AVALIAÇÃO DA IMDb
5,4/10
2,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaLackluster criminals look to pull a job in the Granite State.Lackluster criminals look to pull a job in the Granite State.Lackluster criminals look to pull a job in the Granite State.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Peter Anthony Tambakis
- Marcus
- (as Peter Tambakis)
Jeffrey Maroun
- Cashier
- (as Jeffrey J. Maroun)
Tracy M. Smith
- Sharon
- (as Tracy Smith)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I rented this movie on accident and turned out to be a very good movie. i agree with what "scoochie9" commented about the movie. Different people have different tastes and this movie happens to fit just what i like. the comedy is pretty dry and also subtle, but at the same time there are so many minor details in the movie that are just straight up hilarious (when rugged first talks to the character of Ebon moss and he says "yeah right"). I do agree that the film had a lot of potential that it didn't capitalize on. I thought the characters could have been developed a bit more. i really liked the way they ended the movie. i recommend this movie to anyone who is a fan of dry, clever comedy.
*** out of ****
Aaron Stanford plays a guy named John Ruddgate. He's a wannabe gangster who just can't seem to pull it off no matter how hard he tries. Enter Lagrand(Paul Schneider), a mentally handicapped man who really enjoys John's company. In reality though, John needs Lagrand a lot more than Lagrand needs him. John tries to impress Lagrand, but somehow, everything goes wrong in all the right ways. Both of them are completely oblivious of their situation, and all they want is to put an end to it. Meanwhile, two cops investigate a situation that seems to involve John, but Officer Putney(Michael Rapaport) has more going on in his personal life than it appears, and it looks like it might cause some distress. The film takes place in New Hampshire, but it appears to be filmed in Rutland, Vermont. Since both places look similar, I guess it doesn't matter.
The film is great. What makes it great is it's originality, it's ever twisting plot, and the fact that the characters refuse to be stereotypes. I love it when a refreshing movie like this comes out that is just enjoyable and uncomplicated. This is basically just the kind of film that I can easily get into because of how much it draws you in. It's just a breath of fresh air. It's an even bigger breath of fresh air than TRANSAMERICA or A MIDNIGHT CLEAR. There is just so much to enjoy about it.
Aaron Stanford has proved in the past that he can be very dopey(TADPOLE)and very rugged(HILLS HAVE EYES remake), and now he shows a side of himself that manages to be realistic but true to life at the same time. He has a really believable performance as a guy who just wants to be remembered for something bad and has absolutely nothing to lose, but gets very irritated when things are ruined for him. And Paul Schneider... WOW. He somehow pulls off a very low key performance that has exactly the same effect as if it were over the top He is just fascinating to watch. He has such a unique screen presence in this film. I swear, you could pause the movie and he would still look awkward no matter how he's standing or what he's doing. Even when he holds still, he pulls off being a person who has a mental disability. It's just really subtle, and yet so hypnotic. I was impressed.
So overall, if you're looking for something light and easy to get into, I'd highly recommend LIVE FREE OR DIE. It may not be life changing, but damn. It is damn fine independent cinema. It's really wonderful. Check it out.
Rated R for pervasive language including sex references.
Aaron Stanford plays a guy named John Ruddgate. He's a wannabe gangster who just can't seem to pull it off no matter how hard he tries. Enter Lagrand(Paul Schneider), a mentally handicapped man who really enjoys John's company. In reality though, John needs Lagrand a lot more than Lagrand needs him. John tries to impress Lagrand, but somehow, everything goes wrong in all the right ways. Both of them are completely oblivious of their situation, and all they want is to put an end to it. Meanwhile, two cops investigate a situation that seems to involve John, but Officer Putney(Michael Rapaport) has more going on in his personal life than it appears, and it looks like it might cause some distress. The film takes place in New Hampshire, but it appears to be filmed in Rutland, Vermont. Since both places look similar, I guess it doesn't matter.
The film is great. What makes it great is it's originality, it's ever twisting plot, and the fact that the characters refuse to be stereotypes. I love it when a refreshing movie like this comes out that is just enjoyable and uncomplicated. This is basically just the kind of film that I can easily get into because of how much it draws you in. It's just a breath of fresh air. It's an even bigger breath of fresh air than TRANSAMERICA or A MIDNIGHT CLEAR. There is just so much to enjoy about it.
Aaron Stanford has proved in the past that he can be very dopey(TADPOLE)and very rugged(HILLS HAVE EYES remake), and now he shows a side of himself that manages to be realistic but true to life at the same time. He has a really believable performance as a guy who just wants to be remembered for something bad and has absolutely nothing to lose, but gets very irritated when things are ruined for him. And Paul Schneider... WOW. He somehow pulls off a very low key performance that has exactly the same effect as if it were over the top He is just fascinating to watch. He has such a unique screen presence in this film. I swear, you could pause the movie and he would still look awkward no matter how he's standing or what he's doing. Even when he holds still, he pulls off being a person who has a mental disability. It's just really subtle, and yet so hypnotic. I was impressed.
So overall, if you're looking for something light and easy to get into, I'd highly recommend LIVE FREE OR DIE. It may not be life changing, but damn. It is damn fine independent cinema. It's really wonderful. Check it out.
Rated R for pervasive language including sex references.
Last night I decided to go to a movie at the Woods Hole Film Festival. Live Free or Die grabbed my attention, so I blindly went in, hoping for a mediocre movie. The Film Festival is good, but my expectations are never that high. Boy how I was wrong. Written and directed by two former writers from Seinfeld, this movie was wonderfully funny and of a professional quality. It was impossible to believe that they only had one camera and less than $2 million! It was like watching a big name Hollywood picture, except without all the crap product placements. If you have a chance to see this movie, do it. They hope to at least do a New England or a college release, but I sincerely hope that it gets a wider distribution.
Scenic New Hampshire serves as the novel setting for "Live Free or Die" (not to be confused with the later Bruce Willis film, "Live Free or Die HARD"), an entertaining indie comedy that takes its title from the state's time-honored motto of in-your-face defiance.
John Rudgate - who goes by the nickname "Rugged" - is an inept wannabe tough guy who fancies himself a notorious outlaw. He spends most of his days riding around in a dilapidated van trying to convince others - as well as himself - that he is, indeed, the most feared lawbreaker in the county. In reality, the "stolen" merchandise he is moving is actually his own stuff, and the gun he keeps in a drawer in the kitchen is nothing more than a water pistol. The folks in town shrug him off as little more than an irritating pest with delusions of criminal grandeur. Like any villain worth his salt, Rudgate needs to find himself a sycophantic henchman who will do a substantial amount of his dirty work for him. He alights on Lagrand, a simpleminded, but sweet-natured acquaintance who co-owns a storage facility with his sister, a clear-eyed pragmatist who, unlike her brother, knows a BS-ing con artist when she sees one.
Although the movie can't entirely shake free of the "oddball quirkiness" factor that seems to afflict so much of regional film-making these days, movie makers Gregg Kavet and Andy Robin evince a genuine affection for their characters and a sly way with storytelling that go a long way towards mitigating that weakness. They are aided immeasurably by wonderfully self-effacing performances by Paul Schneider, Michael Rapaport, Zooey Deschanel, and, above all, Aaron Stanford, who, as Rudgate, turns a potentially one-note caricature into an endearingly original and surprisingly memorable comic figure. And, besides, the colorful New England setting is alone worth the price of a rental.
John Rudgate - who goes by the nickname "Rugged" - is an inept wannabe tough guy who fancies himself a notorious outlaw. He spends most of his days riding around in a dilapidated van trying to convince others - as well as himself - that he is, indeed, the most feared lawbreaker in the county. In reality, the "stolen" merchandise he is moving is actually his own stuff, and the gun he keeps in a drawer in the kitchen is nothing more than a water pistol. The folks in town shrug him off as little more than an irritating pest with delusions of criminal grandeur. Like any villain worth his salt, Rudgate needs to find himself a sycophantic henchman who will do a substantial amount of his dirty work for him. He alights on Lagrand, a simpleminded, but sweet-natured acquaintance who co-owns a storage facility with his sister, a clear-eyed pragmatist who, unlike her brother, knows a BS-ing con artist when she sees one.
Although the movie can't entirely shake free of the "oddball quirkiness" factor that seems to afflict so much of regional film-making these days, movie makers Gregg Kavet and Andy Robin evince a genuine affection for their characters and a sly way with storytelling that go a long way towards mitigating that weakness. They are aided immeasurably by wonderfully self-effacing performances by Paul Schneider, Michael Rapaport, Zooey Deschanel, and, above all, Aaron Stanford, who, as Rudgate, turns a potentially one-note caricature into an endearingly original and surprisingly memorable comic figure. And, besides, the colorful New England setting is alone worth the price of a rental.
Small town quirky characters and absurd situations. Aaron Stanford's performance, "Rugged", reminds me somewhat of Steve Buscemi, sort of nervous, hot-tempered, puny, and swaggering.
I agree with a previous comment that Paul Schneider's character does remind me of Will Ferrell.
Not a lot happens in parts of this little movie, but that seems to reflect several independent films.
I loved seeing the setting of New Hampshire, since I lived there for a year. The only thing that was missing was the authentic New Hampshire accents.
I agree with a previous comment that Paul Schneider's character does remind me of Will Ferrell.
Not a lot happens in parts of this little movie, but that seems to reflect several independent films.
I loved seeing the setting of New Hampshire, since I lived there for a year. The only thing that was missing was the authentic New Hampshire accents.
Você sabia?
- Curiosidades"Live Free Or Die" is New Hampshire's (the granite state) motto.
- Erros de gravaçãoWhen "Rugged" arrives at the ServiStar Lambert Supply Co. Inc., a person gets into the drivers seat as "Rugged" exits the van. The van is supposed to be unoccupied and rolling backward due to faulty brakes.
- ConexõesReferences O Mágico de Oz (1939)
- Trilhas sonorasSummer's Gonna Be My Girl
Written by Bobby Harlow, John Krautner, Christopher Fachini
Performed by The Go
Courtesy of Peacock Angel Publishing, Rhythm King Music, North Star Media
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- How long is Live Free or Die?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Live Free or Die
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 13.836
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.875
- 1 de abr. de 2007
- Faturamento bruto mundial
- US$ 13.836
- Tempo de duração1 hora 29 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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