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IMDbPro

O Sol de Cada Manhã

Título original: The Weather Man
  • 2005
  • 14
  • 1 h 42 min
AVALIAÇÃO DA IMDb
6,5/10
85 mil
SUA AVALIAÇÃO
O Sol de Cada Manhã (2005)
Home Video Trailer from Paramount
Reproduzir trailer2:31
3 vídeos
99+ fotos
ComédiaComédia de humor negroDrama

Um meteorologista separado de sua esposa e filhos, debate se o sucesso profissional e pessoal são mutuamente exclusivos.Um meteorologista separado de sua esposa e filhos, debate se o sucesso profissional e pessoal são mutuamente exclusivos.Um meteorologista separado de sua esposa e filhos, debate se o sucesso profissional e pessoal são mutuamente exclusivos.

  • Direção
    • Gore Verbinski
  • Roteirista
    • Steve Conrad
  • Artistas
    • Nicolas Cage
    • Hope Davis
    • Nicholas Hoult
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    85 mil
    SUA AVALIAÇÃO
    • Direção
      • Gore Verbinski
    • Roteirista
      • Steve Conrad
    • Artistas
      • Nicolas Cage
      • Hope Davis
      • Nicholas Hoult
    • 343Avaliações de usuários
    • 110Avaliações da crítica
    • 61Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos3

    The Weather Man
    Trailer 2:31
    The Weather Man
    The Weather Man
    Trailer 2:31
    The Weather Man
    The Weather Man
    Trailer 2:31
    The Weather Man
    The Weather Man
    Trailer 2:31
    The Weather Man

    Fotos101

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    Elenco principal90

    Editar
    Nicolas Cage
    Nicolas Cage
    • David Spritz
    Hope Davis
    Hope Davis
    • Noreen
    Nicholas Hoult
    Nicholas Hoult
    • Mike
    Michael Caine
    Michael Caine
    • Robert Spritzel
    Gemmenne de la Peña
    Gemmenne de la Peña
    • Shelly
    • (as Gemmenne De La Peña)
    Michael Rispoli
    Michael Rispoli
    • Russ
    Gil Bellows
    Gil Bellows
    • Don
    Judith McConnell
    Judith McConnell
    • Lauren
    Chris Marrs
    Chris Marrs
    • DMV Guy
    Dina Facklis
    • Andrea
    J. Nicole Brooks
    J. Nicole Brooks
    • Clerk
    • (as Deanna NJ Brooks)
    Sia A. Moody
    Sia A. Moody
    • Nurse
    • (as Sia Moody)
    Guy Van Swearingen
    Guy Van Swearingen
    • Nipper Guy
    Alexander Pine
    • Fast Food Employee
    • (as Alejandro Pina)
    Jackson Bubala
    • Fast Food Child
    Jennifer Bills
    • Fast Food Mom
    Peter Grosz
    Peter Grosz
    • Shelly's Archery Instructor
    Joe Bianchi
    • Paul
    • Direção
      • Gore Verbinski
    • Roteirista
      • Steve Conrad
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários343

    6,585.1K
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    Avaliações em destaque

    7ferguson-6

    Not a Hill of Beans

    Greetings again from the darkness. So Close. This is painfully close to being a great film. Although still very good at presenting issues normally not seen on film, director Gore Verbinski ("Pirates of the Caribbean" "The Ring") falls just short of making a very powerful statement.

    Please do not let the trailer fool you. This is not slapstick comedy like "Anchorman". This is deep, often dark subject matter addressing the emotional struggles men face when dealing with a bad divorce, trying to maintain a relationship with kids, and the pressures of trying to make one's own dad proud (or at least gain acceptance). So often Hollywood deals with the plight of the woman and her emotional turmoil. Instead we are "treated" with watching a man's attempt to live up to (what he thinks are) expectations of others and how somehow the right job will make everything OK ... his life will be whole.

    Nicolas Cage gives another outstanding performance as "The Weather Man" on a Chicago TV station. To add to the complexity, he is not a meteorologist and he is being courted by a national morning talk show featuring Bryant Gumbel. Two areas with this character are poorly written in my opinion. First, Cage's hair weave is bloody awful. At least in Dallas, weather men all look like Televangelists with perfect hair. His is always askew ... don't they have hair/make-up staff in Chicago? Second, the character is written as too much of a loser in all aspects. He is not just struggling, he is not someone any guy or girl would want to hang with. The film tries, but fails, to show the "switch" come on when Cage steps in front of the camera. They tell us this happens, but it needed to be presented much clearer.

    Playing Cage's father, Michael Caine is a pretty intimidating figure as he is confused about his son's direction in life while at the same time facing a very dark future of his own. Caine is wonderful in the role and when he tells his son "Sometimes in life, you just have to chuck it", we really get it and hope that Cage does as well.

    On the other hand, Hope Davis is cast as yet another frigid "B" yuppie whom I don't understand how any man could be attracted to. Yet somehow this is the woman Cage wants back. Time to stretch your talent a bit Hope. You showed plenty of promise in "About Schmidt" and have been working steadily since. But to take the next step as an actress, you need to try a new character. Gil Bellows ("Aly McBeal") has a creepy role as Cage's teenage son's counselor. He is responsible for some of the most uncomfortable moments as well as a way for Cage to finally cut loose.

    As I said, this is a very good movie that falls just short of greatness. While providing insight into the male psyche, it fails to deliver the message or solution it seemed to be leading up to. However, it is nice to see a man portrayed as something other than a superhero, adulterer, international spy or Olympic caliber lover.
    8gradyharp

    As Unpredictable as the Weather

    Gore Verbinski (Pirates of the Caribbean X3, The Ring, The Mexican) has an uncanny way of moving strange characters through bizarre plots while maintaining our interest and our empathy. THE WEATHER MAN was so poorly promoted when it hit the theaters that it seemed like it was going to be one of those asinine food throwing slapstick comedies instead of the very serious examination of contemporary life in the big cities, or even more about the struggle of a disillusioned man who cannot find a balance between business success and family/marital failure, it is. This viewer almost ignored it completely - until the DVD.

    David Spritz (Nicholas Cage) is a TV pawn the station uses as a weatherman: he is untrained as a meteorologist, skilled only be his TV persona success dependent on a created gag/tag line - the Nipper (the peak worst day in the forecast). His personal life is a mess, separated from a disconsolate wife Noreen (Hope Davis), distanced from his successful writer father Robert (Michael Caine) and on shaky territory with his two children - fat and sad Sully (Gemmenne de la Peña) and sweet but troubled pothead Mike (Nicholas Hoult). To make life worse his TV persona follows him into the streets of blustery Chicago where his viewers either seek autographs invading his privacy or throw food at him as the progenitor of the lousy cold weather. This polarized existence is invaded by an offer to become weatherman on Bryan Gumbel's Hello America show in New York (a career jump for which he longs for many reasons), serial confrontations with his father whom he emulates but always feels a failure, the finding that his father has lymphoma, the ridicule of fat Shelly at school, Mike's edgy involvement with his drug counselor Don (Gil Bellows), and Noreen's new live-in Russ (Michael Rispoli). How David meanders through this quagmire of dilemmas is the story and while it is not pretty, it is pungent.

    Cage inhabits the strange role of David finding a way to make this loser with a short temper someone about whom we care. It is a tough assignment but Cage meets it on every level. Michael Caine provides some of the more eloquent moments in the film: his words of wisdom and view of life are the only grounded elements of the story. Likewise Hope Davis is fine as are the cameo roles of the children as sensitively played by de la Peña and Hoult. The subject of the film is tough and the excessive use of potty mouth language is overbearing and at times one wishes Verbinski would have edited some of the gross food slinging scenes.

    But as an overall message movie there is much here to admire. It simply is not the mindless slapstick the posters and trailers would indicate. The PR folks on this one blew it. Worth your time and attention. Grady Harp
    6claudio_carvalho

    A Weird and Pessimist View of the Contemporary American Way of Life

    In Chicago, Dave Spritz (Nicolas Cage) is the weatherman of the local TV news loved and loathed by the audiences. He is successful in his career making US$ 240,000.00 per year in spite of not having degree in meteorology. However, his personal life is a complete mess: he is a frustrated writer divorced from his wife Noreen (Hope Davis) but he still likes her and wishes to have her back and their marriage work; his sixteen year-old son Mike (Nicholas Hoult) is in rehabilitation for using pot; his clumsy and fat daughter Shelly (Gemmenne de la Peña) is constantly humiliated at school by her mates and pejoratively called "camel-toe"; his father Robert Spritzel (Michael Caine) is a distant perfectionist writer and Dave tries to prove his own value to him. When Dave is invited for a test in a national network in New York, his father informs that he has cancer. While trying to resolve his problems and frustrations, Dave grows-up and reaches the necessary maturity to manage the complexities of life.

    "The Weather Man" is a weird and pessimist view of the contemporary American Way of Life. The complex and contradictory lead character is capable of making lots of money just because he can perfectly sell his image to the public without having knowledge about what he is talking; inclusive he is frustrated, feels shallow and compares himself to a fast-food. But he is unsuccessful to have the right attitudes with his family in spite of his best efforts and needy to prove his father his own merits. However, the story is pointless and boring in some moments and in the end I found this movie only reasonable, but with a great potential not well explored by the director. My vote is six.

    Title (Brazil): "O Sol de Cada Manhã" ("The Sun of Each Morning")
    9maxwellsmart

    Alternately hilarious and dark, with misleading marketing

    When I first saw the advertisements for "The Weather Man", it seemed like the movie was going to be another formulaic, feel good Hollywood redemption tale. In reality, it is a dark, scathing satire of American values. The marketing likely scared away a lot of people who would enjoy the film, while attracting an audience who was presented with something unexpected and perhaps uncomfortable. The comedy is quite raunchy, the tone is bleak, and the story is anything but formulaic, throwing industry conventions right out the window, which leads to a film that's more believable than most.

    David Spritz is a man whose life has become the ultimate exercise in futility. Each day, he wakes up and goes to a job that, despite paying a handsome salary, is entirely unfulfilling. His relationship with his ex-wife is strained, his relationship with his children distant. To make things worse, his Pulitzer Prize winning father seems to be disappointed in what David has done with his life.

    In real life, progress in one's personal life is generally made in baby steps. Usually, people don't undergo a drastic transformation over the course of several months. David attempts to improve his standing in life, at times failing entirely, at times succeeding in small doses. The results of these attempts range from very funny to downright saddening, and this helps lend the film an air of realism. This is a complicated character study about a man coming to grips with the fact that he's failed to meet any of the goals he set for himself in life, despite attaining a social standing that many people are envious of. There aren't any easy answers or life altering epiphanies; self-improvement is a long, gradual task that will probably never be completely fulfilled, and "The Weather Man" reflects this reality. While not for all tastes, this movie deserves credit for tackling a relatively conventional subject in a very unconventional, at least for a mainstream Hollywood movie, manner. I imagine that this film will be a bigger success overseas and on DVD than it will be in its US theatrical run.
    8grouchomarxist

    Nicolas Cage is Amazing in Verbinski's Flawed Masterpiece

    I've thought long and hard before saying what I'm about to say. I've searched my memory for something to disprove it, but I can't think of anything. Here it is: The Weather Man, the new film directed by Gore Verbinski and written by Steve Conrad, is the most relentlessly pessimistic mainstream American film that I have ever seen. It seems to be telling us that over time you become a shell of the person you once were and a pathetic, ever decreasing fraction of the person you one day hoped to be. You will squander potential and become incapable of giving meaningful love to anyone that you care about. This doesn't happen as a result of some huge disaster or tragic mistake, no, this happens as a result of hundreds of minuscule failures every day. As you might imagine, this is excruciating to watch. But in creating one of bleakest portraits of contemporary American life you will ever see, Gore Verbinski also creates a film that is shockingly humane, funny, and beautiful.

    Nicolas Cage, who I don't always like, gives a fantastic performance as David Spritz, a Chicago TV weather man with no degree in meteorology. The thing that makes him great in The Weather Man is that he consistently plays the part in earnest. There's plenty of opportunities to ham it up or play it for laughs, especially because David acts like such an asshole so much of the time, but Cage never falls into those traps. One feels at every turn, no matter how disgraceful his behavior, that he's just a guy trying to do what seems right to him in that moment. At one point he drops his daughter off at his ex-wife's house. When his ex-wife, played with terrific subtly by Hope Davis, remains outside for a moment he suddenly decides to throw a snowball at her, which hits her in the face and cracks the lens of her glasses. Rather than playing it like it's funny, which it is, Cage seems like he's making a sincere attempt to connect with his former wife in any way he can.

    I wish with great passion that this film was truly great, but unfortunately it's just inches short. Nine out of ten times Verbinski hits the mark. From the very first shot he creates a perfectly executed world of an ice bound Chicago during the winter months. His most impressive feat though is managing to craft a film that is in some ways highly stylized, yet instinctually feels like the human experience. He has a wonderful and surprising sense of composition. One finds the characters in disconcertingly angular frames with vast expanses of empty space above their heads. In tandem with this he uses a fantastically chilly color scheme throughout. He also triumphs in his insistently measured pacing. In contrast with such a harsh statement about life, the pacing serves to lend the film a strange gentleness that allows for us to feel the characters are truly human. The pacing is absolutely vital and absolutely brave in a Hollywood film. Along with the performances, it makes one feel that the characters are being not being tortured out of gleeful spite on the part of the filmmakers, but out of profound empathy and understanding of our shared human weaknesses.

    Verbinski's trouble comes in just a few isolated areas; nevertheless they are important and significantly damage the film as a whole. The ugliest problem is a woefully ill-advised quasi dream sequence in which Nicholas Cage sees himself happy and well adjusted as the grand marshal of a parade. The whole thing is presented as if his hotel room window is like a TV on which he is seeing himself. It introduces us to no useful ideas and is an immensely distracting stylistic departure. I'm really puzzled by its inclusion in a movie that on the whole demonstrates a lot of restraint. Another issue is the handling of Cage's son, who gets himself involved in a weird molestation situation with his drug counselor. This subplot is painted in the broadest of strokes, rather than with the painstaking specificity one finds elsewhere. Every time we return to the plot with the son the film begins to feel bogged down and uncharacteristically unsure of itself. Some of the blame for this surely must be shared with Steve Conrad, the mostly solid writer of the film. One wonders why Conrad and Verbinski shy away from the unbending frankness they are generally so willing to dole out. There are a few other troubling mistakes, the blame for which I have to rest on both of their shoulders. Most notably the film relies too heavily on voice-over. While some of it works very well and all of it is delivered with sincerity from Cage, there is at least twice as much as is necessary. Similarly, there are a couple flashbacks that work, but just as many that are unneeded. Also, the handling of Cage's father, who is played with solemn dignity by Michael Cane, rings a little false. He is written as a noble and stalwart man devoid of any flaws not only in Cage's mind, but apparently in real life as well. On the whole this actually works much better than it should, but I can't help but feel that there's a note missing.

    The aforementioned issues aside, The Weather Man is a rare achievement and one of my favorite films of the year. It is so honest and so bleak that I can't believe that a major studio let it get made. In an industry where schlock and melodrama are passed off as great statements about us as humans The Weather Man is monumentally refreshing. I have nothing but respect for Verbinski and Conrad for having the nerve to make a film that on the one hand is crushingly negative, but on the other endlessly humane.

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    Você sabia?

    Editar
    • Curiosidades
      The "plastic" spoon stuck to Nicolas Cage's lapel was actually a metal spoon that had been painted to appear plastic and which was held in place with a magnet.
    • Erros de gravação
      When David enters the bathroom and rinses, the mirror reveals that his watch is undone and hanging around his wrist. In the next shot, from a different angle, his watch is done up.
    • Citações

      Dave Spritz: I remember once imagining what my life would be like, what I'd be like. I pictured having all these qualities, strong positive qualities that people could pick up on from across the room. But as time passed, few ever became any qualities that I actually had. And all the possibilities I faced and the sorts of people I could be, all of them got reduced every year to fewer and fewer. Until finally they got reduced to one, to who I am. And that's who I am, the weather man.

    • Conexões
      Featured in Atmospheric Pressure: The Style and Palette (2006)
    • Trilhas sonoras
      The Passenger
      (1977)

      Written by Iggy Pop & Ricky Gardiner

      Performed by Iggy Pop

      Courtesy of Virgin Records

      Under license from EMI Film & Television Music

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    Perguntas frequentes18

    • How long is The Weather Man?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de janeiro de 2006 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Alemanha
    • Idioma
      • Inglês
    • Também conhecido como
      • El sol de cada mañana
    • Locações de filme
      • Glisson Archery & Pro Shop, 22900 E Main St, Plainfield, IL, EUA(Archery Range)
    • Empresas de produção
      • Paramount Pictures
      • Escape Artists
      • Kumar Mobiliengesellschaft mbH & Co. Projekt Nr. 2 KG
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 22.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 12.482.775
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.248.465
      • 30 de out. de 2005
    • Faturamento bruto mundial
      • US$ 19.126.398
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 42 min(102 min)
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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