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To me Brother Day played by Lee Pace has become as enjoyable to watch as Daenerys played by Emilia Clarke in GOT. There's a lot of confusing, boring bits and vexing characters in the show but Brother Day keeps me coming for more.

Overall it's a quality show albeit flawed. But there's a lot of unique, and daring approach that still make this show worth a watch. Every scene and every new information that is revealed about Cleons is so engaging and interesting.

If you're into sci-fi I'd definitely recommend trying this show and giving it a shot at least till season two because it actually even improves in the second season.

I don't even know where to begin in describing how much I loved this show. I've watched it all the way through twice now and can't find anything wrong. I also read the books so I'm familiar with the story and even though the show doesn't exactly stick to the same script as the book I couldn't care less. As long as a show is good, I don't care that's it's not exactly like a book or video game or whatever. I don't get why anyone would. It's very hard to adapt a book or game into a tv show or movie. They have to change things up that don't translate well or don't have the time to get as detailed as a book or game. My only complaint is that we have to wait two years between seasons.

Foundation offers a visually engaging journey through a sprawling sci-fi universe, with scenery that helps establish its futuristic settings quite effectively. While not always flawless, the production design and visual effects create a believable world that supports the story without overwhelming it.

The storytelling is ambitious, adapting Isaac Asimov's complex saga into a layered narrative that sometimes feels dense but often succeeds in keeping viewers intrigued. The pacing can be uneven, but the series generally manages to balance its big ideas with character-driven moments, which adds some emotional weight.

Acting performances vary, with the lead delivering a solid portrayal that grounds the show's more abstract concepts. Some supporting actors bring welcome depth, though a few characters come off as underdeveloped, leaving their motivations a bit unclear.

Where the show stumbles most noticeably is in its approach to casting. There's a clear, almost mechanical attempt at ticking demographic boxes, which occasionally undermines the authenticity of the world. In a galaxy where faster-than-light travel and psychohistory are accepted without question, the most jarring fiction ends up being the idea that every institution and culture has been carefully curated for maximum contemporary optics. Rather than feeling inclusive, it often feels oddly artificial - like a diversity committee crash-landed on Trantor. Representation matters, but subtlety matters too.

Overall, Foundation is a thoughtful and occasionally compelling adaptation that sci-fi fans might appreciate for its ideas and setting. It's not without its flaws, but it carves out a respectable place among contemporary science fiction series.

Foundation is an intriguing sci-fi series that grows on you the more you watch it. At first, it can feel confusing-just as you're starting to get to know a character, they disappear, only to return much later, if at all. Then you're introduced to someone new, and the whole process of connecting with a character begins again. On top of that, events unfold across different locations, and the series makes massive jumps in time-particularly long ones between seasons.

I've completed Seasons 1 and 2. One of the show's strengths is that as each season progresses, the seemingly loose ends begin to tie together and make sense. Many odd or minor events and details-even from the very first episode-are only explained later in the season or in the finale. But if you keep your eyes and ears open, you might catch subtle clues that help you make sense of things as they unfold. Almost nothing is said without a reason. While Season 1 is built largely on suspense, Season 2 leans more toward action.

The series features numerous plot twists that help keep viewers engaged. Many come out of nowhere and aren't always happy or innocent-but that's part of the fun. In many ways, it resembles Dune, especially in tone and scale. However, one of Foundation's most distinctive traits is its pacing: at times, things move very slowly, only for the show to suddenly jump forward by decades, suggesting sweeping generational changes and the loss of familiar characters.

Foundation is one of the most epic and underrated series of our generation. It's a true sci-fi masterpiece, effortlessly combining romance, space opera, and political intrigue into one of the most ambitious TV shows ever made. From the very first episode, it's clear that this is not just another space drama-this is a monumental achievement that rivals even Star Wars in terms of scope, ambition, and storytelling.

At the core of this show is Lee Pace, who delivers the performance of a lifetime as Emperor Brother Day. It's impossible to overstate just how incredible he is in this role. His portrayal of a ruler who is both menacing and deeply vulnerable is nothing short of brilliant. His performance elevates Foundation to a whole new level. It's easily one of the greatest Emperor portrayals in modern TV and film history, and it's a testament to Pace's immense talent that he can make such a complex and larger-than-life character so relatable and human.

But Lee Pace is far from the only standout. The casting across the board is superb, with every actor bringing their A-game. Laura Birn as Demerzel is absolutely mesmerizing. Her performance as the enigmatic and morally ambiguous android is one of the finest in the series. It's a role that demands a delicate balance of cold, calculated precision and subtle emotional depth, and Birn nails it. She's top-tier acting through and through.

Cassian Bilton, Terrence Mann, and Pilou Asbæk all bring memorable performances that breathe life into their characters. Asbæk, in particular, shines as the villain of the series, bringing a chilling intensity that makes his every scene electrifying to watch. Jared Harris is also stellar, as always, grounding the show with his trademark gravitas and emotional depth. The ensemble cast works seamlessly together, with each actor playing off the other in ways that keep you engaged from start to finish.

The visuals in Foundation are nothing short of breathtaking. The CGI and VFX are top-notch, with the massive scale of space travel, futuristic cities, and majestic landscapes all rendered with stunning detail. It's clear that the team behind this series spared no expense in making the show look as grand as the story it's telling. The production value is through the roof, and it makes the show feel as massive as the galaxy it spans.

The editing is equally impressive. Foundation has a complex narrative, jumping between different characters, timelines, and planets, but the editing keeps it cohesive and engaging. The pacing is excellent, always building tension when needed but never losing the emotional core of the story. The show manages to be both epic and intimate, and it's a delicate balance that the editing and direction pull off flawlessly.

What's truly amazing is that Foundation manages to feel both classic and groundbreaking at the same time. The blend of romance, space, political intrigue, and philosophy creates a show that appeals to fans of so many genres. It's a space opera with the heart of a Shakespearean drama, and it's undeniably one of the most compelling sci-fi shows of all time.

Simply put, Foundation is a wow experience. It's a series that combines everything great about TV-epic storytelling, brilliant acting, stunning visuals, and unforgettable characters. It's the kind of show that deserves far more recognition and far higher ratings. If you're a fan of sci-fi, or just great television in general, Foundation is an absolute must-watch.

This series truly deserves the title of a modern classic and is one of the most underrated gems of our generation. If you haven't seen it yet, do yourself a favor and watch it. You won't be disappointed.