A Estância

Maybe sometimes, we forget, with our plush life and current definition of "poverty", what things were like for rural "working poor" even as recently as the 50's. Survival, even for a man who owned the land, took a different strength of character. Is it good, or is it regretful those times have passed? More money yes, but were better times up North in the auto plants? I suppose, but this is nostalgia, and not bad either.

It was a good family movie, narrated like the Waltons, I kept waiting for "goodnight Luke-boy". Yah, Little House on the Prairie too, a bit more reality, but did other commenters really expect this to be as complete as the book, any book? Personally, I'm tired of hearing book-readers whine about "what they left out". Don't watch movies if you read the book.

This is certainly wandering reminiscences, but that's another type of literature too, isn't it? Why does every story have to be going somewhere special? To me it's a pretty good coming of age movie and worth the hour and a half at least, and always a pleasure watching Scott Glenn, when he gets good parts.

To the other reviewer I would say that this isn't groundbreaking television or anything but it is hardly as bad as you are making it out to be.

It's just your average TV production, a made for TV movie that actually won an Emmy so it can't be that atrocious can it? Not sure why you hate it so much that you would go online and bash it and make personal accusations about the author and other people involved simply from disliking the movie.

I can'd speak for how realistic it is but as someone who knows nothing about cotton farming but knows a little about farming in general I thought it was realistic enough for a TV story. And I thought the acting was good.

Overall, it was an ok made for t.v movie. The acting was good, and there was nothing particularly wrong with the cinematography. The only problem was the story line. It goes from here to there with nothing to tie it together in between. The movie also comes with a rather un-satisfying ending. But if you are at home one night with nothing else to do it is an enjoyable-enough two hours.

In Arkansas during the Korean War, 10-year-old Luke Chandler lives with his parents and grandparents on a farm where cotton is the primary crop. To pick the cotton, the family must hire 'hill people' and Mexicans. The hill people do not get along particularly well with those who look down on them, and sometimes they get into fights. Hank Spruill is especially prone to getting in trouble. One day in the house, he makes demands of Luke and, figuring Luke looks down on him, points out that at least his house is painted, while to Luke's family, paint is a luxury. Later in the movie, part of the house has been mysteriously painted. The prime suspect is Hank's disabled brother Trot, who can't work in the fields.

Luke witnesses a fight Hank gets into that results in a death. He is afraid to tell the truth since Hank doesn't like him anyway, but the police officer who investigates appears satisfied with the explanation of self-defense. Hank's teenage sister appears to be falling for Luke at first, but later she is seen with Cowboy, one of the Mexicans, and Hank already despises Cowboy.

The hard life on the farm is made even worse by several weather events during the second half of the movie. The promise of better times ahead is suggested when Luke's cousin shows up in a brand new Buick (Luke has never even been in a car, only trucks). His spoiled rich wife can't believe people have to live like this and is horrified by having to use an outhouse (This was one of my favorite scenes; Kiersten Warren is so good in roles like this). Also, the whole town is excited by a new thing called television and the idea of actually being able to watch the World Series. Luke is a Cardinals fan, but he gives up his dream of a Cardinals jacket for something more important.

This is almost a family movie. There are two violent scenes that result in deaths (both witnessed by Luke; the second time, the person responsible threatens Luke's mother if he tells). People get into fights a lot in this environment, but the others are no big deal. Other possible red flags for parents: the birth of a child to an unwed mother, and the identification of a possible father. Other than these incidents, this movie could be acceptable viewing for the entire family.

This movie was well done, and I thought the performances by many of the actors were good. I especially liked Luke's grandfather, who could be stern but tender. Not everyone has an easy life, and those of us who had it too soft can learn a lot from a movie such as this.

I'll cut to the chase... there have been lots of adaptations on both movies and TV based on John Grisham novels don't they? THE FIRM, THE PELICAN BRIEF, THE CLIENT (the 1994 movie and the TV show that was made in the two following years), THE CHAMBER, A TIME TO KILL and RUNAWAY JURY are just a few and also the most overplayed on TV. Curiously in the same year of RUNAWAY JURY they made yet another adaptation but as a TV movie, A PAINTED HOUSE. After all those adaptations one would ask if this up-teenth adaptation is good as the others or not. My answer would be... it is, and now I'll discuss it.

The story is set in 1950s Arkansas when the Chandler family composed by Eli (Scott Glenn), Kathleen, Jesse (Robert Sean Leonard), Granny (Melinda Dillon), Luke (Logan Lerman) has to face lots of hardships because the cotton harvest hasn't been successful and they depend on it so they count on increase the production and sell it to the best buyers. They'll succedd not after they ask help to the Spruill family composed by Tally, Pops (Geoffrey Lewis) and Hank (Pablo Schreiber), and the Chandler family will also manage to finish painting the barn referred in the title.

The premise is good but the main reason to watch this is the acting. Glenn as usual never disappoints, Schreiber and Sean Leonard are the standouts of the supporting players and overall, there is a certain feel good atmosphere to it that it makes this a perfect comfort movie (in other words, one of those movies one watches when doesn't want to think too much). Worth seeing since it's also available on YouTube.