Snuff 102

My quick rating - 2,4/10. Ok, first an explanation. These are NOT horror movies. This is its own category, Shocksploitation. The whole point of these movies is to look so poor quality, and shocking you question it being real. If you think this is new, it is not. Guinea Pig started this 40 years ago with underground torture movies that got government attention when they thought it was real. And yes, they graduated to fake snuff. This movie mixes the grainy, fake torture but tries to incorporate a plot of a man being interviewed about the existence of "snuff" movies, all the while the viewer is bearing witness to it supposedly happening in what we assume the man is a part of. The interviewer preps for this by searching the web and finding some well known BS snuff that you may have seen before and the ever popular "beheading" video that was from a terrorist executing "someone." Blah Blah, so they showed something real, but one big rule of these movies, if you are trying to fool people into believing this nonsense, first off, don't tell them at the beginning "all the torture and violence in this film is real" Immediately you know it isn't. Second, what guinea pig did right was shoot in single camera long straight cuts. Made it far more difficult to tell it was fake. These movie has camera angles shifting and moving all the time. Who has time for editing film while torturing someone they kidnapped, am I right? LOL. The atypical camera angles hiding the most depraved scenes forcing you to figure them out or imagine it is also used. My point is, don't let crap such as this make you believe This is not horror, this is a filmed stunt to fool and shock you. I watch this because I am interested in the lengths people go to achieve this but in reality, it is just plain boring. This actually tried so it wasn't as bad as Guinea Pig was. That was a straight 1.5 hours of fake torture, no slim plot. And since American Guinea Pig has come and shifted into making plot driven gorefests now, and August Underground has been shocking in the USA for a while as well, this falls into just another attempt. It fails. Not a single part grossed me out, it has all been done before, and I have seen far WORSE. I give the little points it got on merit of some of the dialogue as it was an educated opinion about snuff at times. Do I think snuff films exist? YES, people are inherently evil and to think none of the sickos haven't filmed their murders before would be hard to believe. I am sure they have, but is their an underground market for it? Hard to say, if there is, I don't care to see it. I get nothing out of watching women get slapped around, and raped with various objects (which is always up to you to figure out since they make sure it is dark or camera is just off enough so you can't see, luckily). Long winded but lots to say on the subject. Long story short, YOU HAVE BEEN WARNED, AVOID UNLESS YOU REALLY WANT TO SEE IT.

This movie isn't rubbish because it's extreme, hardcore, brutal, or any of that. This movie is rubbish because it failed an attempt at a plot, it failed attempts of shock with unoriginal filmography, just drop the quality of other shock films by around 95% and you have snuff 102.

Gore 4/10 Camera 1/10 Music 1/10 Acting 3/10 Overall 3/10, feeing generous.

Just go watch Atroz.

As the title suggests, this is a Snuff version of classic I Spit On Your Grave. Three chicks get tortured, until one of them escapes, and kills the main villain. There's also a side plot to this film, that the chick that escaped did a investigation on the suspect, that did his mass-murders.

I'm going to be brutal honest here, when it comes to fictional Snuff-Movies, this one is probably the tamest i have seen, which was really a let down. Comparing this to Guinea Pig, Grotesque, Altroz and The Butcher, it's safe to say that Snuff 102 has no weight to the fictional snuff movies i have listed and seen.

The main problem i got with this film, is how boring it was. The whole movie was so slow, and repetitive, half of the scenes could of been cut out in order for this film to flow better. Until the last 20 minutes, everything else in this movie was painfully boring, and i could not wait for it to end. I have to mention, this movie does contain scenes of some real death gore scenes, one of which is where they slaughter a pig in Croatia, and they present is as snuff, which is understand why, is to compare the human body to a pig, for Snuff killers, the victims body is just like a Pig.

The movie is trying to prove a point, that Snuff-filming is just equal as Pornography, in the sence, that the human body is being exploitated and humiliated, and that there's no limits on the internet, that you can be perversed as you wish on the internet.

This movie could of been way better, if we had more likeable victims, that had any kind of backstory, the only one that has a flat barely exsisting backstory and development, is the chick that is investigating this guy. Sad to say but hour and twenty minutes of this was so boring, and you barely cared really. Yes the movie has some graphic scenes, if you never watched a fictional snuff flick, this probably could move you ill, however if you are somebody that is a veteran to extreme cinema, it's probably not going to bother you, and most of the effects look really cheap, and all of it is blacked out, probably because the budget was not there.

The only thing keeping this film at two stars, is the fact that it has a plot, because there's movies out there that nearly have zero plot, and are just a brain melter, like Gummo, Where The Dead Go To Die, and Begotten.

Gory Argentinian film that doesn't really have any plot, the film switches between a girl's home, a room where three women are being held captive by a psychopath and psychobabble by an expert who tells us what are the reasons behind Snuff films and why the subject holds the publics interest. Snuff 102 also intersperses some dodgy internet "Snuff" clips, all in all the film is a sickening viewing but it left this viewer cold. I like this kind of material on occasion, but it was more the styling of the film i don't care for. Like the expert in the film says, those who watch such films don't really care for those that are being butchered, i have to agree.

Snuff 102 is a poor-quality attempt at a shocking, brutal thriller, but I cannot bring myself to hate it or even really dislike it. It is one of the few films with a relentless, oppressively grungy atmosphere that manages to be surprisingly disturbing. It is not as full of maiming and torture as you may think, sometimes dragging out long scenes of conversation and philosophy, yet it is much more disturbing than garbage like the sorry excuses of filmmaking August Underground.

Low on plot, yes, but high in its atmosphere and and aesthetic. The camera lens is grainy and dark, the gore effects are realistic, the film is soaked in a sickening brown-reddish lighting, but easily the best aspect of the film, which largely contributes to its disturbing nature, is the sound design. It's loud, overbearing, and clanging. We are blasted with loud industrial metal beats, synth and drums. There are gruesome sounds of wailing, screaming, and gory squishing, all while we are presented gruesome scenes of torture. Snuff 102 uses its low quality \cheap filmmaking to provide an outstandingly atmospheric film, one that leaves you feeling like you just need to take a long shower afterwards. Even without all the brutality, the grimy grittiness is almost sickening in this film, and it is the main reason I did not rate this film lower.

Additionally, Snuff 102 is more thought-provoking than I expected it would be. I would be hesitant to say this is not torture porn, but I also would not say it's a completely pointless film. The goal of the film is clear: to make a disturbing film with a message against human exploitation. The film makes its comparisons of pornography with snuff, as both are rely on abuse of the human body for personal enjoyment, all at the cost of the victim. It additionally argues that lack of restriction and privacy of pornography results in people willing to fall into total degeneracy; when you no one to stop you or discover you, why should you not fall into utter hedonism? It's a similar point made by Salò, or the 120 Days of Sodom (albeit a lot more effectively), but it uses snuff as an example to argue against pornography's perversion and evil.

Now, given my few praises of the film, why did I rate it so low? Truthfully, it's a bad film. It has earnest and respectable intentions, and it has some redeeming things about it, but it's technically atrocious. The camera quality is horrid, the cinematography is poor, the acting is stilted, the plot is practically non-existent, it's dragged out far too long in many scenes, and the editing is generally terrible. Though there are some interesting editing tricks using acceleration (visually reminiscent of Tetsuo: The Iron Man) the film's pasting of images on the screen, transitions and slow-motion outweigh the few decent cases of acceptable editing. Seriously, it sometimes looks like it was put in any old video editor, and random effects were just dragged onto the editing timeline. I have little to say here, as the technical quality is sloppy in quite literally every way, but it's honestly hard to blame the filmmakers, as it's clearly low-budget, and it isn't completely pointless, mindless exploitation (looking at you, August Underground).

Watch the film if you wish for a disturbing, gritty, and legitimately harrowing experience. Do not watch it if you are expecting a film of decent quality. Its brutal reputation is well-warranted, and it's far better and more disturbing than August Underground or Slaughtered Vomit Dolls. Still, it is hard to recommend unless you want some shocks.