Prête-moi ta main

From the opening shots of the lead actor, we are given a early view on how so many mens lives are run by the women in them, and the humour that comes thru with all that goes on in the day to day of 'normal' life.

Eric Lartigau, the director picks up on how so many European men feel that they are in complete control of their lives, yet without the help/support of the women around them cannot seem to make things work. The use of facial image throughout the film is superb, and his clever positioning of the senior member of the family (mother) is spot on.

While there are more than enough laughs in the movie, it still deals with single parents/adoption and the strength of family in society. Truly rewarding to watch, and again one that only the French seam capable to make.

So far one of the best 50 or so Films I have seen this year, and well worth a five start rating. I look forward to adding this one to the DVD collection when it is released and highly recommend it to all ages.

Alain Chabat claims this movie as his original idea but the theme of reluctant lovers who finally get it together is as old, if not older, than Shakespeare.

Chabat is a "vieux garcon", happily single and not wanting any member of the opposite sex to disturb his life. He has a problem, 5 sisters and a matriarchal mum - the G7 - who decide he should be married. Enter the delightful, charming Charlotte Gainsbourg and what should be a simple plan. Charlotte has to pose as Chabat's girlfriend and then simply not turn up on the day of the wedding. No more talk of marriage from the G7. Of course the best laid plans have a habit of spiralling out of control.

There are very strong supporting roles from Lafont as the mother and Osterman as the tight-fisted brother of Gainsbourg.

There are some fantastic scenes as first Charlotte has to charm, then revolt the family. French farce with an English.

I love love. I'm a sucker for romantic comedies and as of late, I've been on a foreign film binge. Enter stage left: I Do. While undeniably predictable, the film has its charms and throws in some obstacles I didn't expect and found myself smiling as I watched it unfold.

However, my main concern was the lack of chemistry between Luis and Emma. There were no looks of intrigue, scarcely any playful banter between the two - for the most part, their interaction seemed to be simply what Luis intended it to be - a business interaction. Perhaps I'm terribly picky, but I found the leap between the conspirers' platonic relationship to romance to be a sudden leap rather than one with a bit of a build up. In that case alone, I was mildly disappointed.

But with that aspect aside, the actors do do a good job with the script they're given. Luis's family, although somewhat irritating, are simultaneously charming and overbearing and I warmed up to them in the end. I really think the men need a bit more screen time as they were hardly in it and my favorite scene (the scene with the M6) happened to be one of their few. The wedding comes too quickly for my taste, but with a few more scenes to build character relationships, this film would've been a knock out. So not bad, but not exactly the best film either.

I love romantic comedies. I love French cinema. Charlotte Gainsbourg was fine in Claude Miller's La Petite Voleuse. But since then, her charmless personality seems to be the death-knell for everything she touches.

This is a theoretically fun movie, in which a middle-aged guy tries to get one over on his domineering family. And, being a romantic comedy, we know the way it's going to go. But Gainsbourg seems so affected as the hired-in fiancée, and so emotionally wooden, that even if she had the 'nichons' that her partner would have preferred (as I would), it is doubtful that she would have saved this forlorn if not totally lost film.

Behold the mighty off-screen presence of singer-actor Luis Mariano, the emerging patron saint of French comedy: Jaco van Dormael's touching "The Eighth Day" came first, then Djamel Bensalah's hilarious "Homeboys at the Beach", and now "How to Get Married". This one is more predictable than the other two, but it will keep lovers of happy endings satisfied without too much of a guilty conscience. If you are, however, like me and think romantic comedy is essentially a cuss word, this old-school vaudeville piece may be your one chance at reconciliation. Charlotte Gainsbourg, super-charming as usual, and Alain Chabat click as comedians and also make a very handsome couple. Oh, and *do* watch out for Virginie Bordes as Annick, the spicy waitress.