A Dama de Ferro

An ageing Margaret Thatcher struggles to deal with the passing of her husband Dennis, and looks back at her rise to Britain's top job.

I looked at the relatively low score, and wondered how much of it was to do with the film, and how much was to do with the level of dislike that still exists for the former Prime Minister.

There's something missing, and I think it's the direction and the actual storytelling, it's so clunky, if someone were to re-edit this film, I think they could do something with it.

It's a fascinating story, Britain's first woman Prime Minister, a story that deserved to be told. For me, the good outweighs the bad, but the elements were here for this to have been a superb film, sadly it just isn't.

I liked the way the original news footage is mixed in, it's well fused. If only they'd have shown her Spitting Image character.

Meryl Streep delivers an outstanding performance, she is sensational, the voice, the poise, the body language, she is fantastic. Jim Broadbent is wonderful as Dennis, the pair combined so well.

6/10.

When the film begins, it's a little confusing. Since Margaret Thatcher has been suffering in real life from dementia is recent years, her muddled thoughts are mirrored in the film. For example, some of the scenes with her husband take place AFTER his death--as she didn't always realize he was not there. It's all quite sad and is probably NOT the way many want to remember this great lady. However, there is nothing evil about aging and memory problems--and I applaud the film for its unflinching view of a severely debilitated woman--but why spend so much of the film on this? It was THE theme of the movie--more so than her political life. It also made the film VERY confusing and difficult to follow--and the sequence is quite jarring. In hindsight, I would have preferred a more traditional narrative and I assume most others would agree--especially since too much of the film is about her jumbled mind today and not her many achievements. It also might have been best that such a pathetic sort of persona had come out well after Thatcher's death--it seemed rather sad to do a film like this now. I would have simply ended the film after she stepped down as Prime Minister.

Despite this well deserved criticism, it's still a film I recommend. Although the writing could have been better, the acting and makeup couldn't. Meryl Streep rightfully earned the Oscar for Best Actress for this one--perhaps her best performance to date. To put it succinctly, she WAS Margaret Thatcher! And, to make this illusion even more real, the makeup was perfect--aging her in a manner that made you truly believe what you were seeing.

Meryl Streep is "The Iron Lady," Margaret Thatcher, in her Oscar-winning performance from 2011.

I'm a little bit at a loss here. I'm not British, so as far as what Mrs. Thatcher did and did not do during her tenure, there's no way I can comment on the way it was portrayed. It does seem from reading other reviews that dramatic license was used.

I really can only write about the film and the acting. Directed by Phyllida Lloyd, "The Iron Lady" uses flashbacks of an elderly, widowed, demented Mrs. Thatcher to tell her story. It's on the choppy side. That Thatcher was a strong, determined, ambitious woman, there is no doubt, but there were smoother ways to tell her story.

As far as Meryl Streep, as someone who was an actress myself and as someone who has been watching Meryl Streep since she was in the film "Julia," I can say that initially, there was criticism of her because you could, as actors say, "see her working." When she made a "choice" as an actress, it was transparently just that, a choice, not part of the character. I heard someone speak of her once, and she said, "I watch her and I think oh, what an interesting choice." Well, as the years have gone by, a lot of that is less evident, and many of her performances have been nothing short of magnificent. I must say that I am very, very sensitive to "acting," where someone puts on a character like they would a coat. In a biopic, this becomes an impersonation.

I won't say there were no moments of "impersonation" here, maybe there were a few, but Streep did an absolutely fabulous job inhabiting Margaret Thatcher. I can't imagine how many hours of footage she watched, and when she was elderly, Streep was elderly in her walk and in every other way possible. Having had a mother with dementia, the look in Streep's eyes when Thatcher zoned out was perfection, right on.

One reviewer said "impersonation" is easy to do. Maybe, but this wasn't impersonation. I felt it was organic, and I lost awareness that I was watching Meryl Streep.

The real star of the film was her performance, not the script. I can't comment on the strong resemblance actors had to other politicians. If they did, there's nothing wrong with that.

All in all, worth seeing for Streep's performance.

There's no doubt about it: Meryl Streep will be nominated for her 17th Academy Award for her portrayal of Britain's most controversial Prime Minister, Margaret Thatcher, in this otherwise underwhelming biopic. Streep is mesmerizing as usual, but the mode of storytelling employed by screenwriter Abi Morgan and director Phyllida Lloyd – sporadic flashbacks among elongated stretches of following the elderly and mentally fragile Maggie – is a huge misfire. The scenes which recount her path from young adulthood through to local politics and then to her 11 years of turbulent leadership are intriguing, however they are too far and few between to really grip. Sure, it checks off the list as far as famous moments go, but a more in depth insight into how she ran the country would've been nice.

Biopics are always a problem. That's why the long form, HBO style is infinitely more suitable and altogether more satisfying. Okay, now, once that aside, let me talk about Meryl Streep. A miracle! She does the impossible, not only manages to inhabit Thatcher, she also reveals her under a slightly different light. The human light. No matter how much at odds I've been with her politics, I saw that human side through Meryl Streep's eyes and realized that I had forgotten to remember, Thatcher was a human being, a woman breaking ground. She loved her husband but put her career first, as most men in her position do. Her drive is a mystery as much a mystery as Meryl Streep's art. After seeing the film, me, a life long anti-Thatcher, I have to say that it's a fair portrait of the woman. The ones who never heard of Margaret Thatcher, and there are, two of them were sitting next to me in theater, I think they thought "The Iron Lady" was the female version of "Iron Man" but even them surrendered to the character trough the glories of this other giant of our generation, Meryl Streep.