Rejeitados pelo Diabo

I just saw this film at a sneak preview screening in San Francisco. I had really loved Zombie's first film, HOUSE OF 1,000 CORPSES, and was looking forward to seeing how he was going to "re-create" the characters from that first film into this new one.

Stylistically, this film is exceptional. Zombie knows how to build tension and has a real gift for being able to pay homage to the horror flicks of the 70's without insulting or copying them. His choices in casting is genius and the performances in this film are quite good.

However, gone is the camp-value he infused into CORPSES. This film takes itself much more seriously and this does not help. In fact, the fact that Zombie focuses more on horror and torture without the same level of dark humor makes the film come off as somewhat cruel. Are we to actually enjoy seeing the victims tortured? Somehow, the fun of his first film is absent.

However, for those of us who have an appreciation for the films of the original 70's renegade film makers such as Tobe Hooper -- you can't help but enjoy Zombie's style of filming. This film also enjoys have some of the best southern rock ever created to serve as its soundtrack.

The three lead actors stand out and give great performances, but one wishes Zombie would have allowed them to go a bit more over the top. Karen Black did not return to play Moma Firefly which is too bad, but the actress who takes over the role does a great job.

In the end -- I think this is an interesting and valid second film from Rob Zombie, but I hope that he allows his cast and his audience to have a bit more fun. The world has enough torture and violence -- if we are to see it in a film it needs to give us a bit of a scare and a bit of a laugh. If only he had utilized that dark/twisted since of humor a bit more.

Still, it is worth a look -- but not for those of you who get upset by violence. And, please, this is not a movie for children. There was a child at last night's screening. That poor baby is going to be scarred for life!

The Devil's Rejects has such a powerful name that the movie itself had to live up to... and it exceeded my expectations.

A fun sequel that plays out more like a police thriller than a horror movie.

Well balanced between gritty, over-the-top performances and fun, light-hearted-ness. It's hard to say whether this film tops its predecessor when their inspirations reside in two different area codes.

I find this is a better film, but this and House of 1000 Corpses seem to serve different purposes.

In any case, The Devil's Rejects is a more realized and stylized film that dishes out an enjoyable viewing experience.

This movie has some classic ingredients for a great horror movie. Interesting characters, some really vile gore scenes, bad language, unnecessary nudity, and some familiar faces; Leslie Easterbrook (from the Police Academy movies), Ken Foree (the original Dawn Of The Dead), 80's pop singer/actress E.G. Daily and Michael Berryman (The Hills Have Eyes) provide more than enough nostalgia for retro junkies, like myself.

The story isn't overly fast paced but the gore can be thick and pretty relentless and is at times implied rather than shown which I think adds to the experience. I really enjoyed Leslie Easterbrook as Mother Firefly (replacing Karen Black who was in the first movie, House Of 1000 Corpses). She does some wonderful overacting in her scenes, it's a shame she wasn't in it more, same goes for E.G. Daily who plays a sassy hooker. In fact everyone was great in their parts, let's face it this is not Shakespeare - this is a horror movie, I for one demand hammy over the top performances and a bit of camp! I don't want to give anything away but I will say my favourite scenes involved Mother Firefly and the sheriff, and Captain Spaulding and a mother and child. If you enjoyed House Of 1000 Corpses, this is a superior sequel in my mind and you wont be disappointed. If your idea of horror is a glossy PG-13 rated remake you might want to try weaning yourself onto this kind of movie with something a little less extreme.

Reasons to watch this film (one or more may apply):

• If you love Rob Zombie's work
• If you have seen House of 1000 Corpses
• If you like, love, or at least can tolerate mindless, brutal, sadistic violence, sometimes in a sexual manner
• You are not judgmental of Rob Zombie's personal character at all
• You are in a morbid mood
• You have yet to see it and feel like you're so desensitized to graphic cinema
• You hate roadies
• You like dark, dark, DARK comedy
• You love the F-word
• You're a fan of the actors
• You're not yet sick of Free Bird
• Sheri Moon Zombie turns you on (just don't tell Rob!)
• The constant depiction of how horrible people can act towards another, with a complete lack of empathy or good will, does not bother you

Reasons NOT to watch this film:

• If graphic violence upsets you
• If you hate clowns on any level
• If you have seen other live-action works by Rob Zombie and absolutely hated it
• If you can't handle (and seriously, no shame if you can't) profanity, anti-religious acts by fictional characters, a cinematic void of anything uplifting and good, and the theme that no one is pure and that all mankind is inherently downright evil.

• If suggested necrophilia is a deal-breaker
• If you cannot understand that the actors, along with Rob Zombie, are actually normal people who are pretty cool to their fans
• If depictions of physical AND mental torture just isn't your thing
• If the slightest bit of violence gives you nightmares (seriously, if you can't handle a character suffering from a paper cut, you haven't a chance to handle this movie)

by Dane Youssef

Rob Zombie is without a doubt one of the most versatile and true-to-his-genre artists out there. "The Devil's Rejects" is the kind of movie uptight censors and worried parents always warned you was gonna get made some day.

A movie where the leads are psychopathic murderers, the violence is excess and the gore is so voluminous, that you have to ask: "Does this movie satirize this kind of sadism... or celebrate it? Is it a fun campy parody... or a sign that we may have gone too far with our ultra-violent-based entertainment?" This movie actually defines the term "overkill." Three of the more interesting deranged killers from "House Of 1000 Corpses" get their own spin-off in the "Frasier" or "Jeffersons" tradition. The three, who are a family, actually (a father and his son and daughter) go on a mass killing spree and are racing out of the country to legal freedom on the other side of the border. They seem to echo the Manson Family.

Their sense of humor is the kind of acquired taste like the movie itself has. It stems from the experience you'd get from... watching slasher movies throughout a lot of your life. Like lime green Jell-O, anchovies, fish eggs and black licorice, this is not for all tastes.

The movie is actually a lot smarter and more complex than you might imagine, if you're unfamiliar with what Zombie's movies are about. It's akin to films like "From Dusk 'Til Dawn," "Vulgar," "Desperado" and "Freaked." If you like these types of "Texas Chainsaw Massacre" and "Friday the 13th" re-vamping in the video-geek traditions, here is a movie you may hold up as one for the history books. The dialogue is written a twisted brilliant way and the direction has a real retro-'70's homey-quality to it. In a way that doesn't feel contrived.

Sid Haig, Bill Moseley and Sheri Moon are all so perfectly demented in their roles, you have to wonder what they're like in real life. You pray they're nothing like they are here... and hope you never come across anyone remotely like this either.

Sheri Moon, wife of director Zombie, looks more like a typical American model-actress than the degenerate rank-skank she plays here. Moseley is real-life, was actually a columnist and Heig often played scuzzy thugs, but played the judge in Tarantino's "Jackie Brown."

I find it incredibly strange that some people seem to be COMPLAINING that the pursuing cop character (the sheriff, John Quincy Wydell) is as sadistic and mentally unbalanced as the family killers themselves. Why?

Yes, he is. But... why?

Why is that a bad thing? In any way at all?

Look, if there's anything history and government have taught us, it's that it takes one to catch one. Not just in the movies, but in life. And not just in real life, but in movies as well. You see, it's not just an opinion. It's a fact. It's the way of the world.

People... do we all not remember Tommy Lee Jones in "The Fugitive"? His I-Will-Catch-him-By-Any-Means-Nessicary-Law Enforcer way was one of the true milestones in the movie, and it got him an Oscar. Would we want any of the other major characters to be far less interesting than the leads?

When you eat a meal of any kind, you don't just want a rich main course and the side dishes to be as tasteless as styraphone. You want a whole meal you can taste.

And the stuff with the sheriff and the rest of the cops IS something to see. Why? Because he isn't any kind of undeveloped character. Zombie made him (and everything else) just as big, broad, colorful and energetic as the '70's genre that this one stems from.

There's some humor with the Kentucky-Fried Sheriff and the rest of his "Good Ol' Boys" in Blue. It goes without saying that in a small town, the cops are all red-necked. The way the stereotype of the small-town cop in a campy-slasher pic is handled with more laughs than usual. And there's a great moment where they call in a specialist, a film historian (see: uber film geek) to help them with the investigation and this film critic.... well, suffice to say, he insults the name of God in the house of the Lord and that's all I'm gonna say.

We all know Zombie is a neo-talent outside of the music biz. He did the LSD effect in "Beavis & Butthead Do America."

The end may justify the means, in this case. The hick cops and the colorful killers... in the end, it's an ending we all knew we deserved.

Speaking of Zombie, his film debut "House of 1000 Corpses," was a film I found to be embarrassingly bad. I'm a fan of those types of rock-horror camp movies in the "Texas Chainsaw Massacre" and "House Of Wax" vein. SEVERED vein, in this case. But everything was played out so campy, so cheaply, so maudlin, so without suspense... that Zombie, I felt, made a movie that seems to be an insult, rather than a tribute to those horror-show camp classics.

But he's redeemed himself with this one. He's working without a net and it all could have gone horribly, pathetically wrong. So I give him props. BIG, BIG PROPS.

As I'm writing this now, he's currently re-making "Halloween." Though I wish he wouldn't, really. Why re-paint the Mona Lisa? Give it eyebrows, what? Will that REALLY be an improvement?

Brace yourself. Not for all tastes. Procceed with caution. Use extreme care.

NOT FOR THE FAINT-HEARTED, SQUEAMISH, PRUDISH... OR TOO MORAL.

by Dane Youssef