The Detail
- Episódio foi ao ar 9 de jun. de 2002
- TV-MA
- 58 min
McNulty fica furioso quando uma testemunha que testemunhou contra D'Angelo é morta.McNulty fica furioso quando uma testemunha que testemunhou contra D'Angelo é morta.McNulty fica furioso quando uma testemunha que testemunhou contra D'Angelo é morta.
- Direção
- Roteiristas
- Estrelas
- Deputy Commissioner for Operations Ervin H. Burrell
- (as Frankie R. Faison)
- D'Angelo Barksdale
- (as Larry Gilliard Jr.)
- Preston 'Bodie' Broadus
- (as JD Williams)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Very realistic
Second episode of Wire in season 1 very involving and super realistic. And this is what enjoyed the most when watching this legendary show for the first time now in 2023. Very realistic setting, characters that feels real and dialogs that sound authentic. All of this is set on streets which gives sense of reality. And after two episodes I think I'm hooked and will continue to watch it. Acting is also excellent in here and already I saw many familiar faces who will get recognition later like Idris Elba.
Overall, first two episodes set up characters, time and place and i'm in.
Just Like Law & Order -- Only Brilliant, Electrifying, and Totally Addictive!
Well, the pilot episode was okay, but not that great. This episode is the one that really electrified me. In particular, the sequence where the stupid, corrupt, racist cops go down to the housing projects at 2 AM and begin randomly taunting the ghetto population, in effect "daring" them to come out and fight.
The thing that makes this scene so explosive is that it's never quite what you expect. First you figure the stupid cops will find drugs on the first two guys they search. But they don't. Then, when the really vicious white cop hits the black kid with his pistol, you think he'll get in trouble. But he doesn't. Instead the people in the building start throwing things out the windows at the cops. And little by little, the feeling of the situation changes, from cop show drama to something much more disturbing. It almost feels like live footage from Iraq or Afghanistan, where Americans, knowing nothing of the local culture, count on their guns and badges to make them feared. And the locals, instead of being intimidated, slowly turn the tables as the momentum shifts and the invaders become the victims.
You can't even watch this show without having all kinds of disturbing connections form in your mind. I won't do the usual thing, and break down all the great actors in the cast, I will just say that all of them are amazing. Except maybe Dominic West as Jimmy McNulty, the maverick cop. He's a little too James T. Kirk for me. But other than that, the cast is as amazing as the writing is explosive and realistic.
I sure wish Season 2 was on sale at TARGET, but now I'm probably going to get held up at AMAZON instead!
It ain't about right, it's about money
This is an excellent episode that sets up the coming narrative and has some great character moments.
We get a bit deeper into the personalities of the main characters here, particularly the police officers who are portrayed as a diverse and flawed and group. They feel realistic and as far away from the usual Hollywood depiction of cops as it gets.
Cedric Daniels dominates the episode as an important character, shown with a tremendous amount of pressure coming from all directions. He is written and performed in an incredibly authentic way. Seemingly an honourable person with strong values, but not above compromising when put in a difficult situation. Ground level command positions are often the most difficult jobs in organisations, with very little thanks from anyone and this character embodies it. There is a great exchange of dialogue between Daniels and his wife that puts his role into perspective in a quite philosophical way and at the same time hints at her ambition.
There are some cleverly written parallels between characters, with D'Angelo and McNulty both going against the grain on their respective sides of the game. They even pout in the same childlike way when they don't like what they hear from authority figures.
My favourite scene involves D'Angelo enlightening his fellow dealers about the chicken McNugget. This is an awesome exchange of dialogue that is fabulously written and nicely performed.
The general dialogue throughout the episode is as strong as ever. Plus the humour is good, with Bunk and McNulty, Rawls, Herc and Carver all on top form with some great material.
As ever with 'The Wire' it shows the command structures within organisations for what they are and this for me is the best aspect of most episodes. The scenes of the fallout from something that Judge Phelan gets involved in are so recognisable in real life.
Visually it is full of cinematic storytelling. The orange couch, the basement office, McNulty's apartment, Daniels' stately home are all beautifully captured. The strongest sequence from this perspective for me though is the boozed up visit to the tower block that goes wrong.
For me it's a 9.5/10 but I round upwards.
Great episode
Set in Motion
"The Detail" is a great sequel of "The Wire". Lt. Daniels is feeling how difficult will be the investigation with a worthless team of detectives, but he is in a very difficult situation to resign his position. My vote is eight.
Title (Brazil): "The Detail"
Você sabia?
- CuriosidadesThe title refers to the newly formed Barksdale detail.
- Erros de gravaçãoWhen McNulty confronts Judge Phelan at the courthouse about him speaking to the media. In the background, an elevator opens and two men possibly not realizing filming is taking place enter the shot, freeze, stare at the camera, put their hands up to acknowledge the accident, and hurry out of the shot.
- Citações
Wallace: [while eating some Chicken McNuggets] Man, these shits is right, yo.
Malik 'Poot' Carr: [with his mouth full] Mm-hmm.
Wallace: Good with the hot sauce too, yo.
Malik 'Poot' Carr: Most definitely.
Wallace: Yo, D, you want some nuggets?
D'Angelo Barksdale: Nah, go ahead, man.
Wallace: Man, whoever invented these, yo, he off the hook.
Malik 'Poot' Carr: What?
Wallace: Mm. Muthafucka got the bone all the way out the damn chicken. 'Til he came along, niggas been chewin' on drumsticks and shit, gettin' they fingers all greasy. He said, " Later for the bone. Let's nugget that meat up and make some real money."
Malik 'Poot' Carr: You think the man got paid?
Wallace: Who?
Malik 'Poot' Carr: Man who invented these.
Wallace: Shit, he richer than a muthafucka.
D'Angelo Barksdale: Why? You think he get a percentage?
Wallace: Why not?
D'Angelo Barksdale: Nigga, please. The man who invented them things? Just some sad-ass down at the basement at McDonald's, thinkin' up some shit to make some money for the real players.
Malik 'Poot' Carr: Naw, man, that ain't right.
D'Angelo Barksdale: Fuck "right." It ain't about right, it's about money. Now you think Ronald McDonald gonna go down in that basement and say, "Hey, Mista Nugget, you the bomb. We sellin' chicken faster than you can tear the bone out. So I'm gonna write my clowny-ass name on this fat-ass check for you"?
Wallace: Shit.
D'Angelo Barksdale: Man, the nigga who invented them things still workin' in the basement for regular wage, thinkin' up some shit to make the fries taste better or some shit like that. Believe.
[pause]
Wallace: Still had the idea, though.
Principais escolhas
Detalhes
- Tempo de duração
- 58 min
- Cor
- Proporção
- 4:3





