AVALIAÇÃO DA IMDb
6,4/10
11 mil
SUA AVALIAÇÃO
Dois vigaristas tentam enganar um colecionador de moedas vendendo-lhe uma cópia falsa de uma nota de moeda extremamente rara.Dois vigaristas tentam enganar um colecionador de moedas vendendo-lhe uma cópia falsa de uma nota de moeda extremamente rara.Dois vigaristas tentam enganar um colecionador de moedas vendendo-lhe uma cópia falsa de uma nota de moeda extremamente rara.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Laura Cerón
- Waitress
- (as Laura Ceron)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
My vote for 9 Queens, 3 or 4 years ago: 10/10.
This one: 3/10. :-(
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Bad remake, nothing attractive in this movie. Stupid ending (different from the original), a little boring, we don't always understand what happens...
During the whole movie, we don't feel the stress of the characters. Not because they are bad actors but the movie is not enough realistic, it's difficult to imagine their thoughts.
I totally agree those who say to watch 9 Queens instead.
Why remake it? There is nothing to change to 9 Queens, the actors are perfect and the story is great. More credible than Criminal.
This one: 3/10. :-(
-
Bad remake, nothing attractive in this movie. Stupid ending (different from the original), a little boring, we don't always understand what happens...
During the whole movie, we don't feel the stress of the characters. Not because they are bad actors but the movie is not enough realistic, it's difficult to imagine their thoughts.
I totally agree those who say to watch 9 Queens instead.
Why remake it? There is nothing to change to 9 Queens, the actors are perfect and the story is great. More credible than Criminal.
"Criminal" is an adequate Americanization of one of my favorite films of 2002, the delightfully twisty "Nine Queens (Nueve Reinas)."
Adapter/debut director Gregory Jacobs doesn't quite make up for the extra tension that Argentina's financial chaos added as an urgent back drop.
Some of the twists are too smoothly straightened out by focusing more on the older con man, here played by John C. Reilly, and his sister, played by Maggie Gyllenhaal without the original's sensuality, despite her low cut blouse.
Diego Luna is a mite young, but he's cast to turn Reilly's character into more of a manipulative mentor and less an apparent partner.
On its own, without comparison to the original, it's an amusing and workmanlike update of "The Sting" crossed with "The Grifters."
Adapter/debut director Gregory Jacobs doesn't quite make up for the extra tension that Argentina's financial chaos added as an urgent back drop.
Some of the twists are too smoothly straightened out by focusing more on the older con man, here played by John C. Reilly, and his sister, played by Maggie Gyllenhaal without the original's sensuality, despite her low cut blouse.
Diego Luna is a mite young, but he's cast to turn Reilly's character into more of a manipulative mentor and less an apparent partner.
On its own, without comparison to the original, it's an amusing and workmanlike update of "The Sting" crossed with "The Grifters."
Lovers of the grifter genre - you will love this one most of all. It earns a 9 out of 10 from yours truly. Sincerely. Sure, I'm biased for the genre.
But this one has the style of a low budget 'Sting' with a story line on par with Steve Martin's 'The Spanish Prisoner'.
Grifter movies rely on competent, likable con men and women, gullible marks and a logical plot. The audience can be(come) the mark, as can the cons themselves. That's why this genre yanks me in and why it entertains so well. I am (you are) the detective. Figure out what's going on before they tell you: That's the ame. I'm a cynic by nature and I'm always equal to the task.
Now this one - I couldn't figure it all out before they revealed it. What they reveal is worth the wait and meandering through the story. I doubt you'll piece it all together either. Therein lies how it earned its 9.
The plot works. Oh . . . and "Cut to the chase' will never be the same after you see how "Criminal" cuts to it. It's brilliant and timed with perfection. It's something you'd expect from the likes of Spike Lee.
Sorry to be oblique here; but if I tell you any more, the ending would be exposed. The last two minutes tell all - and the first 85 are every bit as entertaining and important. John C. Reilly, Diego Luna and Maggie Gyllenhaal are worth the admission price. Superb, all! See it. Tonight!
But this one has the style of a low budget 'Sting' with a story line on par with Steve Martin's 'The Spanish Prisoner'.
Grifter movies rely on competent, likable con men and women, gullible marks and a logical plot. The audience can be(come) the mark, as can the cons themselves. That's why this genre yanks me in and why it entertains so well. I am (you are) the detective. Figure out what's going on before they tell you: That's the ame. I'm a cynic by nature and I'm always equal to the task.
Now this one - I couldn't figure it all out before they revealed it. What they reveal is worth the wait and meandering through the story. I doubt you'll piece it all together either. Therein lies how it earned its 9.
The plot works. Oh . . . and "Cut to the chase' will never be the same after you see how "Criminal" cuts to it. It's brilliant and timed with perfection. It's something you'd expect from the likes of Spike Lee.
Sorry to be oblique here; but if I tell you any more, the ending would be exposed. The last two minutes tell all - and the first 85 are every bit as entertaining and important. John C. Reilly, Diego Luna and Maggie Gyllenhaal are worth the admission price. Superb, all! See it. Tonight!
One question that always pop in my mind whenever Hollywood tries to remake a foreign film that was successful is: Why? In most cases, the end result is disastrous; it never compares with the original movie and why spend money in something that has already been done, better.
The movie in question here is the Argentine surprise film of last year, "9 Queens". In it, Fabian Belinsky, its director, was able to give us an original story, a caper, that was well executed and brilliantly acted; it was a pleasure to watch.
Not to put this movie down, but it suffers in comparison. Gregory Jacobs, the director, has adapted the story to present day Los Angeles and the story hasn't changed at all. The memory of the other movie was still vivid in our minds, so there was no surprise with this one.
The acting is good in general. John C. Reilly makes the con man Richard Gaddis perfectly slimy. Diego Luna brings a nice balance to his role, and Maggie Gillenhaal is excellent as the long suffering sister.
If you haven't seen the original, this version works fine.
The movie in question here is the Argentine surprise film of last year, "9 Queens". In it, Fabian Belinsky, its director, was able to give us an original story, a caper, that was well executed and brilliantly acted; it was a pleasure to watch.
Not to put this movie down, but it suffers in comparison. Gregory Jacobs, the director, has adapted the story to present day Los Angeles and the story hasn't changed at all. The memory of the other movie was still vivid in our minds, so there was no surprise with this one.
The acting is good in general. John C. Reilly makes the con man Richard Gaddis perfectly slimy. Diego Luna brings a nice balance to his role, and Maggie Gillenhaal is excellent as the long suffering sister.
If you haven't seen the original, this version works fine.
I saw the film and loved it. The ending totally threw me. As I drove home I had to rethink the entire film. Every assumptions I had while watching it was wrong. It was a total surprize. Diego is soooo naturally talented; I hope the rest of the world discover him eventually. The rest of the cast was great too. I think the critics who didn't like it were wasting their times comparing it frame for frame with the original film. It would have been nice if they reviewed the film for the millions who've never heard of the original rather than for themselves. I have never seen Nine Queens and I'm glad I didn't because I probably would have been doing the same thing and ruined the experience. I didn't have any preconceived expectations and enjoyed it immensely. Can't wait to see what Diego does next.
Você sabia?
- CuriosidadesThe writing credit for Steven Soderbergh is Sam Lowry, which is the protagonist of the film Brazil: O Filme (1985). Soderbergh also used this pseudonym on Obsessão (1995).
- Erros de gravaçãoThe Monroe $100 Silver Certificate isn't nearly as valuable as portrayed in the film. They were printed for two years in vast quantities beginning in 1878 and deemed immediately collectible. Hoarders have preserved most of them preventing them from earning the status of "rare", a mint condition $100 Monroe can be had for less than $2,000 USD and would never command the six figure / half million price in the film.
- Cenas durante ou pós-créditosThe only opening credit is the title.
- ConexõesRemake of Nove Rainhas (2000)
- Trilhas sonorasSing a Simple Song
Written by Sly Stone (as Sylvester Stewart)
Principais escolhas
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- How long is Criminal?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Criminal
- Locações de filme
- Aon Center - 707 Wilshire Blvd., Los Angeles, Califórnia, EUA(Location of Wells Fargo Bank branch where Richard/John C. Reilly tries to cash the check)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 929.233
- Fim de semana de estreia nos EUA e Canadá
- US$ 283.209
- 12 de set. de 2004
- Faturamento bruto mundial
- US$ 1.398.053
- Tempo de duração1 hora 27 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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