John Halder, um professor de literatura alemã na década de 1930, inicialmente relutou em aceitar as idéias do Partido Nazista. Sua esposa, mãe, amante e amiga judia o levam em diferentes dir... Ler tudoJohn Halder, um professor de literatura alemã na década de 1930, inicialmente relutou em aceitar as idéias do Partido Nazista. Sua esposa, mãe, amante e amiga judia o levam em diferentes direções emocionais.John Halder, um professor de literatura alemã na década de 1930, inicialmente relutou em aceitar as idéias do Partido Nazista. Sua esposa, mãe, amante e amiga judia o levam em diferentes direções emocionais.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
- Lotte
- (as Tallulah Boote Bond)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Were SS good people? Decent? Average? Normal? OK? Bearable? "Good" presents a point of view of a person who thought himself to be virtuous, but then faced a society which was completely different, but thought so too.
Viggo Mortensem gives us an interesting character with it's ups and downs, and these ups and downs are in the behavior of a character, not the acting.
Furthermore, it was not the acting or an idea that dragged the film down and bored me or others at certain moments. It was the fact that WWII has been discussed for many times, so there are only minor differences between one film and the other.
Those who haven't watched a lot of WWII films or who would like to see one more example of censure will like "Good".
This is a splendid drama set on Nazi epoch with thoughtful plot and slick direction .From the sage play by C.P. Taylor, as the producers wish to thanks Royal Shakespeare Company and the original cast and crew of the play. It packs a colorful and appropriate cinematography by Andrew Dunn. Enjoyable musical score by Simon Lacey and including Mahler songs . The flick is well produced by Miriam Segal , as the film is made in memory of his father Ronald Segal whose life's work was dedicated to the betterment of the rights of the others. The motion picture is professionally directed by Austria-Brazilian director Vicente Amorim.
The movie talks about various historic events as happens ¨The night of the broken glass¨ well re-enacted in the film, as the night of November 9, 1938, when terror attacks were made on Jewish synagogues and stores. Two days earlier, Vom Rath, Third Secretary of the German Embassy in Paris , had been assassinated by Grynszpan, a Polish Jew. In retaliation, Himmler (though doesn't appear at the movie is continuously appointed) and Reinhard Heydrich, chief of the SD, ordered the destruction of all Jewish places of worship in Germany and Austria.The assault had been long prepared , the murder provided an opportunity to begin the attack. In fifteen hours 101 synagogues were destroyed by fire and 76 were demolished. Bands of Nazis (one of them is our starring Viggo Mortensen, though unaware) destroyed 7.500 Jewish-owned stores. The pillage and looting went on through the night. Streets were covered with broken glass , hence the name Kristallnacht. Three days later Hermann Goering along with Dr. Paul Joseph Goebbles ( played by Adrian Schiller) called a meeting of the top hierarchy at the Air Ministry to assess the damage done during the night and place responsibility for it. Goebbles proposed that Jews no longer be allowed to use the public parks. It was decided that the Jews would have to pay for the damage they had provoked.
The Movie is so easily paced that it lacks a few Hard and Disturbing Scenes to jar the Viewer into some sort of Urgency. Nothing here seems at all Desperate until it is too late and that's the Thesis. But in Cinematic Terms it all just sort of happens and the Impact of the Implications and the Fingerpointing gets smothered in a Lethargic Pace and the Exclamation Points become Periods.
Not a Bad Movie, it is quite Good. However, the Profound Warnings it attempts to Reflect with its Historical Mirror are never given enough Hutzpah to be anything more than a Muse. A Sincere and Important Muse to be sure, but it fails to use its Fiction and its Medium to bring Home its Message. Apathy is nothing but Self-Preservation at the Expense of Everything Else.
Você sabia?
- CuriosidadesViggo Mortensen says that, during the costume fitting for the Nazi uniform, he felt that it was never quite fit right. He eventually realized this was due to his reluctance to see himself in Nazi colors.
- Erros de gravaçãoWhen Goebbels congratulates Halder at the filming of Halder's movie, he walks normally and very jovially. Real Goebbels had a deformed right foot, turned inwards and shorter than the left, needing a metal brace on his leg. Therefore, he walked with a pronounced limp, never with the energy and agility he shown in the film.
- Citações
Maurice: We probably met him, you know? When we were at Ypres, October of that year, 16th Bavarian were in the line next to us. He'd have been running dispatches back and forth.
Halder: You may have sent him on an errand.
Maurice: "Oi, you! Lance Corporal! Yes, you, short arse. Get over here!"
Halder: And he'd have saluted you., imagine that.
Principais escolhas
- How long is Good?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Good
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.276
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.508
- 4 de jan. de 2009
- Faturamento bruto mundial
- US$ 1.552.024
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1