Depois que uma balsa é bombardeada em Nova Orleans, uma agente se junta a uma investigação usando tecnologia de vigilância experimental.Depois que uma balsa é bombardeada em Nova Orleans, uma agente se junta a uma investigação usando tecnologia de vigilância experimental.Depois que uma balsa é bombardeada em Nova Orleans, uma agente se junta a uma investigação usando tecnologia de vigilância experimental.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Donna W. Scott
- Beth
- (as Donna Scott)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I had never heard of this movie, but it appeared on cable and when I saw the cast, I figured "how bad could it be?". I thought it was terrific. Nothing of great dramatic or historical significance, of course, but who cares? Denzel is his usual infinitely watchable self, Val Kilmer is quirky with yet another interesting dialect and Adam Goldberg is fantastic. All three are smooth, assured and entertaining. A lot of posters and reviewers talked about how "unbelievable" the science fiction aspect of the plot was, but that never bothers me. Once I figure out what I'm supposed to suspend my disbelief about, I just do so and enjoy what the filmmakers are doing. I actually found this particular sci-fi plot quite intriguing and really liked having to try to follow its twists and turns through the action.
As has been said before, this is definitely a Sci Fi/ Film Noir/Action/Romance. How many of those have you come across? Highly recommended. Big fun and smart besides.
As has been said before, this is definitely a Sci Fi/ Film Noir/Action/Romance. How many of those have you come across? Highly recommended. Big fun and smart besides.
Continuing my plan to watch every movie in Denzel Washington's filmography, I come to Deja Vu
If you can get on board with a lot of the technology (the ability to watch the past, through walls with audio) and time travel aspects, a lot of fun can be had with Deja Vu.
It's totally illogical, with incomprehensible definitions of how things work, and I still don't know how many time lines there were, but I recommend turning your brain off and just going with it, as it is entertaining, enough.'
Deja Vu grossed $64 million at the domestic box office and was the 42nd highest grossing movie of 2006.
If you can get on board with a lot of the technology (the ability to watch the past, through walls with audio) and time travel aspects, a lot of fun can be had with Deja Vu.
It's totally illogical, with incomprehensible definitions of how things work, and I still don't know how many time lines there were, but I recommend turning your brain off and just going with it, as it is entertaining, enough.'
Deja Vu grossed $64 million at the domestic box office and was the 42nd highest grossing movie of 2006.
The reason I waited a few years to do this review is that I wanted to see the film a few times - something that reviewers should consider before dashing off a critique.
I have seen Deja Vu four times top to bottom and my comments:
1. Near perfect hi-concept film. Involves sci-fi, time travel, detective work, etc. But when push comes to shove it is about connection and saving the person you love.
2. Technically flawless. Well written. Great acting. And with Denzel holding the camera scene to scene even if there were some flaws, you would not notice them anyway
3. I will be honest. The picky reviews bother me because the purpose of the IMDb is to create a record for viewers of the futures, not a whine fest for reviewers of the present. I am a film buff (see my other reviews) and I tried to make a list simply of other films in this category, yet alone films that are this good. Maybe a dozen tops in the last 100 years. Which means that films like this are rare and when a good one comes along you treasure it, not belittle it.
Highly recommended. Hi emotional impact. A feel-good film.
I have seen Deja Vu four times top to bottom and my comments:
1. Near perfect hi-concept film. Involves sci-fi, time travel, detective work, etc. But when push comes to shove it is about connection and saving the person you love.
2. Technically flawless. Well written. Great acting. And with Denzel holding the camera scene to scene even if there were some flaws, you would not notice them anyway
3. I will be honest. The picky reviews bother me because the purpose of the IMDb is to create a record for viewers of the futures, not a whine fest for reviewers of the present. I am a film buff (see my other reviews) and I tried to make a list simply of other films in this category, yet alone films that are this good. Maybe a dozen tops in the last 100 years. Which means that films like this are rare and when a good one comes along you treasure it, not belittle it.
Highly recommended. Hi emotional impact. A feel-good film.
I'll start by saying that I was reluctant to even see this movie but after some insistence by family, I sat and watched in pure enjoyment.
Articles, reviews, trailers, TV spots, DO NOT do this film justice. Denzel Washington pulls out another great performance as well as an aged Val Kilmer. While some will point out that the plot is hard to swallow, it doesn't matter because it's wrapped up in sheer entertainment. You feel for these characters. There are no holes to be found in either the plot or it's twists. It's believable at the same time unbelievable. If you can get past the middle 20 minutes or so while they explain what the team can do, you're in for a great ride.
I can't, in three paragraphs, paint a picture like Deja Vu. Of the many films Mr.Washington has put out over the last 4 years or so, this is by far his best if not one of the best of the year.
Highly recommended for the open-minded.
Articles, reviews, trailers, TV spots, DO NOT do this film justice. Denzel Washington pulls out another great performance as well as an aged Val Kilmer. While some will point out that the plot is hard to swallow, it doesn't matter because it's wrapped up in sheer entertainment. You feel for these characters. There are no holes to be found in either the plot or it's twists. It's believable at the same time unbelievable. If you can get past the middle 20 minutes or so while they explain what the team can do, you're in for a great ride.
I can't, in three paragraphs, paint a picture like Deja Vu. Of the many films Mr.Washington has put out over the last 4 years or so, this is by far his best if not one of the best of the year.
Highly recommended for the open-minded.
First glance of Déjà Vu's DVD cover presents what appears to be another action flick with a bunch of good looking people looking too cool for school. Not that there's anything wrong with that, they can't all be "Agent PW" (Peewee Herman), but with the oversaturation of such action flicks it's easy to let one slip past you. Then I noticed who directed this film: the late, great Tony Scott.
Tony Scott committed suicide by jumping off a bridge in 2012. We'll get to that in a minute. First let's go back in time, as this movie does (speaking of which, here's all you need to know about Déjà Vu's plot in 1 sentence: the movie opens with a tragedy in the first 5 minutes, and the remaining 121 minutes take our hero on a wild ride to unravel the truth and possibly... change it?).
Tony Scott, younger brother of Ridley Scott ("Alien", "Blade Runner", "Prometheus"), was just as stylish and atmospheric with his films. Although best known for the more mainstream "Top Gun", "Days of Thunder" and "Beverly Hills Cop II", he first turned heads with his phenomenal debut "The Hunger", which was to vampire flicks what Kubrick's "2001: A Space Odyssey" was to scifi flicks. It brought a degree of sobriety and realism to a genre dominated by fantasy and cheesy special effects. Or in other words: "sh!t gets real."
Here in Déjà Vu, we get the same sober treatment of "time travel" movies. It's not just Marty McFly flooring a suped up Delorean and cruising into the past. Rather, we are presented the somewhat credible idea of being able to observe the past in real-time, similar to the way our telescopes allow us to observe the past of stars unfolding in real-time even though they have burned out billions of years ago. That's about all we get as far as explanations which I think is good. Nobody wants to spend 15 minutes talking about flux capacitors and stuff when people are about to get killed.
The action doesn't let up for a single moment. That doesn't mean that there are continuous car chases and shootouts, but what I mean is that there's a thick air of tension that Tony Scott achieves even during quiet moments because there is always a sense of impending peril. Take the opening 5 minutes, for example. Even if you hadn't read the IMDb description (which I always advise people not to!) and even if I hadn't told you that there's a tragedy in the first 5 minutes, you can feel something is going to happen because that's what Tony Scott conveys to us from the 1st frame.
A quick word about the acting, even though it should be obvious with Denzel Washington: fantastic. He reprises his signature action role of a loner who's somewhat cynical but not above showing tremendous humanity and compassion in addition to explosive outbursts. He also adds some great comedic moments, although most of the film's comic relief is handled by the excellent Adam Goldberg (remember Chandler's psycho roommate for 3 episodes of "Friends"?) who plays the fast talking, sarcastic, pop-culture-quoting computer nerd "Denny" who throws out zingers referencing everything from "Saturday Night Live" to "Airplane!" Now back to director Tony Scott and his suicide (you thought I had forgotten).
The undisputed power of this film is carried by its mystery. I'm not just talking about whodunnit, but more importantly: whydunnit? Powerful themes of fatalism vs. free will, acceptance vs. action, and even a tasteful dose of logic vs. spiritualism are thrown at us around every corner. The result is a thriller where we can't figure out the director's strategy or motive until the very last scene. Some filmmakers are somewhat predictable (you always know Disney will end happy, you always know John Carpenter will end with a few gallons of blood). But here Tony Scott plays with his cards so close to his chest, and not only that but he fakes us out quite a few times, that your fingernails will be deeply imprinted in the armrest of your chair or the flesh of the unlucky person sitting next to you. And isn't that how Tony Scott left this world? An unexplained suicide (although some family members mentioned a secret battle with cancer, the coroner's official report showed no cancer, no serious medical conditions), the only thing that everyone could agree on was that Tony's leap from the bridge was "inexplicable". Who knows, maybe watching this film will give you some insight into the mind of the great director. Perhaps coincidentally, a bridge figures into this movie as a prominent symbol.
Who knows, maybe you just wanted to watch a run-of-the-mill action flick with a bunch of good looking people looking too cool for school. But there's so much more here. Déjà Vu will definitely make you do a double-take.
Tony Scott committed suicide by jumping off a bridge in 2012. We'll get to that in a minute. First let's go back in time, as this movie does (speaking of which, here's all you need to know about Déjà Vu's plot in 1 sentence: the movie opens with a tragedy in the first 5 minutes, and the remaining 121 minutes take our hero on a wild ride to unravel the truth and possibly... change it?).
Tony Scott, younger brother of Ridley Scott ("Alien", "Blade Runner", "Prometheus"), was just as stylish and atmospheric with his films. Although best known for the more mainstream "Top Gun", "Days of Thunder" and "Beverly Hills Cop II", he first turned heads with his phenomenal debut "The Hunger", which was to vampire flicks what Kubrick's "2001: A Space Odyssey" was to scifi flicks. It brought a degree of sobriety and realism to a genre dominated by fantasy and cheesy special effects. Or in other words: "sh!t gets real."
Here in Déjà Vu, we get the same sober treatment of "time travel" movies. It's not just Marty McFly flooring a suped up Delorean and cruising into the past. Rather, we are presented the somewhat credible idea of being able to observe the past in real-time, similar to the way our telescopes allow us to observe the past of stars unfolding in real-time even though they have burned out billions of years ago. That's about all we get as far as explanations which I think is good. Nobody wants to spend 15 minutes talking about flux capacitors and stuff when people are about to get killed.
The action doesn't let up for a single moment. That doesn't mean that there are continuous car chases and shootouts, but what I mean is that there's a thick air of tension that Tony Scott achieves even during quiet moments because there is always a sense of impending peril. Take the opening 5 minutes, for example. Even if you hadn't read the IMDb description (which I always advise people not to!) and even if I hadn't told you that there's a tragedy in the first 5 minutes, you can feel something is going to happen because that's what Tony Scott conveys to us from the 1st frame.
A quick word about the acting, even though it should be obvious with Denzel Washington: fantastic. He reprises his signature action role of a loner who's somewhat cynical but not above showing tremendous humanity and compassion in addition to explosive outbursts. He also adds some great comedic moments, although most of the film's comic relief is handled by the excellent Adam Goldberg (remember Chandler's psycho roommate for 3 episodes of "Friends"?) who plays the fast talking, sarcastic, pop-culture-quoting computer nerd "Denny" who throws out zingers referencing everything from "Saturday Night Live" to "Airplane!" Now back to director Tony Scott and his suicide (you thought I had forgotten).
The undisputed power of this film is carried by its mystery. I'm not just talking about whodunnit, but more importantly: whydunnit? Powerful themes of fatalism vs. free will, acceptance vs. action, and even a tasteful dose of logic vs. spiritualism are thrown at us around every corner. The result is a thriller where we can't figure out the director's strategy or motive until the very last scene. Some filmmakers are somewhat predictable (you always know Disney will end happy, you always know John Carpenter will end with a few gallons of blood). But here Tony Scott plays with his cards so close to his chest, and not only that but he fakes us out quite a few times, that your fingernails will be deeply imprinted in the armrest of your chair or the flesh of the unlucky person sitting next to you. And isn't that how Tony Scott left this world? An unexplained suicide (although some family members mentioned a secret battle with cancer, the coroner's official report showed no cancer, no serious medical conditions), the only thing that everyone could agree on was that Tony's leap from the bridge was "inexplicable". Who knows, maybe watching this film will give you some insight into the mind of the great director. Perhaps coincidentally, a bridge figures into this movie as a prominent symbol.
Who knows, maybe you just wanted to watch a run-of-the-mill action flick with a bunch of good looking people looking too cool for school. But there's so much more here. Déjà Vu will definitely make you do a double-take.
Você sabia?
- CuriosidadesThe movie went through pre-production in New Orleans. Just a few weeks before production was to begin, Hurricane Katrina devastated the city. With the location in ruins, the movie made the decision to find a new location to shoot. A few weeks after the decision, canceling the movie altogether was in talks. Finally, three months after the hurricane, the film returned to New Orleans, Louisiana and began pre-production once again.
- Erros de gravaçãoThe ferry incident is Mardi Gras Day (a.k.a. Fat Tuesday). On Mardi Gras Day, the ferry service is pedestrian only for security reasons. And also, there was a school bus full of school children on it. All schools in the New Orleans area are closed for the holiday.
Clearly, this was a privately booked function for U.S. Navy personnel and their families; the school buses were chartered to carry their family members.
- Citações
Doug Carlin: What if you had to tell someone the most important thing in the world, but you knew they'd never believe you?
Claire Kuchever: I'd try.
- Cenas durante ou pós-créditosThe opening production logos stop in mid-sequence, reverse for a moment, then stop again and continue forward.
- Trilhas sonorasWhen The Saints Go Marching In
Traditional
Performed by the US Navy Southwest Regional Band
Principais escolhas
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- How long is Deja Vu?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 75.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 64.038.616
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.574.802
- 26 de nov. de 2006
- Faturamento bruto mundial
- US$ 180.557.550
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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