Um viúvo percebe que sua única conexão com sua família era através da sua esposa. Ele decide viajar improvisadamente para se reunir com cada um dos seus filhos adultos.Um viúvo percebe que sua única conexão com sua família era através da sua esposa. Ele decide viajar improvisadamente para se reunir com cada um dos seus filhos adultos.Um viúvo percebe que sua única conexão com sua família era através da sua esposa. Ele decide viajar improvisadamente para se reunir com cada um dos seus filhos adultos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
- Jilly
- (as Katherine Moennig)
- Young Amy
- (as Lily Sheen)
- Butcher
- (as Kene Holliday)
- Wine Man
- (as EJ Carroll)
Avaliações em destaque
Ah, platitudes. We're all guilty of using them. They're a polite way of telling someone to buzz off, that you don't want to talk to them, that they are unworthy of your time. This movie is all about platitudes, most cruelly applied when it's least needed or wanted. In this movie a man wants to initiate communication with his children, all of whom are adults and have long since left the home, and he and his children go through a lot of changes as they attempt to bridge the gulf that separates them. This doesn't mean the children don't care about their father, they do. But the emotional closeness was never there and this is what this movie is about: breaking down barriers to establish an emotional connection. This movie is a Robert DeNiro vehicle. It is his re-emergence onto the Hollywood scene after years of cinematic oblivion. His performance is a tour de force; he deserves at least an Academy Award nomination for best actor. He carries the movie. Drew Barrymore also gives an impressive performance as one of Mr. DeNiro's daughters. Ms. Barrymore shines on the screen and proves once again that she is one of the premiere actresses in Hollywood. Sam Rockwell and Kate Beckinsdale also are excellent. What a great movie! Never cold-shoulder your father.
This is the best Robert DeNiro movie in years. His strong acting carries this sentimental story about a man trying to reconnect with his children. The movie places a strong emphasis on family relationships and does an excellent job in engaging and keeping the audience's attention as Mr. DeNiro's character embarks on an odyssey of emotional discovery. At times the story verges on becoming openly maudlin but succeeds in avoiding that pitfall. The movie also avoids becoming hokey and corny and succeeds in staying on course as the DeNiro character continues on his journey. All in all, this is a wonderful movie featuring a strong performance by Robert DeNiro. After watching this movie, you will think twice before telling someone "everybody's fine" unless you mean it.
The story revolves around a father(De Niro), who's wife has passed away, and his desire to reunite his four children for the holidays.Now, when he's alone, preparing the house for the upcoming holidays, all of his children cancel the holiday meeting with no explanation.The lonely man sets on a journey around the States to find his children and learn the truth as well as to reunite the family again.The truths, he finds, are more painful, than he could ever imagine.
The story is obvious at the beginning-but then the viewer begins to discover painful truths, the now-grown-kids are keeping away from their loving father.There are some very inventing and innovating twists, that are merely unpredictable.The story is told beautifully, with some poetry in it, which improves on Robert De Niro's brilliant acting.I would say, he deserves a higher praise, for what he has done, because i personally think, that Jeff Bridges wasn't better than him, with all my respect, of course.De Niro's outstanding performance carries the movie until the end.
As for the other cast, i wasn't that impressed.Kate Beckinsale and Drew Barrymore were at the same level of quality, but that just wasn't enough.Sam Rockwell was mediocre, definitely not good enough.I know they were supposed to be cold, but even coldness can be portrayed better than that.
The director did his best, which wasn't that much, considering the cast and script he had to work with.Every director should be able to pull it off, when he works with an amazing actors (again, mostly De Niro in that case), and a solid script.But as a whole, he did a good job.
I felt, that the tragedy was a little to much in the end, but things couldn't have been better revealed than this.It was depressing, but necessary to say the least.And again, i'm looking at De Niro with new eyes now, he touched me so deep.
The pain is deep sometimes.But you have to fight with it to keep your family united, and together, no matter the distance.The distance in your heart is, what really matters.And in the end Everybody's Fine.
My rate: 8.5/10
Sure, there are some similarities to Nicholson's wonderful turn in About Schmidt, but contrary to the trailers, this one is no light-hearted holiday fluff. There are deep emotions and more real-life family baggage than most will care to admit (translated, there were quite a few sniffles in the theatre).
Deniro's kids are scattered about leading their own lives after a childhood of pressure, demands and expectations. The differences in how each have handled it is very interesting. Drew Barrymore wants very much to be the daddy's girl, while Kate Beckinsale is the corporate type-A who just can't manage her family. The always excellent Sam Rockwell is the music prodigy enjoying his stress-free live as a symphonic percussionist (instead of a conductor). The youngest is a troubling story line that ends up tying everything together for the Deniro character, as well as the family.
Aside from the mostly atrocious music, this one is an emotional tug-fest that will stimulate a bit of self-analysis from all parents.
I have to say this movie was really sad and had a lot to say about child/parent relations. I am only 18 years old but I love these types of films and it made me think about how I would be with my parents when I get older and it really makes me want to make sure I keep a good relationship with my parents. My dad has always pushed me and wanted better for me in school and I have always been very average and against the grain, as it seems like David was.
I don't know if the makers wanted the relation between Frank and his kids to seem empty, but that's how it seemed to be throughout the film until the end. Even if it was lack of chemistry between actors, which of course I highly doubt it was, it works wonders and shows that Frank is like an alien to them and also that they are alien to him. When he learns that all of his children aren't actually as successful, he seems like he's struggling within to try and understand where they're coming from instead of just showing his disappointment. When things finally come tumbling down towards the film's climax, they come right back together as a family would. This movie made me tear up and really the only reason I didn't cry was because I was with friends.
I could write a lot more about this but I'll just suggest that if you're looking for a good movie about family, or even if you just like De Niro(that's why I saw it), you should definitely see this movie. It won't disappoint.
Você sabia?
- CuriosidadesBradley Cooper put himself on tape to audition for a role as Robert De Niro's son, with his own mother playing DeNiro's part. He lost out to Sam Rockwell.
- Erros de gravaçãoWhen Frank takes the train from Chicago to Denver he passes some beautiful scenery, including various desert mesas as well as Glenwood Canyon, both things one would see when approaching Denver via Amtrak from the west, not the east.
- Citações
Young Man in Diner #1: I'm 94. I keep away from the doctors.
Frank Goode: Boy.
Young Man in Diner #1: I have three children, six grandchildren. They're busy. They're too busy to talk to me. I gotta make an appointment. They got lost some place. They don't need anybody. People changed, life is changed. Today, you shake hands with somebody, you gotta count your fingers to make sure you got five fingers back.
- Cenas durante ou pós-créditosThe photographs Frank took during his journey are shown alongside the end credits.
- ConexõesFeatured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
- Trilhas sonorasCatch a Falling Star
Written by Lee Pockriss, Paul Vance (as Paul J. Vance)
Performed by Perry Como
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a Unit of Sony Music Entertainment by arrangement with Sony Music Licensing
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 21.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.208.876
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.852.068
- 6 de dez. de 2009
- Faturamento bruto mundial
- US$ 16.443.609
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1