Napoleon Dynamite

This movie is a genx love fest and it made me feel better than any movie I have ever seen. Essentially, this movie is a remake of "welcome to the dollhouse" and a lot of the other slacker-esque movies of that era. The film follows the misadventures of a complete loser (Napoleon Dynamite is a near sighted high school kid with a penchant for medieval warriors and tall tales), his best friend (the new kid in town, a Mexican immigrant who must comprehend life in rural Idaho), their shared love interest (she is deliciously quirky on her own), and a few other random characters (Napoleon's scheming "get rich quick" uncle and his internet chatroom obsessed loser 32-year-old-but-still-living-at-home brother). In terms of story, this one is tops. All of the "good" characters grow and become much more than they were when the movie began. This film celebrates friendship at it's basest level and demonstrates the triumph of good people above overwhelming odds. The true appeal of this movie though, for me, was the close attention that the director paid to making this movie feel like the early 1990's or late 1980's. Characters wear zubbas and hand out friendship bracelets. Even the vocabulary the actors use comes from this era (when was the last time you called someone "retarded", for example), but it is done so in such a genuine manner. The music and the style are very appropriate, and you can really feel the social awkwardness of Napoleon and his friends. While this movie was made in many ways to appeal to those who can most relate to the awkward years of growing up (the unpopular kids, the new kid, the medieval warrior obsessed clique, the metal heads, the stoners, all the general low lifes you probably associated with, or possibly were at school), this will nevertheless appeal to everyone else. The comedy is not made to be knee slapping, but it's sublety is wonderful and I found myself laughing throughout the entire film. If you have ever rooted for the underdog, this is the movie for you. I can't spoil the ending for you, but for real, no movie has ever made me feel as happy and as inspired as this one. I can't wait to see what this director comes up with next!

I have to say I was so intrigued by the mixed responses to this film on this board I had to see it. In my opinion it was the best movie I have seen in years. I am so tired of the typical BS Hollywood crap, and this movie was far from that. Napoleon was indeed dynamite! The first couple minutes I was kinda worried that the naysayers were right, but as the movie continued I couldn't stop laughing! And for those how think that it was wrong to exploit the nerds in society, you definitely missed the whole point of the movie. It wasn't exploited them, it was more celebrating them and their uniqueness. And as for being unrealistic, this movie was more realistic than any movie I have seen. That was part of what made it hilarious. Not doubt this will be a cult classic! GO NAPOLEON!

I give this film a 10 out of 10

Napoleon Dynamite by all means is not a five-star masterpiece, and it mayn't be to everybody's tastes but I was surprised at how much I liked it, even with its problems. I can also say I do think there are much worse movies out there- Disaster Movie, Epic Movie, Home Alone 4, Cat in the Hat and Superbabies:Baby Geniuses 2 are much worse than this film.

What I did like about Napoleon Dynamite was that it was unique, funny, quirky and original. Where it is not quite so good is in the episodic story structure and some of the supporting characters particularly comic-book-geek older brother and the ageing jock uncle were disappointingly one-dimensional and could have been further explored in terms of depth.

Napoleon Dynamite does have a refreshingly distinctive time-warp look that recalls the style-challenged 1980s though, and that was refreshing in itself. The soundtrack is nice and nostalgic, and there are some genuinely laugh-out-loud funny moments. Also the ending is suitably uplifting and the limited horizons of young people in small-town America is nicely conveyed. The script is good and the direction is pretty solid.

As are the performances. Jon Heder is delightfully eccentric in the title role, and he is really entertaining throughout, whether it is in the voice, the facial expressions or his character's actions. Napoleon is a blank-faced teen with carrot-coloured hair and seriously underdeveloped interpersonal skills, and here he tries to help his nerd of a best friend Pedro, amusingly played by Efren Ramirez. In terms of other supporting performances, Aaron Ruell also does a good job as Kip and while his role wasn't as well-sketched as it could have been, Jonathan Gries does nicely as Uncle Rico.

Overall, not perfect, but amusing, quirky and unique. 7/10 Bethany Cox

It seems based on many of the comments on this site that certain folks may be expecting a bit too much from a movie such as 'Napoleon Dynamite.'

This ain't art cinema, folks. It's absurdist comedy. Don't go to see this film looking for deep meaning or well-constructed plot--the vague semblance of a plot is as artificial as they come, and seems inserted mostly to give the film structure and to permit the audience a somewhat 'happy' ending.

NO, Napoleon Dynamite isn't about changing the world--it's live action 'South Park' (Preston, Idaho, where the film is set, actually bears a strong resemblance to the real South Park, Colorado). It's a highly ironic, self-mocking, merciless run of sight gags and one liners with no apparent purpose other than to get laughs at the expense of its main characters, especially the eponymous Napoleon, a fit stand-in for everyone who's ever felt like a socially inept outcast trapped in the hell of high school.

This movie isn't for everybody, but if you don't see glimpses of your own childhood in the various awkwardnesses and failures of the main characters, you're in denial. Don't see Napoleon Dynamite if you're expecting sensitivity--go see it if you're pissed off at the world and just need to laugh. I saw it for the first time last night, and I'm still busting into spontaneous laughter whenever one of Napoleon's silly one-liners or blank-faced dead-pan non-sequitirs comes to mind.

Napoleon Dynamite is a king among nerds, a slack-jawed, mouth-breathing high school student who suffers the slings and arrows of perpetual ridicule, yet who gives as good as he gets when the treatment gets too rough. Luckily, Napoleon is far from alone in his nerddom. He has an older brother who wears buttoned-up short sleeve dress shirts and black-rimmed glasses, and whose social contact is limited mainly to people he meets in internet chat rooms. Napoleon's Uncle Rick is what might be called a "muscular nerd," a used-up, middle aged football player who dreams of his glory days in 1982 when he was just one play away from a career in the NFL and a life of fame and fortune, and who now spends his time hawking Tupperware products, selling miracle breast enhancement devices, and investing in time travel machines he finds in catalogues. Napoleon also befriends the school's newest nerd, a transfer student named Pedro, and tries to start up a romance with the shy and awkward Deb, who sheepishly goes door to door drumming up business for her studio that specializes in "glamour" photo shots for a decidedly unglamorous clientele.

Set in a small town in rural Idaho, "Napoleon Dynamite" is a quirky regional comedy that achieved phenomenal mainstream success at the American box office. Its appeal is in its low-keyed, understated look at a group of people that more of us probably identify with than we would like to acknowledge. This is a movie for anyone who has ever felt unattractive or unpopular, who just never quite "fit in" with the people who really counted, especially in those dark ages known as the "teen years." One can't help liking and rooting for these bizarre and eccentric individuals who are really just looking for the same love and acceptance that we all are.

Director Jared Hess, along with co-writer Jerusha Hess, never feels the need to exaggerate or overstate the comedy. It would have been easy for them to have turned this into another "Revenge of the Nerds," placing their characters in over-the-top predicaments and situations to appease audience expectations. Instead, they let the story develop subtly and gradually, making the film feel more attuned to real life in the process. It may seem like a contradiction in terms, but the writers achieve their humor through a kind of understated hyperbole that allows us to laugh with the characters rather than at them. These nerds may be nerds to the core, but they reflect the longings and doubts common to all of us at one time or another. As a result, "Napoleon Dynamite" is warm and humanistic where it could easily have been cruel and condescending.

The filmmakers are helped immeasurably by a wonderfully talented cast, all of whom play their parts perfectly. Joe Heder as Napoleon, Aaron Ruell as his brother, Kip, Efren Ramirez as Pedro, and Tina Majorino as Deb all deliver their lines in a flat, emotionless, singsong monotone that perfectly captures the defense mechanism each of them has set up as a shield against a brutal, uncomprehending world. Yet, Napoleon and his fellow nerds never settle for victim status, as each finds a way to assert his individuality and carve out a little piece of happiness for himself. As an actor, only Jon Gries as Napoleon's Uncle Rico gets to break through the somnambulist haze and go for the fences in his delivery.

"Napoleon Dynamite" is clearly not the kind of movie that every audience will appreciate, but those movie watchers with a taste for the offbeat and quirky will have a fun time with it.