Um agente aposentado da CIA viaja pela Europa e confia em suas antigas habilidades para salvar sua filha, que foi sequestrada durante uma viagem a Paris.Um agente aposentado da CIA viaja pela Europa e confia em suas antigas habilidades para salvar sua filha, que foi sequestrada durante uma viagem a Paris.Um agente aposentado da CIA viaja pela Europa e confia em suas antigas habilidades para salvar sua filha, que foi sequestrada durante uma viagem a Paris.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
- Anton
- (as Rasha Bukvic)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Watching this movie was a great experience and I was surprised that I could enjoy an action movie this much. My tip: sit down, enjoy the ride and don't moan about imperfections.
For those who maintain that this is Xenophobic and Racist, well it has to be Set Somewhere and the Villains have to be Somebody.
So Pick One. It really Doesn't Matter. There is No Argument that America is also Filled with such Evil and Nastiness that it Might have Taken Place in the Good olé USA.
These Things Matter Little in these Comic-Book Movies. Nothing seems Plausible or Realistic, hence Comic-Book Category, but it is so Much Fun Watching the really Bad Guys Get a really good Comeuppance.
There is some mediocre Acting, but this is for the Tired of it all People who are Sick of the Apathy and Talk and just want some good Old Fashioned Payback.
Justice...Revenge...Karma.
So Forget Deep Sociological Analysis. The Movie is a Vehicle to Continue a Thing that makes great Fiction.
Viva the Fictional Vigilante.
By setting the chase within the ultra-sleazy world of human trafficking, which we secretly hope is just a media creation, but know deep inside that this reprehensible and inhumane phenomenon is a reality, the film is propelled by a sense of urgency that isn't present in most revenge films. Liam Neeson's daughter isn't "Dead", she's "Taken", so his race against the ticking stopwatch tracking her probable fate provides enough tension to diffuse any disappointment in knowing exactly what's going to happen here.
The selling point here is how deftly Liam Neeson hacks his way through a bevy of Albanian baddies. Neeson is untested as an action star, but watching him maneuver his way through the sea of detritus here, we're left hoping that he's got a franchise in him.
The film may not have the intricacies of the expertly crafted Bourne films (although, like every action film made since Bourne appeared on the screen, the fight scenes here owe an obviously rich debt to Matt Damon's antics), but the gritty and realistic path Neeson carves to get to his stolen daughter is sufficient to deliver the promise implied by the fantastic trailer.
You don't have to be a parent to understand and sympathize with Liam's plight here, and there is a morbid but exhilarating sense of release in seeing the evil empire pay for its transgressions. Sometimes morally complex, ambiguous studies of man's desire for revenge are too preachy to be entertaining. Taken doesn't really care if you like Liam Neeson or wonder if he's doing the right thing by flagrantly taking the law into his own hands; the film just wants you to strap yourself in and enjoy the tidings as he hands out beat-downs all over Paris.
This film doesn't want you to think. Like Neeson's character quickly realizes, thinking is often not a luxury present in dire circumstances like these. Action is what counts, and for those who miss the era of the lean, mean 85-minute skull-crack fest, Taken will re-conjure the giddy thrills of watching Dudikoff, Seagal, and Van-Damme chomp through a slew of B-Movie terrorists. Having an Oscar-caliber actor delivering the judo chops only sweetens the pot.
Forget about Oscars, plot points, or coherence. This dude's daughter has been kidnapped, and he's a former government agent trained to make bad guys' lives a living hell. Do you want to see him find his daughter and take down the scum who took her? Of course you do. Even reading this review is over-analyzing it.
Você sabia?
- CuriosidadesLiam Neeson expected the film to bomb, but he signed on in order spend four months in Paris and learn karate, while playing the kind of role he had rarely been offered in the past. Ironically, not only was the film a massive hit, but created a new on-screen image for Neeson as an action hero.
- Erros de gravaçãoWhen Bryan is chasing the sheikh's barge along the Seine in his car, he appears to be traveling at high rate of speed alongside the barge. The barge would likely be traveling around 5 knots, about the speed of a light jog. The speed limit for boats on the Seine is 15 knots, (about 17 mph), so even if the boat could somehow travel at the maximum speed for the river (which would be impossible for a boat like that), it would still be at a crawl for a car.
He wasn't driving alongside the barge, like a race. The barge was well ahead of him. He was speeding through traffic to catch up and get ahead far enough to jump off a bridge.
- Citações
Bryan Mills: [talking to Marko on the phone] I don't know who you are. I don't know what you want. If you are looking for ransom, I can tell you I don't have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that'll be the end of it. I will not look for you, I will not pursue you. But if you don't, I will look for you, I will find you, and I will kill you.
Marko: [after a long pause] Good luck.
[hangs up his end of the phone]
- Versões alternativasSome of the shoot outs, the torture scene and some fisticuffs have been shortened in length for the film's US release to secure a PG-13 rating. The run time difference to the international version is about three minutes.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Búsqueda implacable
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 145.000.989
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.717.037
- 1 de fev. de 2009
- Faturamento bruto mundial
- US$ 226.837.760
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1