Ricky Bobby: A Toda Velocidade

Ricky Bobby (Will Ferrell) and Cal Naughton Junior (John C Reilly) are life long friends and teammates on the NASCAR circuit. They are both the best drivers on the circuit and regularly finish first and second - this is down to their Shake and Bake method that they employ in order to take out the lead racer. Cal selflessly allows Ricky to win every time meaning that Ricky is dubbed the hero and is the one that hogs the limelight. However, their reign at the top is threatened by the arrival of ace French driver Jean Girard (Sacha Baron Cohen).

Adam McKay has dabbled in satire previously with the original Anchorman film and its more recent sequel. These films were mostly successful in this respect as well as being reasonably funny. For me, McKay has been less successful when he's dabbled in other genres - his buddy cop film The Other Guys was beyond awful. Talladega Nights: The Ballad of Ricky Bobby is McKay's satirical look at the sport of speedway which thankfully does work fairly well...

For me, Will Ferrell is a frustrating actor as I find that he can either be really irritating or fairly amusing. His performance very much depends on the material that he's given and the director that he works with. McKay seemed to allow Ferrell to be more natural in both Anchorman and Talladega Nights resulting in Ferrell being allowed to be funny and sort of endearing rather than being outright annoying likes he's been in other films. Sacha Baron Cohen is also excellent here in what can be described as fairly comfortable territory for him - he's essentially playing another quirky character with a ridiculous accent and most importantly entertains the audience whilst doing it. Baron Cohen plays a gay character here, but actually manages to make his character funny without being nauseating or over-the top (like he was in Bruno). Leslie Bibb plays the stock clichéd empty-headed shallow trophy-wife in such an over-the-top way that she's actually quite fun to watch. McKay's characterisation here is spot on and what they lack in depth they do make up for by just being fun to watch.

McKay takes some risks here by casting a character that's gay and actually making fun of the character for being gay but I found many of the jokes to be relatively inoffensive and many jokes here lean to being more suggestive or being used by way of double-entendre (which are arguably smarter ways to gain laughs). Ricky's foul-mouthed kids do grate a bit from time to time, but McKay does address this issue when the kids met their grandmother and she gives them some much needed discipline.

The film does lose some momentum in the second half when things start to fall apart for Ricky and we see him trying to re-build some of the remnants of his shattered life and career, but thankfully there are still plenty of amusing scenes (his dad coaching him and his scenes as a pizza delivery guy were funny and still helped to keep things moving).

All in all, Talladega nights may not keep the laughs consistently coming and at close to two hours it is a little on the long side, but despite the generous running time the film still moved along relatively smoothly and I still found plenty to enjoy here.

Talladega Nights: The Ballad of Rikcy Bobby is an incredible comedy that's gleefully stupid whilst also cleverly mocking the tropes and conventions of racing dramas. Will Ferrell and John C. Reilly are both incredible and have fantastic chemistry. Sacha Baron Cohen, Jane Lynch, Gary Cole and Michael Clarke Duncan are all great. It's consistently extremely funny even if a few jokes don't land. It's also well paced and Adam McKay's direction is excellent. Both the music by Alex Wurman and the soundtrack are really good.

When looking at the merits of a movie and decide whether it is good or not, one must think of the goal of the picture. Is it a serious film, designed to comment on society, or is the movie's job to merely entertain? I think we all know the answer to this one when it comes to Talladega Nights: The Ballad of Ricky Bobby. This movie's goal is to entertain the audience, make them laugh, make them spend an hour and a half rejoicing in talented comedians doing their job well. And this movie reached its goal. Not only is this movie an above-average sports movie (it even concludes with a big race and a warm and fuzzy winner!), but is also a very funny movie. All I had to do was listen to the reaction of the sold out theater I was in and I knew that most people will find this movie to be very funny. Will Ferrell is Ricky Bobby, a NASCAR driver who makes up one half of "Shake and Bake," with John C. Reilly's Cal Naughton, Jr. being the "Bake" half of the duo. They are childhood friends who have now become teammates on the top NASCAR level, where Cal sets up the play that lets Ricky win almost every race--that is, unless Ricky has already crashed out of it. Talladega Nights follows the same story arc that Days of Thunder did, but is far more entertaining, as Ferrell and Reilly work together to bring humor to all parts of the racer's lives, including a bizarre dinner ritual that includes corporate sponsorship. Sure, the movie slows down for about 20 minutes in the middle to develop plot, but that may have been designed to give us, the audience, a break, allowing us to get ready for the final scenes of the movie. Sacha Baron Cohen (aka Ali G, Borat) plays the French Formula 1 driver who threatens to oust Ricky Bobby as the best driver on the track, perhaps the funniest overall character in the movie. There is not one scene with Cohen in it that isn't funny. After watching this movie, it is clear why Will Ferrell takes his comedies so seriously (watch the extras on the Elf DVD to see Ferrell between scenes, he's not always "on" playing the clown on set)--he gets the results he's looking for. This movie is laugh-out-loud funny pretty much from start to finish, and seeing Gary Cole return to comedy as Ricky Bobby's father will bring back memories of Office Space for a moment, then this new character will win you over.

This movie does something that is rarely done successfully done, pokes fun at the modern NASCAR circuit. Without detailing all the gags, this is pure fun which doesn't offend the tastes too often. Will Farrell is patently absurd as Ricky Bobby & the support he receives in this film from the entire cast is excellent. Gary Cole is very solid as Ricky's dad, & so is Jane Lynch as his mom. Amy Adams is solid too. In fact, the entire cast including John C. Reilly seems to have been fit into their roles like gloves.

Sasha Cohen comes off better in this as Ricky Bobbys French nemesis than he does in even Borat. He is used perfectly & fits his role really well. The story line works really well as the evolution from speed too shake & bake too magic man & me helps keep the film focused on something besides the jokes. There is just enough plot to hang the jokes on.

The script is lots of fun with references to lots of things besides NASCAR & Sex (which is all too often the only thing done as comedy today). This film proves that outrageous is much better than sex when done right as comedy. Thank goodness this is much better than the ill conceived BETWITCHED Farrell did in 2005. This film is really an excellent showcase for everyone involved. If your a NASCAR fan, you should even get some extra fun out of this one.

Get ready for the checkered flag Ricky Booby, this film is a winner all the way.

One of Ferrell's stronger, fearlessly idiotic films, with the style his career is built on: comedy surrounding moronic characters doing stupid stuff.

Ricky Bobby, showcasing all the stereotypical characteristics of a redneck, is a loudmouth NASCAR driver of immense talent, who either wins or crashes trying. When a sophisticated but snooty French Formula One driver encroaches on Bobby's territory, he goes all out to stay number one.

Ferrell has a great chemistry with Reilly, a connection to be visited later in their careers. In general, it is a fairly star-studded cast, Adams thrown in with a fairly minor impact role for most of the film. Cohen is recruited to lean into a daft foreign stereotype, his speciality, but with no need for subtlety on this one, blunt jokes revolving around how the character's supposed superiority and often his homosexuality is responded to by the world of NASCAR.

Much like Anchorman and Step Brothers, the film is really ridiculous, loud and brash. Something Ferrell's fans will love, and that others would hate. Honestly though, the bloopers at the end are probably the funniest part.