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Jane (Katherine Heigl) has always been good at taking care of others, but not so much in looking after herself. Her entire life has been about making people happy -- and she has a closet full of 27 bridesmaid dresses to prove it. One memorable evening, Jane manages to shuttle between wedding receptions in Manhattan and Brooklyn, a feat witnessed by Kevin (James Marsden), a newspaper reporter who realizes that a story about this wedding junkie is his ticket off the newspaper's bridal beat.

Jane finds Kevin's cynicism counter to everything she holds dear -- namely weddings, and the two lock horns. Further complicating Jane's once perfectly-ordered life is the arrival of younger sister Tess (Malin Akerman). Tess immediately captures the heart of Jane's boss, George (Edward Burns). Tess enlists her always-accommodating sister to plan yet another wedding -- Tess and George's -- but Jane's feelings for him lead to shocking revelations... and maybe the beginning of a new life. Very dry but still good. 27 Dresses 5/10

Out of a good conscious, I cannot give this movie anything higher than a 6, although, sometimes I think it deserves even less. This movie followed the conventional script by EVERY step. Basic plot: single white female, hardly/never been a real relationship, finds the right guy under the wrong circumstances. These romcoms are particularly set in New York City(like 27 Dresses) or in a country town.

At this point, I could pretty much give you detail to detail without checking the spoiler marker and I doubt anyone would be upset at me. You don't need to watch this at all to know the beginning, middle, and end of the movie.

The beginning contrives of the childhood moment, followed by character introductions. It has the I'm-better-than-you younger sibling, the supportive parent(s), and the complete opposite best friend(played by Judy Greer, once again).

The middle consist of the turning point where the main character begins to fall for the leading male role(to my surprise, James Marsden played the lead and not the "other man" this time around) but completely denies it until the ending of the middle, which is usually followed by the embarrassing climax of the movie... that follows with a melancholic montage.

The ending... *sigh* the most predictable of them all. The leading female comes to the realization of her mistakes and through some usually comedic last-minute scenarios, she apologizes and get her man.

We saw this over and over. I'm seriously not one to complain about predictable movies. I can watch the cliché romcom and still enjoy them... if they are enjoyable. This was, in fact, enjoyable. I laughed, I smiled, I frowned, and then I said "awwww!" as the credits were rolling, in that exact order. It was nothing new.

Bottom Line: If you like the cliché, then you'll LOVE this movie.

Greetings again from the darkness. Exactly as you might expect ... a chick flick with one layer. No problem with a movie that doesn't try to be something it's not. Director Anne Fletcher seems to be the straight-forward type and she is making a good living with it. Doesn't hurt when your simple, predictable lines are played out by Katherine Heigl, Edward Burns, James Marsden and the underrated Judy Greer.

Heigl ("Knocked Up", "Grey's Anatomy") is nice to look at and has excellent comedic timing and a strong screen presence. Hopefully she doesn't settle for just straight up comedy as I would like to see her tackle some serious material in the next year or two (see Scarlett Johansson, Charlize Theron, Naomi Watts). Marsden is certainly an up and comer ("Hairspray") who has the looks to go with his talent. Judy Greer seems to have taken over the Joan Cusack roles of playing second fiddle and then stealing every scene. Over the top a couple of times here, but her scene with Heigl after the slide show is top shelf stuff.

Basic premise is pretty funny but there are no twists and turns. Still for the chick flick formula, it is passable thanks to the strong cast. Biggest problem is the casting of Malin Akerman as the "pretty" sister. That's Hollywood's notion ... Heigl gets the nod any day in the real world.

This film is about a woman who is madly in love with her boss, and wants to get married. She has attended 27 weddings, but sadly none of which her own.

"27 Dresses" is more pleasant than I thought it would be. I was worried that I would have to see 27 weddings in the film, but fortunately I did not. Normally, in a romantic comedy it does not require much acting, but Katherine Heigl manages to put in good acting to portray her jealousy towards her sister. Katherine Heigl is sweet and adorable, and she has a quality that makes the viewers connect to her.

Though the romance subplot is predictable, it story is saved by the rivalry and jealousy between sisters. This subplot is told in a tabloid way, which is fun and entertaining. The ending, which features a lot of dresses, is sweet and symbolically complete. "27 Dresses" provides adequate brain off entertainment for the family.

I watch Grey's Anatomy every week so I guess I'm a bit of a Katherine Hiegel fan. I liked her in Knocked Up and she's decent in this film. In fact the whole cast is quite good. I just felt like I had seen this film before somewhere (or parts of it in different films). I guess I watched it because I'm getting married soon so I wanted to see the dresses in the film (and there are some amazing ones and some interesting ones for those who care about dresses). The audience didn't seem to laugh as much as I thought they would. This is not the same kind of film as Knocked Up and maybe people were expecting that. Otherwise, its a decent Tuesday-night date movie.