Easter Bunny, Kill! Kill!

In EASTER BUNNY, KILL! KILL!, Mindy Simmons and her disabled son Nicholas (Charlotte Marie and Ricardo Ray) are planning on spending a nice Easter time together. Mindy also has a surprise for her son. She has a new boyfriend, named Remington (Timothy Muskatell). Unbeknownst to the Simmons', Remington happens to be a heartless murderer.

Upon his arrival, Remington pretty much moves in and takes over. When Mindy finds herself in need of a babysitter for Nicholas, Remington happily volunteers. Unfortunately, he has plans of his own for the evening, involving drugs, prostitutes and a freakish "friend" who has an unsavory interest in Nicholas!

What Remington and his fellow frolickers don't know is that their party is about to be interrupted by grisly slaughter! Has the Easter Bunny shown up to dole out the retribution?

Bizarre, funny, and brutally violent, this movie will make the gorehounds soar heavenward with glee, while others may flee from the room! For such a low-budget film, the effects are quite good, and the acting is far better than expected. Even the cheeeze-level is lower than most movies of this sub-genre.

Highly entertaining!...

Chad Ferrin shocked me with Unspeakable, blew me away with The Ghouls, and rocks the house with Easter Bunny Kill Kill. Muskatell impresses yet again, this time playing one twisted puppy named Remington, a criminal lowlife who sweet talks his way into the home of Mindy, a nurse with a special needs son. After a shocking opening and initial introduction of the main characters it doesn't take long for the fun stuff (the murders) to begin.

What is interesting to note about this picture is the disturbing performance by David Stamp as Ray, a pedophile who has a thing for special needs children. Creepy is the word that best describes his performance.

Ferrin continues to impress and I can't wait to see what he has for us in the future.

Judging from its title alone, Easter Bunny, Kill!, Kill! would appear to be little more than a parody of seasonally themed slasher flicks. Miraculously, perhaps, Chad Ferrin's film is the rare gore-fest that can actually stand on its own merits as a prime cut of blood-drenched grind-house horror. Nicholas is a 16-year-old boy with the mental capacity of a 6-year-old. More than anything else, he believes that the Easter Bunny not only is real, but someday will rescue him from a life of poverty and abuse by the men in his mother's life.

Her latest boyfriend is a sadistic grease ball, who, when mom's back is turned, torments the harmless child. If that weren't enough, in return for cocaine he'll use to lure hookers to his home, the jerk allows a truly perverted friend to "party" with the boy. Just describing that scenario makes my skin crawl. Never fear, though. Before the creep can get his grimy hands on Nicholas, the boy's Guardian Bunny arrives to save him from harm. That much could have been expected, I think. What follows is less predictable than one might expect.

Although most people wouldn't be able to get past the title credits, fans of the genre should find something besides the gory killings to admire. We're not talking Psycho or The Shining here, though. Easter Bunny was made on a budget estimated to be in the neighborhood of $95,000 and it looks it. As for the marketing budget, I'm pretty sure the title on the DVD cover will sell itself. – Gary Dretzka

A nasty, abusive criminal cons his way into the arms (and home) of a hard working single mother & her Easter-obsessed disabled son. This low budget indie flick has sex, sleaze, drugs, humour & lots of gore. After a slow start ("character development") things just go crazy, but coherent, & I kept wondering "what's gonna happen next?" Thankfully this is more than just a basic slasher movie about a killer in an Easter Bunny mask, the main characters here do actually matter. Highly recommended for lovers of sleazy horror!

Remington, a murderous grifter cons his way into a mother's heart, putting on a fatherly facade to her cherished son, Nicholas.

But the second she leaves for work, a torrent of abuse rains upon the gentle boy.

Remington heads out for some hookers and invites his dilettante-child molester-drug-dealer buddy over to abuse Nicholas.

In the meantime, the only comfort the boy gets is in confiding with his new pet bunny.

Debauchery is at hand but Nicholas is nowhere to be found but someone wearing the mask of the beloved holiday hopper shows up ready to deliver a blood-splattered night of unspeakable carnage.

It's an OK movie directed like 70s slasher films.

BUT these's a BIG problem with this movie! It's filmed SO DARK, you can barely see the killer scenes. I mean dark beyond belief. I don't know if that was intentional or just shoddy filmmaking, but it really takes points away from the film.