AVALIAÇÃO DA IMDb
7,5/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSet in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.
- Direção
- Roteirista
- Artistas
- Prêmios
- 13 vitórias e 9 indicações no total
Nikolay Spiridonov
- Vanya Solntsev
- (as Kolya Spiridonov)
Aleksandr Sirotkin
- Timokha
- (as Sasha Sirotkin)
Polina Vorobyova
- Natakha
- (as Polina Vorobeva)
Dmitriy Zemlyanko
- Anton
- (as Dima Zemlyanko)
Darya Yurgens
- Mama Mukhina
- (as Darya Lesnikova)
Avaliações em destaque
This is one of the most satisfying films I've had the pleasure of watching in quite some time. Russian cinema is notable for its stark and unvarnished portrayal of life, and this piece is true-to-form. (Disney this ain't!) While it is very difficult to take in the conditions under which dozens of adorable, abandoned children must get along day-to-day in the grim confines of a Russian orphanage, it is absolutely enthralling to witness one little boy's fierce determination to find his true place in the world. Ostensibly this film was "inspired by true events" and while it is of course difficult to know just how much fact ultimately found its way into the screenplay, it's easy to imagine that the real-life orphan who boldly set off across-country in search of his birth mother must have had incredible strength-of-character, particularly for one so young. The producers did a wonderful job of balancing the elements of what could easily have become a rather depressing and hard-to-watch movie. The heavy tension of the boy's constant struggle against huge odds is beautifully broken up with little snippets of humor and compassion. With the exception of a single character who necessarily functions as the lightning-rod for the viewer's outrage, the antagonists are portrayed not as stereotypical villains, but as humans who are doing their best to eke out their survival in very difficult circumstances. Above all, we never forget that little Vanya -- tough and resourceful though he is -- is still a small and vulnerable child. Remarkably, never once during this film did I feel I was being served up anything contrived or absurd . . . in fact, at no time did I find it necessary to engage in the usual "suspension of disbelief" that so typifies the viewing experience for Hollywood films. While this movie will do little to entertain those who crave hormonally motivated plot-lines and adrenaline-charged action, it's definitely very worthwhile for drama-lovers in the 30+ crowd.
10ikmedia
This film is an absolute treasure! It is not only well done, and I don't mean super effects or huge budget, but well done from a true Cinematic and directorial approach, it also has a very interesting script. Most importantly, this film has a soul; it adds humanity to our consciousness, which is rare in this "postmodern" age we live in. Acting is excellent especially if you take under consideration that most of the characters are children. Like any great film, it speaks of the personal story and goes beyond, dealing with bigger issues. Moreover, this film follows the great Russian film tradition, reminded me of Tarkovsky, even though the style is very different, and more recent film "The Return" which came out of Russia couple years ago and won international awards.
10emuir-1
This film is saved from being a sentimental tearjerker by the performances of the wonderful cast. Set in a children's home in northern Russia, just as the long winter gives way to a miserable wet spring, the story is an absorbing tale about a little boy who tries to find the mother who abandoned him as a baby. While almost Dickensian, the home is run by kindly people doing the best with what they have, which is nothing. Mostly losers, conscious of the fact that they never reached their full potential, or even half their full potential, they try to cope with the collapse of order in modern Russia.
The children are mainly left to their own devices, especially the older ones who resort to petty crime and prostitution to survive. Little Vanya should be able to read, but no one seems to be teaching the children, they just exist.
Other than the standout performance of Lolya Spiridov, in the lead, the ones who caught my eye were the home's director, who looked as if he had been born a dissipated alcoholic, and the assertive baby broker known as "Madame" who would be right at home selling condos in Florida, the sweet faced red-haired Irka, who sells her body to truckers, and the tragic mother who tries to late to find her child. She marched around in furs with wads of bribery cash, reminding people that she could be very generous in return for information.
At first I could not understand why Russia would allow a film showing a dark underside to be made, then I realized that it was an indictment of the women who "lose" their children at railway stations and otherwise neglect to raise their children, and the practice of foreign adoptions for money.
Definitely a film to see.
The children are mainly left to their own devices, especially the older ones who resort to petty crime and prostitution to survive. Little Vanya should be able to read, but no one seems to be teaching the children, they just exist.
Other than the standout performance of Lolya Spiridov, in the lead, the ones who caught my eye were the home's director, who looked as if he had been born a dissipated alcoholic, and the assertive baby broker known as "Madame" who would be right at home selling condos in Florida, the sweet faced red-haired Irka, who sells her body to truckers, and the tragic mother who tries to late to find her child. She marched around in furs with wads of bribery cash, reminding people that she could be very generous in return for information.
At first I could not understand why Russia would allow a film showing a dark underside to be made, then I realized that it was an indictment of the women who "lose" their children at railway stations and otherwise neglect to raise their children, and the practice of foreign adoptions for money.
Definitely a film to see.
this was one of the best movies i have seen in a long time. not only was kolya spiridov magnificent, every actor young and old were intense. the lyricism of this movie is simply magnificent. i felt the cold, the dampness, the starkness and disagreeing completely with someone else's comment on this movie, i found the score perfect. economical, to the point, letting us feel the story without suggesting it for us as Hollywood tends to do. also... directed superbly where the main character doesn't get cheap emotions out of us by making us 'cry' by crying. we suffer his plight a great deal more as he goes through the film just as is. superb, intricate, inspired. this film deserves great recognition and all the accolades a great movie should ever get. i recommend it greatly.
The Italian is a wonderful and heart warming film, a great performance by it's staring young lead actor, Koyla Spiridonov. I was reminded of a similar film I had just watched, Under the Same Moon, which also was carried by an equally strong performance by it's young actor. Movies like these have a real chance to include a huge supporting cast which can sometimes be great for the film, but other times overshadows the main character and their story. The Italian's side characters are under developed but in this case that is for the best, the young boy is such a strong character that he is all that is needed. In Under the Same Moon the opposite of that works better, where the supporting characters help the audience connect to the main characters. The ending I felt was very beautiful, went away from a typical ending, maybe a bit cheesy, but if you really get into this story then why would you want anything else for this young man.
Você sabia?
- CuriosidadesRussia's Official Submission to the Best Foreign Language Film Category of the 78th Annual Academy Awards (2006)
Principais escolhas
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- How long is The Italian?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- The Italian
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 555.436
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.290
- 21 de jan. de 2007
- Faturamento bruto mundial
- US$ 2.007.774
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
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