O Jardineiro Fiel

The film concerns about an obstinate and mild-mannered widow named Justin Quayle(Ralph Fiennes),the constant gardener,,he must discover the wife 's death named Tess(Rachel Weisz).She appeared in the lagoon Turkana(location of human being's origin) at a remote zone of Northern Kenya.Tessa'companion,an African medic named Blum,he has fled and is the prime suspect.Quayle helped by his friend Sandy Woodrow(Danny Huston), embarks in a dangerous journey which will take various countries risking his own life and confronting against nasties and powerful pharmacy company ruled by magnate named Pellegrin( Bill Nighy)in charge of delivering vaccine AID,HIV positive into African continent .Meanwhile he memorizes records with Tessa,their lovely relationship by means of continuous flashbacks.He investigates a powerful corporation called CEO, a conspiracy by strange British High Commission and the wrongfully practices and corrupts business of the billionaire pharmaceutical enterprises in third world.

The picture based on John Le Carre novel displays emotion,thriller,suspense and thought-provoking drama. Although sometimes is slow moving,however is developed with sensibility and intelligence but are narrated ethics,moral issues with great sense of ductility ,besides a sour politic critical about the unjust practices of pharmaceutical industry .The tale is supposedly to take place in Kenya ,instead of in South Africa where most part of the production is placed.Exceptional performances for all casting with special mention for two main actors: Ralph Fiennes and Rachel Weisz.She's actually pregnant in a nudism scenes.She won Oscar Academy Award for best acting by an actress in a supporting role.Fernando Mereilles won Alma Award by outstanding director of a motion picture.Evocative,sensible music for nominated Alberto Iglesias(Pedro Almodovar's usual musician) and appropriately cinematography by Cesar Charlone(Merielles' habitual cameraman).Direction by Fernando Mereilles(Oscar winner by City of God,an unflinching portrayal at the underbelly of Rio Janeiro)) is awesome and stylish .The flick will like to denounce-drama enthusiastic and Fiennes and Weisz fans.Rating: Above average.

I thought the movie was great and worthy of the praise it has been getting from audiences and critics alike. Ralph Fiennes gives the performance of his career as a grieving man looking for answers and is slowing discovering the corruption all around him and Rachel Weisz steals the film whole heartily with a really deserving Oscar worthy performance as a human rights activist who will stop at nothing to get at the truth. The story is pretty scary and the cinematography is fantastic. Yes, the shaky camera can get in the way but it's not distracting enough to ruin the film.

If you want to see a movie that will make you think, this is it.

There are some flaws in the story, however that is not my main concern with this film. While some people might enjoy the type of cinematography this film had, for me I felt like it ruined the entire film. This type of random cinematography cheapened the film in my opinion, and I also did not like the color palette they put it with either. As stories about corruption are very important I think that this was such a shame, because the film simply lost me because of this and I felt disconnected the message it wanted me to come across. However I do like the theme of the film, and I certainly think more films should be made about corruption and the less fortunate, just not in this way.

The movie's frustrating because it gives you a problem in this world to be angry about, depressing because that problem probably won't be solved anytime too soon. It becomes even more depressing because it puts more than one face on the problem and allows us to see the issue through someone who experienced it firsthand.

It doesn't matter if that person is fictional or not. Ralph Fiennes makes him real, and Meirelles surrounds him with what looks and feels like the real world. Ralph Fiennes plays Justin Quayle, a British diplomat married to Tessa (Rachel Weisz, in a heartbreaking performance just as noteworthy as Fiennes's). Justin has a job to do in Africa, and Tessa makes him take her with him, despite his misgivings. They end up entangled in a pharmaceutical battle that has taken lives before and, before the movie is over, will take many more.

The subject matter here begs to be heard, and Meirelles has provided it with a compelling venue. He films with a style that constantly keeps us engaged. It's hard to find fault with this movie. I didn't find myself wholeheartedly loving it either, but I admire it for its courage and emotional truth. The Constant Gardener grips you from the start in the lives of these two people and never lets you go, not even when the movie is over. It's hard to forget this story. I wouldn't want to.

Great romantic thrill ride that is made even more special by the performances of Rachel Weisz and Ralph Fiennes, who both give this adaptation of the John Le Carre book a real sense of beauty, dignity and grace with their on target performances. Weisz is perfection as Tessa Qualye, a civil rights activist who is murdered for trying to bring awareness of their illegal practices on the poor natives of an African village. Weisz gives her character a self-righteous drive that is made poignant by her determination and sheer will and she also makes her character human, not a stereotype, which makes her performance the more real. Ralph Finnes plays her grieving husband Justin, who takes up her cause and begins to lean of how wonderful his wife really was and what he missed during the time she was alive. His haunted performance is in my opinion his best ever and is the driving point of this haunting odyssey of justice, lost and self sacrifice. Rachel Weisz and Ralph Fiennes both deserve Oscar nominations for their superb performances and Fernando Meirelles deserves one as well for his superb direction that puts you smack in the middle of the story that is unfolding right in front of you.

Hands down, the best film of the year so far.