I'm Through with White Girls

"I'm through with..." is a pleasantly surprising comedy about a black guy who had only had too many relationships with white girls that always ended with him leaving in a clandestine rush. He thinks it's not his fault and that probably the reason why it didn't work out is they're white. So he decides to try something with a black woman and so the story of this "black" comedy really starts going...

What makes this film good is perhaps not so much the plot itself but the way some scenes are dealing with life. The main characters seem authentic (good casting. L. Johnson is magnificent) and the screenplay is well written: situations feel right, it's funny and you don't get this "seen before" feeling again and again. Besides "I'm through..." doesn't focus too much on the typical comedy structure too intensively - only during the last act it is turning more and more to this typical way of storytelling. This part may not be as creative as the rest though still nice.

Summing up "I'm through with..." would have many basic ingredients it would take for a hit but I guess due to the story and the more than risky title it will be tough to find the audience. Perhaps that is why the producers didn't spend much money to promote it. However if you're in the mood for comedy, give it a shot...

I had the privilege of catching one of the first screenings of this HI-larious film at this year's WorldFest Houston Film Festival. It is laugh-out-loud funny throughout, which is all the more remarkable because, though produced independently, the movie has all the comic appeal of a fresh studio film. The cast is fantastic, and one wonders why each actor (though they work often) is not more well-known already -- perhaps they will be after this takes off. I particularly liked the GARDEN STATE-esquire time lapse sequences (smartly & beautifully done), Mr. Lamman Rucker (mm-mm-goodlooking, ladies) and the Kellee Stewart scene right before the wedding. :) If you have the opportunity to see this movie, don't miss it.

This title is incredibly racist. I cannot believe that movies like this are allowed to be made. Imagine a movie all about the perils of dating black men.OH NO BUT THAT WOULD BE RACIST, WOULDN'T IT?It's incredibly sad that as a society we're unable to get over the whole race issue. We try and teach our children to look beyond a persons skin color, but movies like this continue to surface. How can a child ignore race when it is thrust in their faces everywhere, even at the movies. The title alone is unacceptable, and no amount of moral learned is an excuse to have that as a title. Might as well change the movie to "I'm a Huge Racist"

I saw this film at the 'Africa in the picture-festival' at the Filmhuis The Hague. I had not heard or read any review about this movie, but based on the plot synopsis I expected a politically correct flick. First of all, this is a very clever and funny movie, with likable characters. Actually it's one of the best comedies I've seen in years. Its fresh originality reminded me of earlier Spike Lee movies like 'She's Gotta Have It'. Unlike Spike Lee, Director Jennifer Sharp keeps the tone light all the time. This is no a criticism, she obviously intended the movie not to be too dogmatic. Probably the most rebellious thing about the movie is the excessive smoking of the main characters; I'm sure this is intended as a sneer to all that non-smoking Hollywood movies you see nowadays. The movie deals with stereotypes of all sorts, but in essence this movie is more about fear of commitment than about race. I've seen many new faces in this movie and all the actors perform very natural. Anthony Montgomery is brilliant, but Ryan Alosio steals the show as his best friend who is bluffing his way into rap in order to get a job at a record store to get close to a girl he fancies.

This movie throws in a few "white" thinkers but for most of the movie you are spent hearing about "black" centered logic and why it is different instead of being proud in being different. Valley girl references, "totally overrated" comments, NYT indifference (because, well maybe, it is white). This movie is wrong because it is color based (how many tired of black girls movies do you buy tickets for?).

There are a lot of white men tired of black woman. There are a lot of white women tired of black men. There are a lot of black women tired of black men and apparently there are a lot of black men tired of white women. There are a lot of black women tired of black men. There are a lot of black men tired of black women. I am not tired because my color does not wear me like it does for so many.

In the future, this will be cringe worthy but a sign of the embarrassing times. The plight of color in America needs to change and for black Americans to not join in with the guilt of white Americans handing on their blame game is perpetuating the problem. When you think only a color can understand you, I think you are missing the funny between both of us and the fact that white and black are colors.