Mystery Woman: Redemption

This is the first "Mystery Woman" movie I have watched. The editing and dialogue of this movie is HORRIBLE.

"I need to ask you a few questions" "Sure" "Do you know Jim?" "Yes" "Do you know anything about him?" "No" "Anything else you can tell me?" "No" "Thanks" "Sure"

There are no gaps, pauses, or room to take a breath in the dialogue. It was obvious this is on purpose. In a two person exchange, one person is responding to an asked question before the camera edit can show the response.

Not a bad movie for a TV mystery but the editing is distracting.

Tyler Dell is the local plumber who looks after Samantha's pipes at the bookstore (no, really). Tyler's father (a Vietnam veteran) has recently passed away but returning to work seems Tyler's way of getting over it and he has plenty of work at the creaky Mystery Woman bookshop. A stranger visits the shop on his way through town (one Jim Carter) and at the same time a rare book goes missing. The police can find nothing and let everyone leave but later that same day Jim Carter turns up dead – stabbed with his fingerprints removed by acid. At his guesthouse he has left a package for Samantha – a valuable looking box containing a personal letter, a key and some post-it notes. The contents are clues but can Samantha work out what the clues mean, far less the reasons they have been left for her?

I have now seen several of the Mystery Woman series now and find them to be generally so-so and only good enough for viewers who are prepared to meet it on its level. The material is typical mystery fare and, as I have said before, it is all a bit "Murder She Wrote: The Early Years" but the story here does have enough to it to keep things moving and has a good pace to the development of the story. The constant soundtrack is a real pain here, as it feels like it is forced the mood too often – whether it is dark mystery, light comic touch or sentimentality. This bugged me but it came with the territory since the whole delivery is very clean and Corporate, lacking in anything that original and feeling pretty processed – all part of it being a Hallmark production I suppose. Although the plot is a bit (a bit!) unlikely and contrived, it does provide a nice set of clues for Sam to work through, which is what fans of the series will be looking for.

The cast match this level by mostly just doing the basics. They aren't helped by the script, which produces clunky and unnatural dialogue whenever it gets the chance – sure it tells a story but often the actors look uncomfortable with it. Martin still hasn't got it. She looks cute but she is never a real person and has nowhere near enough charisma to cover for her lack of character. Her relationships with other characters is also convincing, although it doesn't help that they are similarly clunky. Williams is stiff and hasn't much to do while Siemaszko just drifts round with even less to do and an ethics code that is dubious at best. Sander is overly gruff and stiff yet again as Connors.while O'Ross, Lascher and Barry all feature as the recognisable red-herrings (or not) of the film.

Overall then a so-so mystery film from Hallmark that will please those who are happy with the quality that will inevitably come with that. The plot is daft but developed at a good pace even if the script is clunky and the performances generally stiff. The overall mood is one of safety and material that is befitting the corporate image of Hallmark. Will be OK if you meet it on its level but many viewers will understandably see this daytime stuff to be below them.

7/10 - just what you'd expect from a Samantha Kinsey flick

Y'know, TV has become such a wasteland that amazingly, I find myself actually trying these various Hallmark MFTV things, whether it's Aurora Teagarden (RIP) or one of the others. Anythign that won't lecture me, tell me "how" to think, what's rightthink, what's socially "wrongthink" and all that dreck and drivel.

I tried a few of these the other night (it's now like 13-15 years since these were made) and geeze, they are kinda AWFUL. They are rivalling my older fave cozies for vapidity, sadly.

The premise here is that this itty-bitty girl of 20-something, maybe early 30-something, inherits this roomy, NEVER has customers bookstore, that obviously earns the earth, and has working for her this former CIA/Intelligence Analyst (played by Clarence Williams III of Mod Squad fame). It's laughable off the cuff, but the writing is just...excruciatingly bad. EAch time, somebody gets murdered (of course!) and this wee Jessica Fletcher is off to solve the case and naturally, DOES. Like, through osmosis, because she seems to have no training, no education, no actual KNOWLEDGE about anything at all, to her own devices.

Invariably, I can point at the screen and say "he dun it," within, no kidding, 10 minutes of the open. The deductions that yon lady amateur detective leaps to are...it's hard to do them justice in this review. Just...bad. The woefully underpaid/volunteer Intelligence guy that always "knows a guy" that can get them stuff that the local fuzz can't get is bad. It's just ALL BAD.

Worse, something hilarious actually happened on this episode--the thing opens, I hear music that I recognize but can't place. I didn't finish it that night--I'm not that masochistic--and when I wrap it up two-three nights later, they play it again. I'm like "d*mmit, what is that?" and the following morning (on the throne, the appropriate spot for thinking about THIS show, mind you) I realize--it's from The Untouchables. YES, the one with Connery, Costner, et al. It's hard to imagine two more opposite efforts, both dealing with crime and murder, than those two. The sheer PRESUMPTION of anyone mooching that amazing music, for this dreck? Shame on you, music dude.

So...I get why desperation might drive you to try this, but be warned. It's just...like watching the old Mickey Rooney, Judy Garland, "hey, kids, let's put on a show" things. It's THAT BAD.

This was a typical Hallmark movie, murder without the blood and gorey visuals, which I like as I can watch them with my granddaughter. But this movie, as with so many these days, has such an irritatingly LOUD background music! If you turn it down where the music score isn't so loud, you can't hear the dialog. Its infuriating!! It happens lately with so many movies. The score should accentuate the special moments of suspense or intrigue, but this particular one ruins the movie for me. Looking over other reviews, I see I'm not alone. Please fix this!