The Killing of John Lennon

I watched this film on pay per view mainly because I remember that day so well. It's hard for me to say exactly why, but I don't think the film quite works. Somehow the character development didn't click for me. The film was a bit slow moving, and I didn't like the occasional surrealistic asides showing him freaking out, descending into madness.

Technically, there were many flaws. They didn't try very hard to get the period right, other than obvious things like his haircut, car, and the 1980 presidential campaign. Also, I recall reading that part of Chapman's motive was that he was a rigid Christian, and he still smarted from Lennon's offending of the faith way back in the 60s. I think he had been some sort of youth counselor as well.

Overall, there was too much of an amateurishness to the production for me to recommend.

I have read many Lennon biographies as well as numerous detailed accounts of Chapman's life. The books that I have read go deep into his background and they explore what conclusions can be made about his thought process and motivations.

In that regard, this film presents a strikingly superficial rendering of who Chapman was and what was motivating him. While skipping realistic depth and detail, the film uses atmospheric shots, music, and creative editing to conjure an atmosphere that is in effect, an art project.

Given the subject matter, I find it distasteful.

The shots of Chapman walking around in a clearly 21st-century time square (the film is set in 1980) are silly. The randomly sped-up shots of him maniacally grimacing are irritating, and, honestly, a bit cheesy.

I will give the film credit for it's depiction of Lennon at the end, I found him strikingly life-like.

If you really want to learn about Chapman, get one of the recognized books on the subject matter and delve deep.

This film is an art-school project that reveals nothing and presents a superficial, unbelievable caricature of Lennon's murderer.

I saw this movie at the 2007 International Film Festival of Rotterdam. The director was present at the screening for a Q&A. I saw a finished cut, "straight from the Avid", but with at least partly a temp soundtrack.

Plot summary: This is a dramatized telling of the events surrounding the murder of John Lennon by Mark David Chapman. Chapman (Jonas Ball) is the central character here. We follow his footsteps in the months before and after the killing.

I have recently seen the documentary The US vs John Lennon (2006), It filled a gap in my knowledge about Lennon in the 70's.

This movie, "The Killing of John Lennon" is not a documentary, rather a nonfiction drama. It answers some of the questions about Lennon's death that I still had ofter seeing "The US..." The challenge with this type of story is of course: how do you keep a movie interesting when the protagonist is so obviously not a very nice character. I like how this was handled here. There is a good balance between keeping a healthy emotional distance from this criminal, while keeping things interesting. Ted Demme's"Blow" (2001), a similar type of movie about a famous drugs criminal did not have this balance,. I think, where "The Killing..." does.

Director Andrew Piddington states in the opening titles "All of Mark David Chapman's words are his own." This is important to know, I think, because we get to hear Chapman's words during most of the movie. In dialogs and in voice-over as he recalls the events. It is clear that Piddington has put a lot of research into this, though , He obviously used other sources besides Chapman's testimony.

The end result is a well-made film. Jonas Ball is almost constantly on-screen, and he gives a very believable performance.

Even though this was (as the director told later) made with a very low budget, it feels very well produced and expensive. The creation of the time period is very well done. The cinema scope photography is flawless. I also liked the score, but what I heard was at least partly a temporary soundtrack. E,g, for scenes in the car and taxicab a piece from "The Thin Red Line" (composer Hans Zimmer) was used. The director said this would not be in the final film.

The only flaw that I can see, is that after 3/4 of the movie, it started to feel a bit longish. All in all a very worthwhile watch: 8/10.

Screenplay Trivia: The movie was made without cooperation by Chapman (or Ono, for that matter. All of Chapman's testimonies are public, so that was used to get Chapman's words.

Production Trivia: The entire project took 4 years to realize. Much of that went into research and getting financing.

Re-enactment of the months leading up to the shooting of John Lennon in the life of Mark David Chapman using his own words and the actual locations.

Stunningly made and extremely well acted film is the cinematic equivalent to being dropping into the mind of a mad man. This is a often a scary portrait of a man on the edge. Through the use of words and images one can get a sense of what it may have been like inside the brain who killed John Lennon. Its a wonderful achievement that makes me want to see what director Andrew Piddington has done before and will do after (It appears he's done mostly TV documentaries). The early part of the film is very unnerving since you begin to see and understand what Chapman was thinking and going through. It is not an easy thing to identify with a killer and there are moments when Piddington makes you do that. (I know several people who don't want to see this film at all because they want to have nothing to do with the subject) As well made and well acted as the film is the film falls down in one key area, its simply too long. Running almost two hours the film simply begins to run out of steam as we watch the monotony of Chapman's life become monotony on screen. Some scenes seem to go on too long and others seem be a repeat of things we've seen before. What worse is that its an intriguing thing to think and feel like a madman its another to feel trapped in his mind and after a while the sensation becomes one similar to drowning and one wants to simply tune out and shut down. I hate to say it but I think probably a half hour could be removed to speed things up.

Well made enough to be worth a look on cable (I saw this on the pay service IFC on Demand) or as a rental where you may be ale to get through the slow bits by walking away for a while.

6.5 out of 10.

Killing of John Lennon, The (2006)

** 1/2 (out of 4)

The first of two films looking at the murder of John Lennon in the past couple of years. This one here tells the story of Mark Chapman (Jonas Ball) starting three months before the murder and a year afterwards. This here is certainly a little better than Chapter 27 but both movies have major problems, which in the end means that neither are worthy of the subject matter. On a technical level this one here is pretty strong with its nice direction and performances but I think it's tries to do too much. The movie covers a pretty long period but it kept hitting me as a been there done that feeling. We've seen countless movies trying to get inside the head of a crazy person and this is where the movie fails. I never did feel as if we were inside Chapman's mind no matter what crazy sayings were coming out of his mouth or how many times he read from The Catcher in the Rye. This here makes the first thirty-minutes really drag as we are seeing Chapman in Hawaii as he slowly comes to realize that it's his destiny to kill the ex-Beatle. When things get to New York the movie picks up a bit but we still have to listen to Chapman talk, talk and talk. The most interesting part of the story being told happens after the 77-minute mark when Lennon is killed. Unlike other films, we get some rather graphic details of the murder with all five bullets shattering through Lennon. I'm sure some fans might find it hard to watch these moments but we also continue with what Chapman did after the murder. Everything involving what happened minutes and hours after his arrest are very well done and are quite interesting but soon we get more dragged out scenes of talk. I'm positive there's a very good movie to be told here but perhaps someone should look at the murder away from Chapman's eyes. Ball delivers a fine performance as Chapman and others in the cast fit their roles just fine. In the end there's a lot of interesting footage here and it's very well made but there's also a lot of weak stuff that really kills it.