AVALIAÇÃO DA IMDb
6,1/10
117 mil
SUA AVALIAÇÃO
Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.
- Prêmios
- 1 vitória e 2 indicações no total
Hsin-Nan Hung
- Dice Man's Heavy
- (as Sun Nan Hung)
Hal Yamanouchi
- Pop Father
- (as Haruihko Yamanouchi)
Enredo
Você sabia?
- CuriosidadesIn order to deal with the constant bustle of Hong Kong, director Paul McGuigan and the crew decided to shoot the film "guerilla-style", with the cameras hidden in vans, filming through small holes, and the actors doing their scenes in one take on the streets.
- Erros de gravaçãoDuring the final scene when the mover Victor breaks open the locker to retrieve the case, when the camera pans out to a wider view the locker is clearly no longer broken but is closed and in perfect condition.
- Citações
Cassie Holmes: [in tears] Tell me I'm a crappy artist and that everything is going to be fine.
Nick Gant: You are a *crappy* artist. Everything is going to be fine, I promise.
- Cenas durante ou pós-créditosAs the opening credits appear onscreen, the names and their attributes are wholly or partially redacted (crossed out so as to be illegible).
- Trilhas sonorasRocket
Written by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Performed by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Courtesy of Deaf+Dumb+Blind Records
By arrangement with Zync Music Inc.
Avaliação em destaque
"Push" is the best movie from a recent new genre of science fiction movies. This new genre of movies, which includes "Jumper" and "Wanted", generally involves characters with psychic or psionic abilities, a conspiratorial shadow group, and an unlikely anti-hero, set against a banal or dystopian realism. "Push" blows these other two admittedly weak offerings out of the cinematic water.
Both the visuals and the action in "Push" are quite good. "Push" is set in Hong-Kong. The city has enough exotic flavor to be interesting and enough grit to provide a realistic backdrop for the more fanciful elements of the film. The filmmakers captured the feeling of a William Gibson novel without having to set the film at night in the rain for the entire movie.
The action sequences are excellent. "Push" does not suffer from the hyper-kinetic, shake-the-camera-until-the-viewer-is-confused action sequences of "Bourne Ultimatum" or "Quantum of Solace". In "Push", you know who is punching whom and you can tell who is winning.
Visual effects? Here is what sold me on this film and on this filmmaker's vision: When a "mover" (a person with telekinetic powers) uses his ability to push something away or to enhance the power of a punch (yes, I said TK-enhanced fight sequences...don't drool on your keyboard) the visual effects people were smart enough to consider the effect on the nearby air. The air gets...crimped, and as a result the light refracts in a split second rainbow pattern at the moment of impact. That level of forethought and detail is what "Jumper" and "Wanted" lacked.
Another element that this movie possesses that "Jumper" and "Wanted" doesn't is a focus on the characters. Any movie or show about psychic powers or "superpowers" lives or dies on the relationships between the characters. The male lead and Dakota Fanning are excellent together and quickly establish a rapport that gives the film more depth. Honorable mention goes to the enemy "watcher"--she is genuinely threatening, lollipop notwithstanding. I also loved the tip of the hat to the anime genre exhibited in Cassie's (Fanning) wardrobe.
This movie is worth every bit of the matinée price I paid. And I will probably watch it again.
A few points: One, this is not a superhero movie. While people who like "Heroes" and some of the Marvel films might enjoy this movie, one should not go in expecting that kind of experience.
Two, I do wish that the producers had about 15 million extra dollars. The extra money would have allowed them to show more of the story and neatly tie a couple of loose ends, rather than telling the audience. I sincerely hope this film does well enough to garner a more expansively budgeted sequel.
Three, this movie has some minor plot issues, especially a small deux ex machina cum Toyota, that might bother some. But, if you choose to buy into the experience, "Push" will take you on a fantastic ride.
-Blindcurve
Both the visuals and the action in "Push" are quite good. "Push" is set in Hong-Kong. The city has enough exotic flavor to be interesting and enough grit to provide a realistic backdrop for the more fanciful elements of the film. The filmmakers captured the feeling of a William Gibson novel without having to set the film at night in the rain for the entire movie.
The action sequences are excellent. "Push" does not suffer from the hyper-kinetic, shake-the-camera-until-the-viewer-is-confused action sequences of "Bourne Ultimatum" or "Quantum of Solace". In "Push", you know who is punching whom and you can tell who is winning.
Visual effects? Here is what sold me on this film and on this filmmaker's vision: When a "mover" (a person with telekinetic powers) uses his ability to push something away or to enhance the power of a punch (yes, I said TK-enhanced fight sequences...don't drool on your keyboard) the visual effects people were smart enough to consider the effect on the nearby air. The air gets...crimped, and as a result the light refracts in a split second rainbow pattern at the moment of impact. That level of forethought and detail is what "Jumper" and "Wanted" lacked.
Another element that this movie possesses that "Jumper" and "Wanted" doesn't is a focus on the characters. Any movie or show about psychic powers or "superpowers" lives or dies on the relationships between the characters. The male lead and Dakota Fanning are excellent together and quickly establish a rapport that gives the film more depth. Honorable mention goes to the enemy "watcher"--she is genuinely threatening, lollipop notwithstanding. I also loved the tip of the hat to the anime genre exhibited in Cassie's (Fanning) wardrobe.
This movie is worth every bit of the matinée price I paid. And I will probably watch it again.
A few points: One, this is not a superhero movie. While people who like "Heroes" and some of the Marvel films might enjoy this movie, one should not go in expecting that kind of experience.
Two, I do wish that the producers had about 15 million extra dollars. The extra money would have allowed them to show more of the story and neatly tie a couple of loose ends, rather than telling the audience. I sincerely hope this film does well enough to garner a more expansively budgeted sequel.
Three, this movie has some minor plot issues, especially a small deux ex machina cum Toyota, that might bother some. But, if you choose to buy into the experience, "Push" will take you on a fantastic ride.
-Blindcurve
- blindcurve
- 6 de fev. de 2009
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.811.527
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.079.109
- 8 de fev. de 2009
- Faturamento bruto mundial
- US$ 48.858.618
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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