Enquanto o governo elabora uma cura para as mutações, Jean Grey se torna uma pessoa obscura e incontrolável chamada Phoenix, e alia-se a Magneto, causando uma escalada em uma batalha total p... Ler tudoEnquanto o governo elabora uma cura para as mutações, Jean Grey se torna uma pessoa obscura e incontrolável chamada Phoenix, e alia-se a Magneto, causando uma escalada em uma batalha total pelos X-Men.Enquanto o governo elabora uma cura para as mutações, Jean Grey se torna uma pessoa obscura e incontrolável chamada Phoenix, e alia-se a Magneto, causando uma escalada em uma batalha total pelos X-Men.
- Prêmios
- 7 vitórias e 40 indicações no total
- Kitty Pryde
- (as Ellen Page)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Avaliações em destaque
Although I feel a comic book movie has yet to top Batman Begins, I feel that all superhero movies owe it to the X men for 'relaunching' this superhero craze that we have been blessed with, and for that we have to thank Singer.
For those who have seen the movie you can agree with me that Ratner did not give us the in depth character build up that Singer gave us. Instead, giving us a fun action packed movie, with a little character glimpse at Wolverine and a touching moment between Kitty and Bobby. However, that is not the director that Ratner is. Ratner is 'an action' director, one who focuses mainly on fight sequences and explosions mixed in with some mild humor, and that is what made this movie work.
Although Singer's genius was deeply missed in this third chapter, I do not feel we need to be ashamed at the third movie. I know we all feel that Singer could have given us a better close on his trilogy, Brett Ratner still needs to be applauded for giving us his different yet great take on the wonderful and never to be forgotten X-Men series.
X-Men: The Last Stand goes deeper into the mutant versus human controversy. All of the favorites are back with the addition of some needed support. The main focus of this film is the introduction of a vaccine that can rid a mutant of its powers. It is called, "The Cure". Magneto, played once again by Ian McKellan, gathers his Brotherhood for a war on the mankind once more. His eyes are fixed on the one person who holds the answer, a small, innocent child with a gift so powerful, Magneto will risk everything for it.
Charles Xavier (Patrick Stewart) upon hearing gathers his group of X-Men to stop the menacing Magneto. He is short a few of his troops from the last film. Cyclops is still lamenting over the loss of his dear Dr. Jean Grey. When he can't take it anymore, he drives out to where he last saw her. Her voice has driven him to the edge until she appears. Who he meets isn't Jean, but her true self; Phoenix. She is Jean's alter ego, the most powerful mutant Charles or Magneto ever encountered.
Director Brett Ratner of Rush Hour fame delivers an action packed, special effects driven adventure. His style is unlike that of the previous X-Men films. His version is more along the lines of a regular action flick. A lot of explosions, stunts galore, and a so-so script. What made the other films enjoyable was the emphasis on the characters. This film has almost too many to include. Although some weren't present and some don't make it, there are too many side stories going on than are needed.
The mutants are always a blast to watch. Hugh Jackman returns to his old guns, relying on witty remarks and vicious attacks on unsuspecting victims. Somehow it doesn't get old. Kelsey Grammar is introduced as Dr. Hank McCoy, better known as Beast, a blue skinned, blue haired genius who wants nothing more than this war to cease. Also introduced is Angel, who sadly doesn't play too much of a role. On the other side of the battle is Juggernaut (Vinnie Jones). A one man wrecking crew whose momentum is unstoppable to the strongest of obstructions. Beside him is Callisto, a speedy little devil whose impact is virtually just filler. There is more emphasis on characters like Kitty, the girl who can walk through walls, and Collossus, a metal strongman, and less emphasis on Rogue and Mystique.
Without these characters in play, the film is special effects driven. Impressive CGI graphics and and intelligent use of the mutants powers go a long way in the making of this film. Characters like Storm (Halle Berry) rely solely on the effects provided by Ratner and his team or visual effects artists.
As far as summer blockbusters go, this film isn't one to be trifled with. It presents a lot of aspects that a blockbuster should have: a lot of big name actors, reliable story lines, stunning effects, and most importantly, an appeal to a large audience. The movie might be a little bit mature for children, but comic book fans and fans of the films will thoroughly enjoy this. The only remaining question left is; will there be another?
The first two X-men were poor projects, but at least had *some* imagination. Sadly, it wasn't visual or cinematic. This lacks everything, but you can read all about that elsewhere. Here, all you'll find is some speculation about the root of thing: why it is rotten and probably unfixable at the core.
The book depended on a the universality of differentness. The idea behind the notion of "mutant" was that there were perhaps tens of millions of mutants including nearly every reader. Different, strange but talented beyond the norm in some usually unappreciated way. Spurned or at least misunderstood by parents and bosses.
In this cosmology, we all live in a modified noir world, one that toys with the fate of a whole class rather than a single, accidentally selected individual (and his girl). When we see higher level mutants behaving heroically, they do it as representatives of us, or so the comics go.
That's turned on its head here: lower level mutants are innocent pawns just as all the other types of people, soldiers, random motorists whose idea was it to show that every car had children in it, then use those occupied cars as firebombs?
And if the target demographic is 14 year old boys and those who wish they were, why use 40 year old women? Or is it not supposed to matter? Well, it didn't to me, but the complete lack of cinematic imagination says this needs to go away.
The anti-mutating mutant was apt, though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
There are a lot of characters that are undeveloped. It's not such a problem with the one's we already know, but it is for the one's that we don't. There's also unneeded information for certain characters that aren't really in the movie. Certain characters play big roles, but we don't get to know them. Others have minor roles, and the info is meaningless. For instance, a character is introduced in the prologue to the movie, but is barely seen in the remainder of the film. The movie was way too short. It seems like everyone's in a hurry throughout the film. If it had been 2 and a half hours, it would have been able to develop all of the characters, and the back stories would have been more relevant to certain characters. The movie is action packed and fun, but it really doesn't draw you into it the way the first two did, say for a couple of scenes.
Overall, it was worth seeing on the big screen, and I'm glad that I saw it. It is a good film. But again, you'll be a little disappointed as an X-Men fan. 7/10.
One final thing, stay after the credits for the final scene. It seems nobody saw the entire movie.
Você sabia?
- CuriosidadesRebecca Romijn's (Mystique's) and James Marsden's (Cyclops') roles were reduced substantially when this movie was rushed into production, and the two cast members had prior scheduling conflicts.
- Erros de gravação(at around 1h 15 mins) Time of day during the final battle sequence. The first pan over the bridge from southeast looking north, is clearly midday as the shadow of the bridge is almost directly underneath it. When Magneto first walks onto the Golden Gate bridge it is close to sunset, and the shadowing is very inconsistent, sometimes sharp from direct sunlight, sometimes not. By the time they move the bridge and drops it onto the island, and lowers himself to the bridge, and all the mutants move forward, it is suddenly dark. In the DVD commentary, everyone acknowledges it, but says "Hopefully you're into the movie enough..." The whole battle is then shown as taking place in the dark.
- Citações
Eric Lensherr: Charles Xavier did more for mutants than you will ever know. My single greatest regret is that he had to die for our dream to live.
- Cenas durante ou pós-créditosSPOILER: A scene appears after the closing credits: Dr MacTaggart checks up on her comatose patient, and discovers Professor Xavier transferred his mind into the patient's body.
- Versões alternativasThe original DVD release of the film had two different sets of navigation menus, one themed around the Brotherhood, and one themed around the X-Men. The content selectable is the same regardless, but this aesthetic was not reused on the Blu-ray release.
- ConexõesEdited into The Charlotte Church Show: Episode #1.6 (2006)
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- X-Men 3 - La batalla final
- Locações de filme
- Hatley Castle, Royal Roads, Colwood, Columbia Britânica, Canadá(Xavier's mansion)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 210.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 234.362.462
- Fim de semana de estreia nos EUA e Canadá
- US$ 102.750.665
- 28 de mai. de 2006
- Faturamento bruto mundial
- US$ 460.435.291
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1