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6,8/10
15 mil
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Três soldados diferentes retornam da guerra e enfrentam os problemas da vida pacífica um do outro.Três soldados diferentes retornam da guerra e enfrentam os problemas da vida pacífica um do outro.Três soldados diferentes retornam da guerra e enfrentam os problemas da vida pacífica um do outro.
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Three soldiers are home from Iraq; a 40-ish Tim Robbins out for good and the young Michael Pena and Rachel McAdams on a thirty day leave. Each has their own problem that they are faced with at the beginning of the film. Robbins comes home to a wife who wants a divorce and a son who needs $20,000 for college, Pena suffered a wound that has made him impotent and McAdams lost her friend and wants to find his family in order to return his guitar and live with them since she's lost any ties with her own. Think every problem is going to be solved in a little bow by the end? Well, you'd be right. Think that it's going to really typical and schmaltzy? Not so much on that one. It seems like a film that's made for the obvious ups and downs throughout but it actually manages to be quite original and refreshing. Instead of feeling like a film that's just about resolving the individual situations, it's a lot more carefree and a lot more about these three people simply enjoying life together and keeping one another joyful.
Of course there are many different stops on the way to their ultimate destinations in order to give us some situations of them interacting in the real world, but each one is a lot of fun and we gain a little more depth to the characters at each stop. All of the characters are well-fleshed out and don't feel like just another retread of stereotypes we've seen over and over again. One of the things that really surprised me is that when a little romance starts to bloom between Pena and McAdams, I didn't roll my eyes like I would have expected but instead I smiled and enjoyed watching this flirtation grow between the two of them in a non-typical way. And all the way through we are treated to three strong performances from three solid actors.
The real star is Rachel McAdams, who I'd say is Oscar-worthy. She keeps the laughs coming all the way through and steals every single scene with her bright eyes and southern drawl, but you can tell that there is real emotion brimming just under the surface. She's a girl who has every reason to hate life with a fury, but she remains optimistic and tries to get those around her to enjoy living just as much as she does. One scene in particular, when she finally meets the family of her fallen friend, is a showcase for what an extraordinary actress she is. This is her best performance by a long shot, and definitely one of the best of the year. The Lucky Ones is something that could have been obvious and clichéd, but ended up being just the opposite; a refreshing and very well-acted story that I wish wasn't destined to be forgotten come awards season.
Of course there are many different stops on the way to their ultimate destinations in order to give us some situations of them interacting in the real world, but each one is a lot of fun and we gain a little more depth to the characters at each stop. All of the characters are well-fleshed out and don't feel like just another retread of stereotypes we've seen over and over again. One of the things that really surprised me is that when a little romance starts to bloom between Pena and McAdams, I didn't roll my eyes like I would have expected but instead I smiled and enjoyed watching this flirtation grow between the two of them in a non-typical way. And all the way through we are treated to three strong performances from three solid actors.
The real star is Rachel McAdams, who I'd say is Oscar-worthy. She keeps the laughs coming all the way through and steals every single scene with her bright eyes and southern drawl, but you can tell that there is real emotion brimming just under the surface. She's a girl who has every reason to hate life with a fury, but she remains optimistic and tries to get those around her to enjoy living just as much as she does. One scene in particular, when she finally meets the family of her fallen friend, is a showcase for what an extraordinary actress she is. This is her best performance by a long shot, and definitely one of the best of the year. The Lucky Ones is something that could have been obvious and clichéd, but ended up being just the opposite; a refreshing and very well-acted story that I wish wasn't destined to be forgotten come awards season.
The Lucky ones concerns three Iraq War soldiers who have just returned to the States: Fred Cheever (Tim Robbins) is out for good, and can't wait to reunite with his wife and son in St. Louis; T.K. Poole (Michael Pena) has suffered an embarrassing injury and is on his way to reconnecting with his fiancée before heading back overseas; and the also-injured Colee Dunn (Rachel McAdams) is on a mission to deliver a precious guitar to her deceased boyfriend's parents in Las Vegas. These strangers are brought together when JFK Airport is shut down indefinitely. Deciding that renting a car is a better option than twiddling their thumbs and waiting for the planes to fly, they hit the road on an eventful journey that will bring them closer together than they ever would have expected... The Lucky Ones is a film that doesn't really make any statements about the war. Instead it's a character study of these 3 soldiers and it shows how the return from war can be weird and bizarre. The film handles some very dramatic subjects but, always in a light way. As in every road trip film, the character's journey is full of chance encounters and misadventures, and each one of the soldiers ends up fighting some of their own demons or coming to certain realizations. Granted, some of the events feel a bit contrived, but this is a dramedy, not a realistic war drama. The film was very well acted starting with Michael Pena, who despite doing mostly small roles, was a pleasant surprise as a central character. The veteran Tim Robbins delivered a good, even if subtle, performance as the older soldier who's life becomes upside down. However the film belongs to the gorgeous Rachel McAdams; she was feisty, charismatic and overall, just great, as she usually is. One cannot help but to fall a little bit in love with her every time she does a film. At the end of the day, The Lucky Ones is a quirky little film with a certain gentleness that works mainly, because it focuses on the characters and their emotions and not on the war and it's motives. Definitely a nice watch.
7/10
7/10
Three soldiers who have received non life threatening wounds in Iraq are together on a plane to New York. Two of them are on thirty day leaves while the other has served his time and is on his way home. Due to a power outage, all flights out of New York have been canceled. The three agree to rent a car together in order to continue the trip to their destinations. Thus begins a road trip that is highly dramatic with its share of comic events.
Fred Cheaver is the middle aged father figure of the three - a man who never really expected to do anything in the army except serve his domestic reserve duty. He is glad to be rid of the whole thing and is headed home to his wife and son. The two young soldiers who accompany Fred are Colee Dunn and T.K. Poole. Colee is a bright-eyed innocent who is on a mission for a fallen comrade who saved her life. T.K. is a no nonsense soldier from a family of soldiers who plans to make the army his career and move up the chain of command.
Whereas, Fred's quest is to return home to wife and son, Colee's and T.K.'s goals are to travel to Las Vegas for two entirely different reasons. Colee wants to return her dead comrade's treasured guitar to his family. T.K.'s reason is somewhat mysterious, but we know it is related in some way to his injury that has left him temporarily impotent.
As with all road trip films, the experiences and interactions of these three lead to conclusions not expected by them or the viewers.
Unlike most films featuring vets returning from the horrors of war, this film is not filled with dark angst - not to say the characters are not well-fleshed and genuine. These three are real people with real problems, but their depictions are not heavy-handed.
During this film, the viewer gets to enjoy the work of three excellent actors. Tim Robbins gives his usual fine, understated performance as the older man facing some totally unexpected twists of fate. Rachel McAdams gives Colee a likable innocence but also reveals some darker layers of her character. Michael Peña is very, very good as the macho guy with a heart who only wants to be a good soldier. Watching these three interact is a real treat.
Some may consider the treatment of the subject matter of this film too light handed, but it has a gentleness that rings true. It is surely worth watching.
Fred Cheaver is the middle aged father figure of the three - a man who never really expected to do anything in the army except serve his domestic reserve duty. He is glad to be rid of the whole thing and is headed home to his wife and son. The two young soldiers who accompany Fred are Colee Dunn and T.K. Poole. Colee is a bright-eyed innocent who is on a mission for a fallen comrade who saved her life. T.K. is a no nonsense soldier from a family of soldiers who plans to make the army his career and move up the chain of command.
Whereas, Fred's quest is to return home to wife and son, Colee's and T.K.'s goals are to travel to Las Vegas for two entirely different reasons. Colee wants to return her dead comrade's treasured guitar to his family. T.K.'s reason is somewhat mysterious, but we know it is related in some way to his injury that has left him temporarily impotent.
As with all road trip films, the experiences and interactions of these three lead to conclusions not expected by them or the viewers.
Unlike most films featuring vets returning from the horrors of war, this film is not filled with dark angst - not to say the characters are not well-fleshed and genuine. These three are real people with real problems, but their depictions are not heavy-handed.
During this film, the viewer gets to enjoy the work of three excellent actors. Tim Robbins gives his usual fine, understated performance as the older man facing some totally unexpected twists of fate. Rachel McAdams gives Colee a likable innocence but also reveals some darker layers of her character. Michael Peña is very, very good as the macho guy with a heart who only wants to be a good soldier. Watching these three interact is a real treat.
Some may consider the treatment of the subject matter of this film too light handed, but it has a gentleness that rings true. It is surely worth watching.
(Synopsis) After recovering from their wounds in the Iraq War, three soldiers are sent back to the United States. Sgt. T.K. Poole (Michael Pena) and Pvt. Colee Dunn (Rachel McAdams) are given a 30-day leave, and Sgt. Fred Cheever (Tim Robbins) is retiring. The three soldiers now have a new mission. T.K is going home to visit his fiancée, Colee is going to return a guitar to the family of the man who saved her life, and Fred is going home to his wife in St. Louis. When they arrive at JFK Airport in New York, all fights have been canceled, because of a blackout. The three decide to rent a van and drive to St. Louis, and once there, T.K. and Colee can catch a plane to Las Vegas. What started out to be a short 14 hour trip ends up being a journey across America. Along the way, the three soldiers who had just met at JFK, become close friends.
(My Comment) This is a human interest story that explores the interpersonal aspects that war has on our soldiers, especially the ones who are injured as they return home. We learn the pitfalls of returning to this country where our soldiers are only given a token "Thank You" platitude from the public. We also see how three soldiers band together, and become in a sense a family taking care of one another. The film gives enough time in the character development of each soldier that we begin to like each soldier, and you wouldn't mind making them your friends. Their cross-county road trip is full of foolish misadventures that are memorable. For the most part, the film is serious to a point, yet it is also a comedy. I believe this small film will be one of those sleeper movies that the public will like, and it could be a hit. (QED International, Run Time 1:55, Rated R) (8/10)
(My Comment) This is a human interest story that explores the interpersonal aspects that war has on our soldiers, especially the ones who are injured as they return home. We learn the pitfalls of returning to this country where our soldiers are only given a token "Thank You" platitude from the public. We also see how three soldiers band together, and become in a sense a family taking care of one another. The film gives enough time in the character development of each soldier that we begin to like each soldier, and you wouldn't mind making them your friends. Their cross-county road trip is full of foolish misadventures that are memorable. For the most part, the film is serious to a point, yet it is also a comedy. I believe this small film will be one of those sleeper movies that the public will like, and it could be a hit. (QED International, Run Time 1:55, Rated R) (8/10)
The Lucky Ones (2008) ***1/2
Here's a fact: movies about the current war in Iraq have done about as well as... well, the current war in Iraq. To be fair, none of them have really been great. Even Tommy Lee Jones' In the Valley of Elah did not manage well financially, though it did manage to get half decent reception from critics. Understandably most of the films have been pretty heavy handed, and just as understandably, audiences have been satiating those taste buds with other, less controversial and subjects. But then comes along The Lucky Ones, starring Tim Robbins, Michael Pena, and Rachael McAdams. The film is about 3 soldiers returning home from Iraq; two on leave for 30 days, the other out for good. Instead of sticking to the usual downbeat tones of other Iraq films, it's more of a hopeful charmer and quite a funny one too. It's really more of a good old fashioned American road movie with soldiers than a war movie. But that didn't stop people from not going. The film got only limited release through 2008, despite gaining fans on the festival circuit.
Three soldiers return home from Iraq after meeting each other on the plane ride. When they arrive on American soil to catch their connecting flights, they discover that the airport is backed up solid due to a black out. Rather than wait around, Cheaver (Robbins) decides he's close enough to his home in St. Louis to rent a car and drive. TK and Colee (Pena and McAdams) decide they should join him. They're both heading to Las Vegas and figure they can probably make the drive and catch a flight out of St. Louis by the time they would here.
Colee is heading to Vegas to return her boyfriend's vintage guitar to his family. He died in the war. TK is heading to Vegas for some professional help before he meets up with his fiancé. Hookers and strippers? Colee inquires. Kind of - but not for the usual reasons. You see, they all have wounds, but some more sensitive than others. Cheaver injured his back in a not so heroic way, but he's more amused and relieved about it than embarrassed. Colee's been shot in the leg, and sports an unhealed wound and a limp. TK gets the best of both their worlds: he's been wounded by shrapnel in a not so public area. Now, as he says, it doesn't work right. He's going to Vegas to meet with some "professionals" to test his own little soldier out. "I can't go back to my fiancé without knowing it works, we'd have nothing to talk about!" A strange predicament for two people about to be married.
Cheaver, being the oldest in his 40s, is usually something of a father figure to the younger TK and Colee. On their trip those two first bicker before becoming closer. Colee openly talks about her late ex, and tells the tales he told her of robbing a Casino in Vegas to pay off his loan shark debts. TK responds with coldness and ridicules the dead man for his character. It results, inevitably in having to pull over and the keys inevitably being locked in the car.
The Lucky One's certainly doesn't go anywhere we really don't expect it to, but the paths it takes to get there aren't necessarily always the one's we expect. For example, given how quickly the trio arrive in St. Louis, it's obvious something will have to happen to keep it going. It's no big surprise to reveal that his wife wants a divorce, though she apparently is not cheating on him. Meanwhile their son breaks the big news that he got into Stanford, but needs 20 grand to secure his spot. So Cheaver decides he'll go to visit his brother or maybe even go to Vegas and win the money. That guitar Colee carries around is actually even worth 20 grand, though he doesn't want it, and she has to give it to her dead boyfriends family. She wants to give it to him but obviously knows she can't, although what she knows about her dead boyfriend seems to be less and less as time goes on.
The movie is populated with the usual oddball characters and chance encounters you find on cross country road trips, or in cross country road trip movies. There's a stop over at a church where they meet a very wealthy parishioner who invites them to a party, where among other things they encounter a young man against the war, another man who thinks after meeting the trio there's a good reason why they're losing the war, and a horny wife with the hots for the old Cheaver. Elsewhere they encounter the usual road side bars and motels, traveling sex workers and a rogue Tornado. And of course, along the way each confronts their own issues and demons.
The Lucky Ones is a funny and winning little movie. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable.
What could have been a downer filled with cheap shots and cheap tactics is instead smart and even handed, and above all respectful. That's not to say that it's necessarily a "safe" movie - but then again a movie that's best described as a road comedy about Iraq Veterans probably cannot be. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable. The movie ends as the soldiers' leave expires and they must return. At least for now they've been the lucky ones. Here's to hoping they stayed lucky.
Here's a fact: movies about the current war in Iraq have done about as well as... well, the current war in Iraq. To be fair, none of them have really been great. Even Tommy Lee Jones' In the Valley of Elah did not manage well financially, though it did manage to get half decent reception from critics. Understandably most of the films have been pretty heavy handed, and just as understandably, audiences have been satiating those taste buds with other, less controversial and subjects. But then comes along The Lucky Ones, starring Tim Robbins, Michael Pena, and Rachael McAdams. The film is about 3 soldiers returning home from Iraq; two on leave for 30 days, the other out for good. Instead of sticking to the usual downbeat tones of other Iraq films, it's more of a hopeful charmer and quite a funny one too. It's really more of a good old fashioned American road movie with soldiers than a war movie. But that didn't stop people from not going. The film got only limited release through 2008, despite gaining fans on the festival circuit.
Three soldiers return home from Iraq after meeting each other on the plane ride. When they arrive on American soil to catch their connecting flights, they discover that the airport is backed up solid due to a black out. Rather than wait around, Cheaver (Robbins) decides he's close enough to his home in St. Louis to rent a car and drive. TK and Colee (Pena and McAdams) decide they should join him. They're both heading to Las Vegas and figure they can probably make the drive and catch a flight out of St. Louis by the time they would here.
Colee is heading to Vegas to return her boyfriend's vintage guitar to his family. He died in the war. TK is heading to Vegas for some professional help before he meets up with his fiancé. Hookers and strippers? Colee inquires. Kind of - but not for the usual reasons. You see, they all have wounds, but some more sensitive than others. Cheaver injured his back in a not so heroic way, but he's more amused and relieved about it than embarrassed. Colee's been shot in the leg, and sports an unhealed wound and a limp. TK gets the best of both their worlds: he's been wounded by shrapnel in a not so public area. Now, as he says, it doesn't work right. He's going to Vegas to meet with some "professionals" to test his own little soldier out. "I can't go back to my fiancé without knowing it works, we'd have nothing to talk about!" A strange predicament for two people about to be married.
Cheaver, being the oldest in his 40s, is usually something of a father figure to the younger TK and Colee. On their trip those two first bicker before becoming closer. Colee openly talks about her late ex, and tells the tales he told her of robbing a Casino in Vegas to pay off his loan shark debts. TK responds with coldness and ridicules the dead man for his character. It results, inevitably in having to pull over and the keys inevitably being locked in the car.
The Lucky One's certainly doesn't go anywhere we really don't expect it to, but the paths it takes to get there aren't necessarily always the one's we expect. For example, given how quickly the trio arrive in St. Louis, it's obvious something will have to happen to keep it going. It's no big surprise to reveal that his wife wants a divorce, though she apparently is not cheating on him. Meanwhile their son breaks the big news that he got into Stanford, but needs 20 grand to secure his spot. So Cheaver decides he'll go to visit his brother or maybe even go to Vegas and win the money. That guitar Colee carries around is actually even worth 20 grand, though he doesn't want it, and she has to give it to her dead boyfriends family. She wants to give it to him but obviously knows she can't, although what she knows about her dead boyfriend seems to be less and less as time goes on.
The movie is populated with the usual oddball characters and chance encounters you find on cross country road trips, or in cross country road trip movies. There's a stop over at a church where they meet a very wealthy parishioner who invites them to a party, where among other things they encounter a young man against the war, another man who thinks after meeting the trio there's a good reason why they're losing the war, and a horny wife with the hots for the old Cheaver. Elsewhere they encounter the usual road side bars and motels, traveling sex workers and a rogue Tornado. And of course, along the way each confronts their own issues and demons.
The Lucky Ones is a funny and winning little movie. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable.
What could have been a downer filled with cheap shots and cheap tactics is instead smart and even handed, and above all respectful. That's not to say that it's necessarily a "safe" movie - but then again a movie that's best described as a road comedy about Iraq Veterans probably cannot be. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable. The movie ends as the soldiers' leave expires and they must return. At least for now they've been the lucky ones. Here's to hoping they stayed lucky.
Você sabia?
- CuriosidadesEmily Swallow's debut.
- Erros de gravaçãoWhen TK is at the airport bar in Las Vegas the bartender refills his old fashioned glass with a (generous) shot of tequila. She fills the glass almost halfway full. He takes a slug from the glass and puts it down but in the next shot it's more than half full.
- Citações
[Colee finally feels T.K's penis work for the first time]
Colee Dunn: Is it working?
T.K. Poole: What?
Colee Dunn: Is it working?
T.K. Poole: As a matter of fact, yeah, its working pretty good right now.
Colee Dunn: That's great!
Colee Dunn: [Colee hugs T.K. when she feels his penis working] Uh, yeah, okay. Yep, that's working. Um... that's great. Ahh. Wow. We should get out.
- Cenas durante ou pós-créditosHoney wagon driver - Gary Suckahosee
- ConexõesFeatures America's Got Talent (2006)
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- How long is The Lucky Ones?Fornecido pela Alexa
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- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 266.967
- Fim de semana de estreia nos EUA e Canadá
- US$ 183.088
- 28 de set. de 2008
- Faturamento bruto mundial
- US$ 287.567
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