Uma pequena cidade fica em sobressalto quando Aubrey Fleming, uma jovem brilhante e promissora, é sequestrada e torturada. Quando foge e reaparece, afirma não ser a verdadeira Aubrey e que e... Ler tudoUma pequena cidade fica em sobressalto quando Aubrey Fleming, uma jovem brilhante e promissora, é sequestrada e torturada. Quando foge e reaparece, afirma não ser a verdadeira Aubrey e que esta ainda está em perigo, às mãos do assassino.Uma pequena cidade fica em sobressalto quando Aubrey Fleming, uma jovem brilhante e promissora, é sequestrada e torturada. Quando foge e reaparece, afirma não ser a verdadeira Aubrey e que esta ainda está em perigo, às mãos do assassino.
- Prêmios
- 8 vitórias e 4 indicações no total
- Agent Julie Bascome
- (as Garcelle Beauvais-Nilon)
Avaliações em destaque
What was partly misunderstood about this film was it was marketed as a serious horror film that was intended to be frightening but instead it is more of a David Lynch and Twin Peaks kind of thing with an ambiguous ending and a mystery / crime storyline more than a horror one.
This film captivates me each time I give it a watch. I would have liked Lindsay to explore more edgy roles in her past career during this time. The ending is quite eerie because it could almost go either way.
I think this film is not as bad as Lindsay's Legal troubles would tell you it is. For someone like myself not looking to hate it, or hate on the actress/actors, I find it an enjoyable crime mystery. One of Lindsay's better roles for a more mature minded audience.
I know some would find it ridiculous anyone could genuinely enjoy this movie. But it is just such a wacky premise and the themes are deliberate. It's competently acted, and the ending that didn't sit well at first, has improved with age.
I think it's unfortunate that audiences didn't appreciate this film, but seeing as it has improved with age, and has kind of a timeless dreamlike quality to it. I would go as far to say this could be considered a cult classic some day. Maybe in 30 years someone else might appreciate this film only at face value.
Oh god, was I wrong.
It's as if the director spent the film's entire budget acquiring Lindsay Lohan and disregarded everything else. EVERYTHING within this film is bad - the scary parts aren't scary (or even remotely suspenseful), the dialogue is awful, the acting is questionable at best, and, I am very sorry to say that Lindsay Lohan's stripping/ sex scenes were not sexy at all. On top of everything else, the killer was obvious and the plot didn't even make a whole lot of sense. Even the quality of film used is inferior to the type normally used (yes, you can tell).
Some films are so bad they're good. This film was just SO BAD.
Don't wait for the DVD. Just don't watch it.
The first thing I realized was the script was by an amateur. The scenes and dialog jumping around with no thought or subtlety. Like other reviewers, I knew who the torturing villain was within the first few minutes. But, I still had to sit through several scenes of dismemberment and pain, which made me sick. Sick that I had spent money to watch this disaster.
I can't imagine why Lindsay Lohan would agree to be in this production. There are other venues to stretch her acting talents. Neal McDonough and Julia Ormond's rent must have been due.
The story, such as it is has at it's core an interesting premise. A top director might have made a respectable film out of it with a total rewrite, without the gore and more atmosphere.
This movie is an absolute, total disaster. No one involved has anything to be proud of.
Specifics: Lohan works in a strip club where women are topless, yet she never takes the top off and even in sheer bra has pasties on (or were the pasties on top of the bra?). I could care less about seeing her naked, but if you are playing a stripper you might have to at least imply nudity with well placed hands.
Someone decided to inject humor into the movie into the most awkward places. The biggest problem was trying to figure out why people were laughing more during the "serious parts" than the "funny parts".
Characters come in, spout some wisdom and disappear behind a rock like the Dungeon Master. I have a feeling that they are supposed to be angels, maybe God himself?
The twists in the movie are tough to swallow. I will not even come close to ruining them, they are not even worth ruining. Someone thought they could write a M. Knight script, but failed.
Overall, this movie would be worth a rental from the dollar kiosk at the grocery store, as long as everything else is sold out. I am glad I got in for free. If you do decide to spend money to see this movie, send me the cash instead, I will then hit you in the groin, you will enjoy it more.
Aubrey is a good girl who has strong potential to be a good writer and piano player, she has a good life, good home, loving parents, good friends, and a loving boyfriend. One night though, she is kidnapped and brutally tortured. Someone finds her on the road, but when Aubrey is picked up and taken to the hospital, she says she's not Aubrey, she's Dakota Moss, a stripper with a dirty life who has no idea what's going on, but she's not Aubrey. Is this a story that she's believing too much? Is this a possible side effect from being traumatized? Is this something from the drugs the killer was making her take? Or is she even right? Is it a possibility that she really isn't Aubrey? Everyone calls her crazy and just tries to make her believe that she is Aubrey, but Dakota searches for the truth and wants answers.
Like I said, I Know Who Killed Me turned out to be a little surprise of a film, I liked it personally, there were things that were confusing, but over all I think the plot kept me guessing and going. Lindsay I would say did a good job, but the strip scenes at times were a little too much, just because we all know her personal life, so I think it would make us a little uncomfortable. There are some flaws to the film, but I wouldn't say to stay away, just keep your mind open and you might find yourself liking it.
5/10
Você sabia?
- CuriosidadesLindsay Lohan's legal issues became a problem during filming. Some days she showed up late, some days she didn't show up at all. While filming the climax and reshoots, Chris Sivertson used a body double, and digitally replaced her face with Lohan's for the days she wasn't on set.
- Erros de gravaçãoThe tape of the autopsy report for the first victim states that her fingers were cut off first, then the metacarpals (palm bones) were removed later. Given that when she is found her entire limb is missing up to her mid-forearm, how could the coroner possibly tell not only that the missing part was not all removed at once, but which bits were cut off in which order?
- Citações
[after having sex with Jerrod]
Dakota Moss: Did she ever fuck you like that?
[pause; Jerrod doesn't answer]
Dakota Moss: Did she ever fuck you at all?
[again, Jerrod doesn't answer]
Dakota Moss: Do you think she'd start now?
- ConexõesFeatured in Siskel & Ebert & the Movies: The Worst of 2007 (2008)
- Trilhas sonorasObscene Strategies
Written and Performed by Trans Am
Courtesy of Thrill Jockey Records
By Arrangement with Bank Robber Music
Principais escolhas
- How long is I Know Who Killed Me?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- I Know Who Killed Me
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.498.716
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.506.291
- 29 de jul. de 2007
- Faturamento bruto mundial
- US$ 9.669.758
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1