Desejo e Reparação

The superb Ian McEwan book translated into cold beautiful images by the startling Joe Wright and scriptwriter Christopher Hampton. The result is a series of powerful rushes and abrupt stops. A pacing that, perhaps, is a bit too self conscious for its own good doesn't help us to connect the emotional dots. I had the feeling I had lost something in the love story of the protagonists - something that didn't happen to me reading the book. By the time the "injustice" takes place I was taken by the pain of the injustice but not by Knightley and McAvoy's liaison. Their love story is left to its own devices. The beauty of the images is overwhelming and the assuredness of Joe Wright at his second feature after the, much better, "Pride and Prejudice" keeps you going. The score tends to be monotonous and irritating but in spite of all that I intend to see "Atonement" again and I would recommend it with just the above mentioned reservations.

We are such a fragile race, so affected by the shifts of a societal breeze. A child misinterprets what she sees and brings about the destruction of people she actually loves. So caught up in her dramatic wants and angry, she lies, and that lie haunts her for her remaining days. This is a movie version of a wonderful book, the best I read that year. It captures the pain and the need to make true restitution. The truth of the matter is that sometimes it just doesn't work that way. The characters come to realize that. It's a slice of life in wartime and all the chickens come home to roost. Probably the most gut wrenching thing is that the character that causes the most damage has great success in life, but carries around her guilt to her dying day. She is never allowed to truly enjoy things. This is a really fine movie and, except for some breaks in editing, does a nice job of presenting the issues in the novel.

Well, from the trailers I could tell this would be an epic film before I was even able to see it. I managed to attend a gala screening of the film last night and I thought it was amazing. Despite my constant dislike to Keira Knightly, I was unable to disapprove of her acting in this film. She has improved massively since the first pirates film. The film itself has an intriguing plot line which keeps you hooked throughout. The film includes humour at the start and fascination by the end. I loved watching this film and I enjoyed the smartness of the story. The film is cleverly done with jumps in time and different perspectives of events throughout which will leave you understanding the motives of each character more. The music is composed beautifully, the orchestral tunes accompanied with the clatter that a typewriter makes creates a beautiful piece of music that fits perfectly with the film itself. I have since begun to read the book, the only thing that the film lacks is the character depth that a book can write about but a film simply can't explain. I feel that the film shows what happened but the book is able to explain a little more as to why the events occurred. Overall the film was beautiful, brilliant and emotional.

My wife and I went to see the movie last night and were totally blown away by the whole experience. So brilliantly directed and acted. The movie time just flew by and we were drawn in and captivated by each dramatic moment. Never having read the book or been an expert on WW2, I had a truly open mind on what to expect and I'm not one of those who count every rivet or go looking for technical inaccuracies however small. This was truly a masterpiece of cinematography. We were treated to wonderful performances, lavish sets, shocking and thought-provoking moments and haunting themes. I had the privilege of being an extra in the Redcar, Dunkirk scene and once seen in its full glory and effect on the big screen I was simply in awe and glad to have been a part of it. Walking along Redcar beach from now on will never quite be the same again. I am quite sure that the movie will win a number of awards within the next 12 months, but that is not what really matters. Movies are there to entertain, tell a story and affect you emotionally and by God this did it in spades! If you have not seen it yet, you must!

In 1930s England, Robbie is the son of a cleaning woman who has fallen in love with his mother's master's daughter (his childhood friend). On the same night where they reveal their love to each other, Robbie is accused by the woman's younger sister of a rape he didn't commit. Robbie is sent to jail and off to fight World War II... and for the remainder of the film, the two lovers try to reunite while the younger sister comes to term with the horrible mistake she made that tore her family apart.

Let me be honest up front: I had a very minimal interest in this film. I was mildly interested by its Oscar aspirations (7 nominations) and then I was slightly more interested when my friend Chelsea expressed interest (with whom I ended up seeing it). A chick flick starring Keira Knightley (who, to me, is a younger, classier Winona Ryder)? Not my first choice. Although, I went to go see "I Know Who Killed Me", so my instincts aren't always he greatest. Anyway, point being -- I saw this film half-heartedly and really liked it.

The beginning is really strong and interesting, and surprisingly funny. The involvement of a certain curse word (one of the more notorious ones) plays a big part and was funny in a somewhat awkward way. After the opening, the tone of the film turned decidedly darker... which you'd expect with a film about war and rape, I guess. Emotionally the film runs strong all the way through, working with loneliness and casualties of war (there's a scene later on with a dying French soldier that doesn't shy from showing the realities of war).

Worth singling out is a very long continuous shot (maybe 8 or 9 minutes) of English troops on the shores of France. We see troops singing, troops destroying jeeps, troops shooting horses and much more... to get this all in one shot is a major feat. The last long shot I recall is in "Children of Men", which ran about maybe 6 minutes but with much less going on to coordinate. The choreographer (or whoever) deserved the Oscar if anyone did, although in the end it only won a single award -- for best original soundtrack (which I don't recall as being a particularly stand-out score).

I think the film closed rather weakly after all the quality emotion (I can't really explain more without revealing things). But it's still a good film, only maybe losing a point from this closing. If you're a fan of period pieces or tough romance stories (this is no romantic comedy) this is for you. I don't know if I could watch it again -- it's good enough but a bit emotional. But I'm glad I saw it at least once and you should see it too.