Religulous

Two things about this film took away a star. One was that Bill Maher spent so much time with the ones he tried to make look bad that he didn't meet with enough experts who could further the points he was making. The second problem is that the people he interviewed could have easily made fools of themselves without him cutting them off and lecturing them. That being said, let's get to the good points.

For one thing, he makes it so clear how illogical the mass amount of people can be. He exposes phony beliefs and shows how they can become very protective against his film crew. The film stock they put into use is done masterfully. Plenty of laugh out loud moments (particularly the image of Jesus as a teenager, you will see). My word must be taken as truth when I say that the final part of the film MUST be seen. This isn't just about cracking jokes on faith. This film is about the human race taking responsibility of itself and stopping the damage it has been doing for far too long.

I truly hope religious people are not quick to brush this film off. For once, listen to the side from someone who is sincerely concerned about all of our futures.

Maher is a hilarious and very smart dude, and his monologues in the movie are good. But overall, this documentary really missed the mark. My biggest problem was with the editing of the interviews he conducts, which are clearly cut on numerous occasions to make the interviewees look dumb, cutting to reactions that they almost certainly didn't make in response to the things Maher is made to seem as though he just asked or said to them.

I watched Bill Maher's new movie, Religulous at it's world premiere at the Traverse City Film Festival. It was one of the first films to sell out at the festival, selling out in just the first couple days of sales.

Okay... now for the movie review: for those of you who thought that Dawkin's "Root of all evil" or "Jesus Camp" were powerful statements, then you might want to wear diapers because you might just crap yourself. Religulous doesn't take prisoners. It addresses Christianity, Scientology, Mormonism,Islam, and other religions. Bill Maher travels around the word, visiting the Wailing Wall, USA Bible Belt, Salt Lake City, and other locations while interviewing a wide range of religious leaders and followers.

Throughout the interviews, Bill throws out zingers and the joke timing is impeccable. Like the pro-creationist movie "Expelled", Religulous cuts to a variety of old film stock when making jokes. Although it fails at times, I would say the vast majority of the cuts connect and generates hearty laughs.

The first third of the film deals with Christianity and several offshoots of it. Here, the movie shines. It is hilarious! Poking jab after jab into insane ideas by asking simple questions.

Unfortunately, the move starts to slow down after he lampoons Scientology. Dressed as a vagrant, he appears in Hyde Park's Speaker's Corner and runs through Scientology's belief structure... appearing as a raving lunatic while accurately describing what that religion teaches.

By the time it deals with Islam, a lot of inertia has been lost. Although it still delivers some funny bits, the movie is much more subdued. Granted, anytime you are dealing with a subject so inflammatory that people have been killed over it, you tread lightly, but I think Christians will criticize the movie for being softer on Islam than on Christianity. The sad thing is that it's true. Being the more dangerous religion, people seem to be treating Islam with kid gloves. I wonder how long before other religions start adopting that tactic as they become threatened by critics? The ending is a fiery call to action for freethinkers. Rousing music & inflammatory speech hammer the dangers of religion into the audience. Propaganda techniques? Yes. Pretty heavy-handed about it too. However, I think it's needed. The flow of the movie needed something to bring things together and although thick with images and rhetoric... it is a solid ending.

Is it worth seeing? Hell yes! Will people be offended? Most definitely. Will there be protesters? There should be, this is far more blasphemous than "Dogma", "Passion of the Christ", or "The DeVinci Code".

Comparing "Expelled" to "Religulous", it's pretty quickly apparent that Religulous is the better movie. Bill Maher, with his previous experience doing standup and conducting interviews shames Ben Stein. Nicely done Bill!

I was really looking forward to this film because the one thing I hate on Real Time is when Bill Maher goes off on one about religion, making massive sweeping statements about people not being allowed to vote if they believe in angels etc. It is not that I disagree with the basic argument he says but just that he doesn't seem to have a lot to back it up and, the odd time he is called on it by the guests he will move along and not really seem to have much behind his general opinion that people with religious beliefs are idiots. So for me this film was not an opportunity to get more annoyed by this but rather give him my undivided attention and let him lay out his case.

He manages to do this here and there but nowhere near consistent or good enough to make an argument capable of changing minds – although perhaps good enough to provide food for thought. At the end of the film he gives a very good speech that sums up his film and this is probably the strongest part of the whole film as it challenges and makes reasonable points. OK it is loaded with imagery that backs up his points in a very blunt way but I can forgive him for this. What I have a problem with is that the rest of the film doesn't have this same core of logic and reasoned argument. He hits it here and there but too often he is doing two things. The first of these two things is that he will never give up an easy joke and this is not helped that his goal often seems to be that he seems very keen to mock people rather than reason with them. Hence we get the personal barbed remarks that are thrown out for the audience but the interviewees either don't hear or don't get their response shown. The second thing he does is select really weak people if his goal is anything other than mockery. I do agree with a lot of what Bill says – particularly about the role of religion in world politics. I do believe in the concept that religious tenants within people's personal lives as guides and moral foundation is something I can live with but when things are taken as fact and taken totally literally then things get out of hand. So I do want to see Bill present a more rounded argument and have that debate with people who can talk to him at the same sort of intellectual level.

Sadly what we get are interviews with a priest who is a self-appointed doctor, a man who plays Jesus at the Holy Land theme park, a Muslim extremist British rapper (who let me say has ZERO profile over here), a man who is a reformed homosexual, a man who claims to be descended directly from Jesus and thus now leads the one true church and others of similar quality. We do have experts on the roster but they are mainly used to back up what Maher is saying. Now, I know many people do not like him, but to me Maher is too smart to need to be protected from reasonable discussion. The only exception I would give is the one priest he talks to who seems very liberal and open to taking the basics of his religion and getting away from dogma and ritual. Outside of him though Maher does not have a hard time showing them up but, when he occasionally gets someone who is a bit more careful with language and phrasing and can prevent themselves sounding like nuts, the film uses an even more cowardly trick. What we get are Maher filmed in the car talking about the interview, which very much gives him the final word and allows him to make responses and ridicule once the individual is not there to respond anymore. I do like Maher enough to watch his stuff, but this is a cheap trick and cheapens the film by extension. Of course this doesn't look as bad when you consider the heavy editing in of footage from other films – some of it is fine to provide images, stimuli or just as a base but again mostly this is used to mock the subjects after the fact, the most unnecessary and annoying example being the use of Scarface – the guy was doing fine making himself look crazy, it didn't need the heavy hand.

I read a comment on this website that said if you disagree with Maher then the film is not for you, it is about you – sadly I have to agree with that. This film will do best with those who are coming to watch Maher put the boot in without a lot of finesse or intelligence – just like he often does on Real Time. There are plenty of moments where he makes very good points and allows his subjects to talk themselves into a corner but too often he is selecting weak targets (people at a theme park!), mocking them with easy gags, letting them make themselves look like idiots (which many are) and then standing back as if he has proved something beyond the point that this person, right here, is an idiot, which he has not. It is a real shame because this should be a film for everyone – even if not everyone likes it. If he is serious about his plea for moderates to look in the mirror then he needs to make a film that does that and, sadly, this isn't it. It provides food for thought and I did find it a rousing challenge to religion but it is nowhere near the film that he should have made.

With 16 percent of the U.S. population, the un-/non-/anti-religious represent a larger segment than blacks (13%), gays (3%), or NRA members (2%). Never mind the exact figures (which vary from source to source), focus on the question what kind of lobby do the non-religious have, with impact approaching those other groups? None, alas. Why is that?

It could be this: The militantly religious must be *right*, the secular - by definition - will not fight to the death for his truth (or god, not in evidence). My money is on the righteous, the fervent, the militant, the possessed. One day, they may even have an influence over the U.S. government! Meanwhile, in our corner, there is Bill Maher.

His "Religulous," directed by Larry Charles, is an entertaining, funny, angry, thought-provoking journey from the Al-Aqsa Mosque, Via Dolorosa, the Qumran Caves, to Stonehenge, Habibi Ana (and a Moslem Gay bar), the Vatican, the Holy Land Experience Park in Florida, the U.S. Capitol, Mormon Tabernacle, and many others.

Everywhere, Maher is asking a few simple questions: What do you believe, why, and how can you possibly...? Half Catholic, half Jewish, and fully agnostic, Maher is incredulous, in every sense of the word, but curiously warm and gentle asking questions about the "the final battle between intelligence and stupidity that will decide the future of humanity."

In Larry Charles' words, the situation confronted is like this: "An old God, a very buff old God that lives in space decides to create the first man from earth dust, then makes a woman from that man's rib. They get to live forever if they don't eat the forbidden fruit from the tree of knowledge, but the woman is tricked into eating a piece by a talking snake and all future humanity is cursed." And that, of course, is just the basic tenet of one religion. Discuss.

Maher goes on in his polite crusade to dissect some of the similar Star Wars/Disney scenarios in Scientology, Mormonism, among Orthodox Jews and televangelists. All interviews are interesting, but some are amazing and memorable. Father Reginald Foster - a senior Vatican scholar, principal Latinist for the Pope - will stun you as he agrees with Maher on some points. There is unexpected goodwill and kindness from a group of evangelists "attacked" by Maher; they pray for him, and really mean it.

You may have chills running down your back as you listen to Sen. Mark Pryor (D-Arkansas), sitting in his Capitol office, speaking about his belief in Creationism and the literal interpretation of the Bible. You don't need to be a Christian to be offended (and amused) by the commercial Jesus impersonators Maher interviews, and you may feel a bit sorry for the Pentecostals speaking in tongues. (Gov. Palin and John Ashcroft, neither featured in "Religulous," are members of that church.)

After comedy, irony, and sarcasm, Maher turns serious at the end of the film, and asks with deep concern if the future of the world can be entrusted to the many varieties of believers in the unreal, the illogical, the incongruous, the phantasmagorical. Looks like we are well on our way to that eventuality.