AVALIAÇÃO DA IMDb
7,0/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaMcLibel is the story of two ordinary people who humiliated McDonald's in the biggest corporate PR disaster in history.McLibel is the story of two ordinary people who humiliated McDonald's in the biggest corporate PR disaster in history.McLibel is the story of two ordinary people who humiliated McDonald's in the biggest corporate PR disaster in history.
- Prêmios
- 1 vitória e 1 indicação no total
Anita Anand
- Voiceover
- (narração)
Peter Armstrong
- Voiceover
- (narração)
Chris Brierley
- Voiceover
- (narração)
Rhona Cameron
- Voiceover
- (narração)
T. Colin Campbell
- Self
- (as Professor Campbell)
Stephen Gardner
- Self - Assistant Attorney General
- (as Stephen Gardener)
Geoffrey Giuliano
- Self
- (as Geoff Guiliano)
Wilson Haagens
- Voiceover
- (narração)
Frank Hutson
- Voiceover
- (narração)
Avaliações em destaque
This is a low budget but very, very entertaining account of Helen Steel and David Morris's fight against McDonalds. They were caught distributing leaflets accusing McDonalds of polluting the environment, cruelty to animals, aiming their produce at children and being extremely unhealthy and lying about it. McDonalds claimed they were lying, so the postman and the gardener represented themselves in a 7 year court case. This documentary charts the trial and verdict, and further footage after the event. It is cheap and cheerful, but astounding in it's simplicity. This was a landmark case that made it acceptable to challenge corporations, in fact, it almost seems to be the pre runner for many documentaries out there. More importantly, it took the wind out of McDonald's sails and forced them to readdress many of the issues they were challenged over. It's a great film - I recommend it.
I found it interest That the facts get turned around so the critics are so good. Never mind that McDonalds actually won their lawsuit against the libelous info the 2 put out and won a $40,000 lawsuit against them. Only suit they won was against British government not Mc Donald's, and seeing a side note Mc Donald's never did press the pair for the money. BTW, I am NOT a McDonalds fan or customer, just wanted to see what really happened.
To the previous poster, justsomeregularguy, who equivocates the producers of this film to multinational corporations, please explain to me how this documentary has made tens of billions of dollars per annum, like a multinational worth their salt does. Your whole argument, and your anger over a certain type of filmmaker or person fails with a fallacy of that caliber. Read Adorno's The Culture Industry and get over it.
I am SO sick and tired of people accusing any and all director or filmmaker of cashing-in by copying or riding on coattails of others just because they see the flood of remakes/ripoffs/plaigarisms bouncing between Hollywood, Bollywood and Asia (aka The 2006 Oscar winner) and apply that in all cases: Another baseless equivocation! Quite simply, a film like this will hardly make ANY money off direct sales. Most documentaries make their money back due to library acquisitions and television broadcast rights. I really have to question the mind that thinks that a documentary like this is made motivated by greed. Films like the Corporation and Super Size Me are exceptions, and frankly the whole "documentaries are the new blockbuster" paradigm is also way past its sell-by date, and to buy into that is to accept what amounted to hype in the first place. For every Incovenient Truth there are thousands of conventional narrative films. We notice those docs because of their exceptional nature in the film marketplace. Again, McLibel is not exactly Spider-man 3. Let's please keep things in perspective. If anything, you give this film you seem to be angry at way too much credit. You also indirectly insult filmgoers by assuming we're all suckers and wouldn't be able to see past a rip-off and you attempt to privilege yourself as if you know better, by proxy. If anything, it's whatever amount of attention the Palme D'Or has brought to Ken Loach's work that might get some more people to see this. Finally, films of the same subject and type have been made in close proximity to each other; it's called a zeitgeist, and more than one person can tap into it at the same time. The Illusionist/The Prestige for example. Superficially: Costume dramas with magic. On any other, non-reflexive level: Totally different narratives.
I am SO sick and tired of people accusing any and all director or filmmaker of cashing-in by copying or riding on coattails of others just because they see the flood of remakes/ripoffs/plaigarisms bouncing between Hollywood, Bollywood and Asia (aka The 2006 Oscar winner) and apply that in all cases: Another baseless equivocation! Quite simply, a film like this will hardly make ANY money off direct sales. Most documentaries make their money back due to library acquisitions and television broadcast rights. I really have to question the mind that thinks that a documentary like this is made motivated by greed. Films like the Corporation and Super Size Me are exceptions, and frankly the whole "documentaries are the new blockbuster" paradigm is also way past its sell-by date, and to buy into that is to accept what amounted to hype in the first place. For every Incovenient Truth there are thousands of conventional narrative films. We notice those docs because of their exceptional nature in the film marketplace. Again, McLibel is not exactly Spider-man 3. Let's please keep things in perspective. If anything, you give this film you seem to be angry at way too much credit. You also indirectly insult filmgoers by assuming we're all suckers and wouldn't be able to see past a rip-off and you attempt to privilege yourself as if you know better, by proxy. If anything, it's whatever amount of attention the Palme D'Or has brought to Ken Loach's work that might get some more people to see this. Finally, films of the same subject and type have been made in close proximity to each other; it's called a zeitgeist, and more than one person can tap into it at the same time. The Illusionist/The Prestige for example. Superficially: Costume dramas with magic. On any other, non-reflexive level: Totally different narratives.
That's the point. They won - despite the odds. And when that is no longer the basis for an interesting film then we might as well all give up. Whether you agree with their politics or not, the stand they took, the obstacles they faced and the dirty tricks pulled by Maccas make this the perfect subject for a documentary. What bugs me most about the people who are on here criticizing this movie is the line that these "do-gooders" are profiting from this movie's release. Unlike people like you, making money is not the only motivation in this world and if you saw this film, you'd realise it is way down the list of priorities for these two people. Sometimes just getting the message out is the most important part. But I guess that wouldn't even occur to some people.
McLibel is a really interesting documentary about 2 people that were activists who were sued by McDonalds for libel. The movie spans 15 years and the lives of the 2 activists who wouldn't apologize to McDonalds. It's not really about a personal attack on McDonald's per say, it's more about the free speech and libel laws in Britain. While I find the movie engaging and the story a true David Vs. Goliath story is one that be told, but it is so one sided that it is frustrating. I understand how the film is against Multi-National corporations and their practices, but it's not fair to have them not have a voice, to allow McDonalds to share their side of the story. Many of the interviews seem staged along with the news reports and the reenactments of the court room scenes are awkward and poorly done. I think it's a landmark case and one that has all the makings of a great documentary, but it's so biased and subjective, all of its power is muted.
Você sabia?
- CuriosidadesOriginally released as a 52 minute film on TV and video in 1997; this extended 85 minute version came out in theaters in 2005 after the case had gone to the European Courts.
- Citações
Journalist: What about the finding that McDonalds targets children?
Lawyer: I don't recall that.
- ConexõesEdited from McLibel: Two Worlds Collide (1998)
- Trilhas sonorasThe Ancient Mariner
Written, performed & produced by Johny Brown, Alfie Thomas (as Alf Thomas) and Chris Brierley
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Клевета МакДональдс
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.337
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.821
- 12 de jun. de 2005
- Faturamento bruto mundial
- US$ 7.234
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