with a scene at a professional basketball game, we quickly find, as do observing FBI agents, that we've been had. The die is cast; 'After the Sunset' will provide a series of feints and jabs, dodges and weavings that will prove to be less edifying than some great jewel heist films of the past. But we still are treated to enough satisfying moments to say this is a pretty good film.
Max Burdett (Pierce Brosnan) and his girlfriend Lola Cirillo (Salma Hayek) are in retirement, having stepped down from the ranks of the international jewel thief set, and are enjoying the good life in the Bahamas. Woody Harrelson (as FBI agent Stan Lloyd) has appeared on the scene; he is less sure they have retired and with the arrival in port of a ship-borne display of jewels (featuring 'The Third Napoleon Diamond' in the collection) has them under close watch.
Agent Lloyd has always been thwarted in capturing Max and Lola; this is personal. How the characters play against each other (various local officials become interested and ultimately involved as well) as the clock ticks (the ship is due to leave soon) elevates our interest. Don Cheadle (local crime boss Kingpin) is a key figure among the Bahamians with influence on the outcome.
Jewel heist in paradise. That might be a working title for a script which would become the film 'After the Sunset'. Writer Paul Zbyszewski (previous experience on TV's 'The Weakest Link') has fashioned a reasonably believable story line (see Roger Ebert for discussion of plot holes - http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20041111/REVIEWS/41006006/1023) involving electro-technical moments, great use of locations, wry humor (Woody Harrelson does go over the top in some mugging moments, but overall is quite engaging), and certainly deserves another opportunity to develop a script.
A killer cast of capable actors is expected to deliver and does. No doubt the script could have been terser, the lines more memorable or the plot more believable. We don't get all of the sheer class of the recent 'Ocean's Eleven', the raw energy of 'The Italian Job' or the gut laughs of 'Team America: World Police'. But Salma Hayek works her minimal exposure maximally (her physical charms alone are arresting), Brosnan is an interesting study in this a more laid back role than we are accustomed to seeing from him and Don Cheadle proves again he can do anything, including portray what for all intents is a gangster.
In an interview on the set of the film in January, director Brett Ratner notes about how he saw this as more a 'character-driven movie' and not just a 'big action heist'. He further notes that in taking on the task of balancing all the elements comedy, action/adventure, drama - 'It's more of a challenge for me. Can I do a movie like this and get the tone right? If it's too broad, you don't care about the characters. If it's too serious, it's just a dramatic film and you then don't care.' (http://www.joblo.com/index.php?id=3457)
'After The Sunset' is one of those films you just want to work and because you do redemption is sought in what probably are the small things. This jewel heist caper is a little above the cut of customary plex fare, and the nearly full theater of attentive viewers speaks to the dearth of just plain old decent films at the moment. We were not disappointed, and maybe agree the director CAN do a film like this.
Rating: 2- ¾ stars.
Max Burdett (Pierce Brosnan) and his girlfriend Lola Cirillo (Salma Hayek) are in retirement, having stepped down from the ranks of the international jewel thief set, and are enjoying the good life in the Bahamas. Woody Harrelson (as FBI agent Stan Lloyd) has appeared on the scene; he is less sure they have retired and with the arrival in port of a ship-borne display of jewels (featuring 'The Third Napoleon Diamond' in the collection) has them under close watch.
Agent Lloyd has always been thwarted in capturing Max and Lola; this is personal. How the characters play against each other (various local officials become interested and ultimately involved as well) as the clock ticks (the ship is due to leave soon) elevates our interest. Don Cheadle (local crime boss Kingpin) is a key figure among the Bahamians with influence on the outcome.
Jewel heist in paradise. That might be a working title for a script which would become the film 'After the Sunset'. Writer Paul Zbyszewski (previous experience on TV's 'The Weakest Link') has fashioned a reasonably believable story line (see Roger Ebert for discussion of plot holes - http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20041111/REVIEWS/41006006/1023) involving electro-technical moments, great use of locations, wry humor (Woody Harrelson does go over the top in some mugging moments, but overall is quite engaging), and certainly deserves another opportunity to develop a script.
A killer cast of capable actors is expected to deliver and does. No doubt the script could have been terser, the lines more memorable or the plot more believable. We don't get all of the sheer class of the recent 'Ocean's Eleven', the raw energy of 'The Italian Job' or the gut laughs of 'Team America: World Police'. But Salma Hayek works her minimal exposure maximally (her physical charms alone are arresting), Brosnan is an interesting study in this a more laid back role than we are accustomed to seeing from him and Don Cheadle proves again he can do anything, including portray what for all intents is a gangster.
In an interview on the set of the film in January, director Brett Ratner notes about how he saw this as more a 'character-driven movie' and not just a 'big action heist'. He further notes that in taking on the task of balancing all the elements comedy, action/adventure, drama - 'It's more of a challenge for me. Can I do a movie like this and get the tone right? If it's too broad, you don't care about the characters. If it's too serious, it's just a dramatic film and you then don't care.' (http://www.joblo.com/index.php?id=3457)
'After The Sunset' is one of those films you just want to work and because you do redemption is sought in what probably are the small things. This jewel heist caper is a little above the cut of customary plex fare, and the nearly full theater of attentive viewers speaks to the dearth of just plain old decent films at the moment. We were not disappointed, and maybe agree the director CAN do a film like this.
Rating: 2- ¾ stars.
"After the sunset" is surely not a demanding film...and none of us expected to be one. Take Pierce Brosnan - a great showman and a guy with asense of humor, add sexy as she's ever been Salma Hayek, add Woody Harrelson in good form, top it off with decent screenplay that does not take itself too seriously or risk falling into pretentious or shallow territory and you have yourself a very entertaining little piece of movie-making. There's not much to discuss about After the sunset. It has a lot of funny moments, at times it's silly and implausible but you don't really have time to think about that. It's without doubt not the best movie Pierce, Salma or Woody have made, but it's far from the worst either. If you're looking for an hour and a half of casual entertainment with solid performances, script and directing go see it...you'll feel pretty good after you do :)
After the Sunset sees Pierce Brosnan play an ex-jewel thief in a simple "will the old pro come out of retirement for one last job" movie that is far more entertaining than its unoriginal premise sounds.
Pierce Brosnan takes to his dressed-down James Bond role very well, and the jokes and his style make him a very likable character. Woody Harrelson, the rival FBI agent, puts in a similarly enjoyable performance, and his inept bumblings around the island create some unexpected comic situations between the cop and the thief. It's the relationship between these two (and the compromising situations they find themselves in) that makes the film, as they antagonize each other and almost become buddies toward the end. Their encounters add something fresh and unexpected to the movie's simple formula and make it really entertaining.
Oh, and special mentions have to go out for Don Cheadle and Salma Hayek. Don's character is very funny, and he plays both sides of it well, and as for Salma...let's just say the directors are aware of what their male audience wants to see.
All in all, it's funny, quick, easy to follow, and contains enough little quirks to make After the Sunset an enjoyable and entertaining experience.
Pierce Brosnan takes to his dressed-down James Bond role very well, and the jokes and his style make him a very likable character. Woody Harrelson, the rival FBI agent, puts in a similarly enjoyable performance, and his inept bumblings around the island create some unexpected comic situations between the cop and the thief. It's the relationship between these two (and the compromising situations they find themselves in) that makes the film, as they antagonize each other and almost become buddies toward the end. Their encounters add something fresh and unexpected to the movie's simple formula and make it really entertaining.
Oh, and special mentions have to go out for Don Cheadle and Salma Hayek. Don's character is very funny, and he plays both sides of it well, and as for Salma...let's just say the directors are aware of what their male audience wants to see.
All in all, it's funny, quick, easy to follow, and contains enough little quirks to make After the Sunset an enjoyable and entertaining experience.
This movie was a pleasant shock, because it wasn't typical high octane adrenaline-pumping Pierce Brosnan action flick of recent memory! The action was more subdued and less far-fetched as a typical Brosnan movie. I laughed my butt off in parts, and the cast pulled off their roles in a badass-yet-comical way!
Salma Hayek adds some necessary female steam in this otherwise masculine tale! As always Pierce Brosnan delivers a wonderful performance helping to make this movie a real delight!
I can't tell you much more about the movie without spoiling scenes, so, see this movie; it's worth the whatever price you pay.
Salma Hayek adds some necessary female steam in this otherwise masculine tale! As always Pierce Brosnan delivers a wonderful performance helping to make this movie a real delight!
I can't tell you much more about the movie without spoiling scenes, so, see this movie; it's worth the whatever price you pay.
Você sabia?
- CuriosidadesIt was so cold during the filming of some beach scenes that the cast members' exhalations were visible.
- Erros de gravaçãoWhen Max is 'gassing' Stan in the Suburban, he connects the gas to the AC refrigerant system which is a closed system. It would be impossible for the gas to get into the air vents.
- Citações
Stan Lloyd: It's okay to be happy to see me. Just because you're English doesn't mean you need to hide your emotions.
Max Burdett: I'm Irish. We let people know how we feel. Now fuck off.
- Versões alternativasDeleted and extended scenes are on the Region 1 DVD.
- ConexõesFeatured in Late Night with Conan O'Brien: Salma Hayek/Adam Brody/Josh Groban (2004)
- Trilhas sonorasCalifornia Dreamin'
Written by John Phillips and Michelle Phillips
Performed by The Mamas and the Papas
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Principais escolhas
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- How long is After the Sunset?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Al Caer La Noche
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 28.331.233
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.500.000
- 14 de nov. de 2004
- Faturamento bruto mundial
- US$ 62.657.868
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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