Carlston za Ognjenku

This movie is.... a tad strange... It's fast, unclear here and there. Some of it's scenes are done in a manner thought to be appealing to a foreign audience, the domestic one isn't all that great, and this is understandable. The acting is good, the dialogues are lively even when they become rough. The acting is, actually the strongest part of this movie, even the extras seem convincing and natural. The story has a nice current, flow, but can be fast at times. The main characters go through certain story progressions expediently, and some scenes are abruptly speedy. It has an interesting idea, a good cast, a life to it... but the look of it was a little too modern, trying a little to hard to reach a broader audience, remember that movie inside a movie in 'Simone' with Pacino, it felt a bit like that. It's definitely different from the other domestic productions. I don't even know what to think of it, it left me a bit fuzzy and confused, but i do recommend it, if for nothing else, then because of the strong, mostly female, cast.

One Big Dose of a Great Plot, Music, Camera & Set Design, Few metaphorical Messages, One amateur Screenplay and lot of bad Acting! That is how one of the newest Serbian ''to-cinema-returning'' and ''pretended-to-mesmerize-long-ago-sleepy-public'' movies could be described in short. New wave of global Hollywoodization clearly affected new Serbian Cinematography, with this, more, or less effects-fabricated fantasy and drama work serving as a perfect example of already proved worldwide magic recipe. And what about promoted originality and authenticity (of the Serbian Cinematography, Mentality, Culture...) No, not in this one. So turbulent political and economy Transition of the Serbian Society came to the Serbian Cinema too.

However, some of the important elements, previously mentioned, especially - original Plot, Music, Set Design and Camera are very good news in new Serbian (and former great? Yugoslav) cinematography, somehow always ''full of talents'' and always with lack on visual and acoustic elements. And money, of course! Example of ''Carlston za Ognjenku'' and significant involvement of affirmed foreign film companies in its shooting and production certainly brings a lot of optimism for the future.

However #2, with no doubt, this is yet another one debut work, from one more ''Child of the Serbian Movie''. Yes, the young director is someone's ''already-in-the-bussines'' son. And yes, his baby-movie has been therefore pretty much supported ''at all costs'', if not even forced from some top levels. But this is not my biggest concern. There are so much time in the future for young Stojanovic to prove himself and his work.

The reason of my deeply worry is certainly our new generation of the so-called prosperous young actor-stars. Those who need and should inherit and continue decades of proved good acting in our cinematography... Those who became stars too early. Even before they became actors! I'm worried. Are you?

Best movie I've ever watched in my life.In the same time sad and funny.

When i saw a trailer I thought I must see this movie.It seamed like something modern and well produced for a Serbian movie.Comments from some distinguished movie critics didn't well so good and I thought that last night when I was going to the festival to see it that I will be disappointed.But it was quite opposite I was fascinated.It is such a great comedy in first place and after that a great love story for people who understand what love is. This is a comment from the person that watches what kind an effect will make the movie on her.Not directing or acting or some other part in particular but the whole movie in the way all those parts together make the person feel after watching it.From that point of view i thing that this is a great movie :)

It's a pity the first review of the film on the IMDb website is so negative, by an illiterate reviewer I might add. I need to respond because this was the single most delightful film I saw at TIFF 2008. I don't understand why it hasn't had wider release. Comedy can be the best way to deal with a tragic history - it's why so often people tell funny stories at memorials. I realize that those personally touched by Serbian history may not find Tears for Sale so amusing, but the ability to find perspective through humour can be a first step in moving on to a better, more tolerant and peaceful future. In general, the quality of new Serbian films is amazing, and this one was only surpassed by the wonderful "Honeymoons" at TIFF 2009. If you can find them, see them both!