O ex-funcionário das Nações Unidas, cruza o mundo em uma corrida contra o tempo para deter a pandemia de zumbis que está desmoronando exércitos e governos, e ameaça destruir a própria humani... Ler tudoO ex-funcionário das Nações Unidas, cruza o mundo em uma corrida contra o tempo para deter a pandemia de zumbis que está desmoronando exércitos e governos, e ameaça destruir a própria humanidade.O ex-funcionário das Nações Unidas, cruza o mundo em uma corrida contra o tempo para deter a pandemia de zumbis que está desmoronando exércitos e governos, e ameaça destruir a própria humanidade.
- Prêmios
- 3 vitórias e 25 indicações
Fabrizio Guido
- Tomas
- (as Fabrizio Zacharee Guido)
Enredo
Você sabia?
- CuriosidadesThe Israeli Military Intelligence Directorate does indeed have a devil's advocate office to explore alternative assumptions and worst-case scenarios so intelligence assessments doesn't fall victim to "group think," but it is not called the 10th Man Doctrine.
- Erros de gravaçãoThey use Iridium satellite phones indoors (inside the aircraft carrier, inside the airplane) which is not possible - they need a clear view of the sky.
- Citações
Jurgen Warmbrunn: Most people don't believe something can happen until it already has. That's not stupidity or weakness, that's just human nature.
- Cenas durante ou pós-créditosThe opening logos are shown in dark blueish color with intense music in the background.
- Versões alternativasAn unrated cut released on home video adds almost seven minutes of additional action and some alternate/re-edited shots.
- ConexõesFeatured in Bad Movie Beatdown: Review of 2012 (2013)
- Trilhas sonorasThe 2nd Law: Isolated System
Written by Matt Bellamy
Performed by Muse
Courtesy of Warner Music U.K. Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
Avaliação em destaque
I'm generally not a fan of zombie movies, not because I don't like them but rather because they seem to easily have an effect on me, chilling me to the bone and staying with me for days (no walking into dark rooms for me). As a result I put off watching World War Z but I was still interested in seeing such a big budget zombie film. The plot sees some form of outbreak and, well, you know what happens. No sooner has Gerry Lane rescued his family from one city, than he is rescued by his old UN employers who want him to help lead a mission to try and find a solution by escorting a doctor to South Korea. No pressure, but the space for his family in safe haven does rely on him saying "yes".
After some very brief character establishment (references to "old job", happy family image etc), we get the first of many set-pieces as an outbreak sweeps across the city and, like many of the set-pieces, it is pretty good stuff. There is plenty of money on the table, lots going on and the scale of it all is suitable for a plot about a global outbreak. The problem is that it never really feels like more than this and the bits in between are not great. The biggest criticism that I can offer is that it did nothing to be other than make me watch the noisy scenes in the way I would with any big blockbuster – and I remind you that I am normally chilled by zombie movies. Here I felt that apart from once or twice, it didn't really do the tension or the horror well, it almost felt too slick, too expensive.
To give a contrast, an outbreak in a closed car park in 28 Weeks Later was really horrific to me (in a good way) but here the one on a plane didn't bring that same feeling. It is hard for me to put my finger on it, but for sure something was missing here. The plot doesn't help – jumping around the world without much linkage and asking the viewer to just go with it; perhaps I would if I had cared more, but everyone apart from Brad Pitt seemed so disposable – just fodder for the attack shots, so I did get numb and also feel remote from it all. Technically it is great and it really is well shot and put together, but it is just the lack of atmosphere that hurts it the most.
It is a big expensive movie though and as a blockbuster it works well enough to give it a go, but it really never works in the ways that would have made it a much superior film.
After some very brief character establishment (references to "old job", happy family image etc), we get the first of many set-pieces as an outbreak sweeps across the city and, like many of the set-pieces, it is pretty good stuff. There is plenty of money on the table, lots going on and the scale of it all is suitable for a plot about a global outbreak. The problem is that it never really feels like more than this and the bits in between are not great. The biggest criticism that I can offer is that it did nothing to be other than make me watch the noisy scenes in the way I would with any big blockbuster – and I remind you that I am normally chilled by zombie movies. Here I felt that apart from once or twice, it didn't really do the tension or the horror well, it almost felt too slick, too expensive.
To give a contrast, an outbreak in a closed car park in 28 Weeks Later was really horrific to me (in a good way) but here the one on a plane didn't bring that same feeling. It is hard for me to put my finger on it, but for sure something was missing here. The plot doesn't help – jumping around the world without much linkage and asking the viewer to just go with it; perhaps I would if I had cared more, but everyone apart from Brad Pitt seemed so disposable – just fodder for the attack shots, so I did get numb and also feel remote from it all. Technically it is great and it really is well shot and put together, but it is just the lack of atmosphere that hurts it the most.
It is a big expensive movie though and as a blockbuster it works well enough to give it a go, but it really never works in the ways that would have made it a much superior film.
- bob the moo
- 23 de mai. de 2014
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Guerra mundial Z
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 190.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 202.807.711
- Fim de semana de estreia nos EUA e Canadá
- US$ 66.411.834
- 23 de jun. de 2013
- Faturamento bruto mundial
- US$ 540.455.876
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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