Suburbicon: Bem-vindos ao Paraíso

Suburbicon is a very dark comedy from the mind of director George Clooney. Clooney has a very twisted sense of humor. The gags about murder and death run rampant in the movie, yet some how we can't help but laugh at the misfortune that occurs to the characters in Suburbicon.

Suburbicon is a fictitious suburban town in the late 1950's where things are slow and the worries about the traffic and the hustle of the big city are far away. Then the unthinkable happens to the members of the small community; a black family moves to town!

We soon see the "true colors" of the people in the small community as they ban together to "over come" and run the professional black family out of town. Meanwhile, next door to the protesting mob, a home invasion takes place at the Gardner house (Matt Damon and Julianne Moore). Damon's wife is killed by the burglars and he and his sister-in-law pick up the pieces after the crime, along with his young son Nicky (Noah Jupe), and start a new life. But things take a twist and we find out that Damon's character is not what he appears to be to everyone in the community of Suburbicon.

The movie is written by Clooney, along with the Cohen Brothers (O Brother, Where Art Thou) and is about as satirical as you can get. It drips with irony and is a social commentary film about this country, both in the 1950's and still even today.

Even with it's violence and dark theme this will be a film that will be discussed at Oscar time, perhaps even as Best Movie. There is no denying the quality of the film; however, it wasn't a movie I really enjoyed. For me it was too dark and too violent. It's rated "R" for violence and sexual situations and runs at 1 hour and 44 minutes.

There were parts of the movie that made me howl with laughter and the black family living in suburbia was another good twist on the tale, but overall the movie wasn't an enjoyable experience. My sense of decency made it hard for me to laugh at all the murders and violence in the movie.

On my "Hollywood Popcorn Scale" I rate Suburbicon a LARGE. Hollywood Hernandez

Quite surprised by so many bad ratings, almost as though there was another agenda. I had not read these before watched the film and did not know it was co written by the coen brothers, but I found it better than I expected and only gave it 8 instead of 7 to up the overall rating. It moved along at a steady pace and was pretty lean. I would certainly recommend anyone to that I know well to watch if they get the opportunity.

I have a policy that I won't watch a movie unless it has an IMDB rating of 6 or more. With a 5.7 rating, I almost gave this movie a wide berth.

That is, until I learned the Cohen brothers wrote this, George Clooney directed, and of course it's difficult to not enjoy any Matt Damon flick -,period.

Near impossible to walk away from all that - no?

I'm so glad I chose to ignore the 5.7 rating. Everything is teriffic, wonderful script, director doesn't dominate the direction and the kid is sublime. Stole the show,

Matt Damon doesn't disappoint either.

Was gonna give this a solid 8 but I'll change to 9 to nudge to 6+ where it deserves to be.

WATCH IT - YOU WON'T REGRET !!

SPOILER: I'm all for unique and different when it comes to filmmaking, but when a unique film doesn't do anything to intrigue its audience, aside from a consistent tone and setting, then it's not really all that impressive in the end. Suburbicon is George Clooney's latest attempt at direction, and I feel pretty much the same about this film as I did about many of his other works. A tone, story, and time period is all set up, but the way each of his films play out have seemed to leave a lot to be desired in my opinion. That is once again the case with Suburbicon, being a little too confident in itself when it came to presenting a powerful story. Here is why I think you could probably skip this one in theatres, but the effort put into it may warrant a rental if you're looking for something new to watch.

Gardner's family is tested when a group of men invade his home, killing his wife and leaving only his son and sister-in-law alive. Falling for his wife's sister and becoming a complete psychotic and uncontrollable man, this film quickly spirals out of control into a farce of random occurrences. Throughout the first act of this film, it seems like it's going to be a satire that won't hold anything back in terms of wackiness, but that's very quickly thrown out the window, compensating with many subplots of murder and conspiracy. I found myself taken out of the film when the tone would shift this often, making for a very off-putting viewing experience.

Throughout the majority of this film, you're asked to accept the horrible things that the main characters are doing, or just connect with Gardner's young boy on an emotional level, but he's not quite present enough in my opinion. Not until the third act do you really fin yourself caring about some of the characters, which was too late for me. This movie tries far too hard to be clever, funny, and surprising, that it just comes off as forced more often than not. You will find yourself along for a ride of random events and you won't really know who to root for.

I may seem to be ripping this film apart for being un even, but for throughout all its flaws, there are actually quite a few great aspects, especially the sequence involving an appearance by Oscar Isaac. There is a lengthy scene when secrets are revealed and characters begin to evolve and Oscar Isaac elevated every moment of this portion of the film. Up until that point, there really weren't any characters to grasp onto, but the environment around them, along with the sets and the score, always helped to make the film feel more authentic than what its screenplay was presenting. This may sound confusing, but that's due to the fact that this is a very confusing watch, and I feel that many people will agree with me on that account.

From being written by Joel and Ethan Coen (who's recent track record hasn't really impressed me recently), to being competently directed by George Clooney, to having racial undertones to help give the film depth, to showcasing some great moments of comedy, Suburbicon just feels like a huge missed opportunity, due to the talent involved. Matt Damon and Julianne Moore deliver solid performances here and the score by Alexandre Desplat is definitely what sucked me into this movie, even throughout the moments that annoyed me. In the end, I feel as though the positives slightly outweigh the negatives, so I can generously give it a pass. This is about as average as you can get in terms of having a clever setting and premise, only to never fully deliver on either front. Suburbicon isn't quite worth seeing in theatres, but it may please hardcore fans of the Coen brother's past work.

1950s America is often mythologised as a period both boring and socially cohesive, before things became interesting and decisive in the following decade. And today, there seems to be a entire sub-genre of films interested less in telling the truth than in playing with the myth. 'Suburbicon' is one such movie, a satire of a view of the world that surely no-one takes at face value anymore. The script is by the Coen brothers, and as such, it's a typical black comedy, quite cleverly worked but without much of a heart. For example, racism is a theme, but the film doesn't really feel very angry about racism, more amused with the direct juxtaposition of the very real racism of the period with the idyllic fantasy of suburban life. There's nothing particularly wrong with George Clooney's direction; but no great sense that the film has anything in particular to say.