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Até os Ossos

Título original: Bones and All
  • 2022
  • 18
  • 2 h 11 min
AVALIAÇÃO DA IMDb
6,8/10
68 mil
SUA AVALIAÇÃO
POPULARIDADE
1.553
102
Timothée Chalamet and Taylor Russell in Até os Ossos (2022)
Maren, a young woman, learns how to survive on the margins of society.
Reproduzir trailer1:26
24 vídeos
99+ fotos
AmadurecimentoDramaHorrorRomanceRomance trágicoViagem de carro

Maren, uma jovem mulher, e Lee, um andarilho sem amarras, se encontram e se unem em uma odisseia por estradas secundárias nos Estados Unidos. Mas apesar de seus esforços, todas as estradas o... Ler tudoMaren, uma jovem mulher, e Lee, um andarilho sem amarras, se encontram e se unem em uma odisseia por estradas secundárias nos Estados Unidos. Mas apesar de seus esforços, todas as estradas os levam de volta aos seus passados traumáticos.Maren, uma jovem mulher, e Lee, um andarilho sem amarras, se encontram e se unem em uma odisseia por estradas secundárias nos Estados Unidos. Mas apesar de seus esforços, todas as estradas os levam de volta aos seus passados traumáticos.

  • Direção
    • Luca Guadagnino
  • Roteiristas
    • David Kajganich
    • Camille DeAngelis
  • Artistas
    • Timothée Chalamet
    • Taylor Russell
    • Mark Rylance
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    68 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.553
    102
    • Direção
      • Luca Guadagnino
    • Roteiristas
      • David Kajganich
      • Camille DeAngelis
    • Artistas
      • Timothée Chalamet
      • Taylor Russell
      • Mark Rylance
    • 345Avaliações de usuários
    • 265Avaliações da crítica
    • 74Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 75 indicações no total

    Vídeos24

    Official Trailer
    Trailer 1:26
    Official Trailer
    Teaser
    Trailer 0:29
    Teaser
    Teaser
    Trailer 0:29
    Teaser
    Bones and All
    Trailer 2:27
    Bones and All
    Bones and All
    Trailer 1:32
    Bones and All
    Bones and All - Theatrical Trailer
    Trailer 2:21
    Bones and All - Theatrical Trailer
    10 Bloody Movies for Valentine's Day
    Clip 1:48
    10 Bloody Movies for Valentine's Day

    Fotos127

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    + 121
    Ver pôster

    Elenco principal68

    Editar
    Timothée Chalamet
    Timothée Chalamet
    • Lee
    Taylor Russell
    Taylor Russell
    • Maren
    Mark Rylance
    Mark Rylance
    • Sully
    Kendle Coffey
    Kendle Coffey
    • Sherry
    André Holland
    André Holland
    • Maren's Father
    Ellie Parker
    Ellie Parker
    • Jackie
    Madeleine Hall
    Madeleine Hall
    • Kim
    Christine Dye
    Christine Dye
    • Attendant (Corlis, MD)
    Sean Bridgers
    Sean Bridgers
    • Barry Cook
    Anna Cobb
    Anna Cobb
    • Kayla
    David Gordon Green
    David Gordon Green
    • Brad
    Michael Stuhlbarg
    Michael Stuhlbarg
    • Jake
    Jake Horowitz
    Jake Horowitz
    • Booth Man
    Marshall Jackson
    • Boy Playing Ball Toss
    Marcia Dangerfield
    Marcia Dangerfield
    • Clerk (MN Gas Station)
    Jessica Harper
    Jessica Harper
    • Barbara Kerns
    Burgess Byrd
    • Gail the Nurse
    Chloë Sevigny
    Chloë Sevigny
    • Janelle
    • Direção
      • Luca Guadagnino
    • Roteiristas
      • David Kajganich
      • Camille DeAngelis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários345

    6,867.9K
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    Avaliações em destaque

    7Xstal

    Finger Strippin' Good...

    Two birds of a feather with a common appetite, living in the shadows with a curse they try to fight, struggle to give in, to temptations that spellbind, an addiction of the mind that leaves them hamstrung and confined; finding others with dependencies more practiced and distilled, whose lives have little meaning, all alone and unfulfilled, helpless and exposed by the hand they've all been played, the promised life and expectations, all diminished and betrayed.

    Some great performances but all eclipsed by Taylor Russell who is outstanding as the conflicted Maren struggling to come to terms with who she is and what she can and cannot do about it.
    7W011y4m5

    What were they going for?

    Fair to say I went in to this with pretty high expectations (considering I'm a genuine admirer of director Luca Guadagnino, since he made one of my favourite films "Call Me By Your Name") & sadly, as much as it physically pains me to say it, they just weren't met here. You could argue my disappointment is therefore my own fault - because the film endeavoured to achieve something I had not initially anticipated - (& that is a valid countenance to make, to a degree, as I'm judging it from a biased perspective, basing my opinions on what I'd originally envisioned etc.) but quite frankly, upon much rumination... After trying to consider what it was actually trying to do instead - other than tell a frustratingly shallow & simplistic tale about 2 cannibals falling in love - I still remain nonethewiser? Hence, the lack of any discernible purpose (that could justify the gruesome subject matter) irked me somewhat by the time I'd reached the end, as I'd assumed the theme of cannibalism would at the very least be allegorical & used to convey a deeper message to the audience. Alas, it wasn't - as far as I could decipher.

    Yes, the movie is shot in a very intimate way, capturing the rawness of the emotions which are experienced between the two leads & the resultant primal nature of their bond - sealed by a forbidden urge neither can control - so I understand the filmmaker's desire to capture a stripped back depiction of "love", mirroring how primitive it is, ironically at its heart... But there's nothing linking that to the viewer (in a developed world) which could result in anything clear or relatable, so the meaning (if there is one?) feels sadly lost. The creative team at the helm therefore may have benefitted, drawing comparisons between the fictional reality & our own, portraying the romance as LGBT+ (immediately drawing parallels, using one controversial behaviour - rightfully - frowned upon by society as an extreme example to contrast it against another, which still isn't completely accepted - perhaps showing how ostracism results in deep connections being made between soulmates who share the same trauma / outlook?) but again, that potential is squandered frustratingly, despite the fact that briefly, it does seem to be headed in that direction - funnily enough, when it works most effectively.

    Plus, it doesn't help that Timothée Chalamet's on screen chemistry with the aforementioned male (who has a fleeting role) is ten times stronger than that of which features alongside Taylor Russell; confounding the problem by acting as an immediate reminder of a more fruitful path this could've easily been taken in.

    I see a lot of potential here & the possibilities for what could've been are enticing (a commentary on male entitlement, the destructiveness of addiction, or maybe showing how the worst of us have a chance at redemption if we're willing to commit to the idea of our own betterment?) but nothing is ever clear enough to feel satisfying or fulfilling, upon completion... So ironically, we do not enjoy this "Bones & All."
    roccoac

    Wish I can give this a 0/10

    This movie had no explanation, no plot, no good story. Literally looked like I watched a longer trailer. It was so bad that people walked out and my friends and I were next. I'd Rather watch Bob Ross painting a picture than watch this again. The director could've done so much better. It was poorly edited, seemed rushed, the vibe was weird. Literally felt like it was filmed and edited with technology from the 70s. None of it was scary, just bisexual people eating flesh and falling in love with eachother. I was greatly disappointed. Don't waste your time going to try to watch this movie even if you have nothing else to do.
    TuesdayButterfly

    Pretty cinematography, but ultimately forgettable

    Timmy plays the same role in everything, it would be interesting to see how he plays roles as he gets older and is not the moody, brooding, 20-something sex symbol that his team has marketed him as. But I mean they've done a good job as this TikTok generation is all about the shiny image on the outside with very little depth. He's attractive in this and for what it was did a good job, I found him likable and sympathetic and charming. Again he plays a bi-sexual character (I think) and the audience is teased and gaslighted again as he's only dated women in public in his real life and has never flirted with a man publicly, but does it in all these movies because it's "cool" (when it's pretend) while real lgbtq people don't live these pretty lives with beautiful straight acting men like Timmy wanting to charm us. The movie is a fantasy. I would like to see real representation one day. And I had a little bit of a sour taste in my mouth because I couldn't tell for sure if he was actually bi-sexual or just using a closeted man to take advantage of him. So that character plot point was a miss for me as it was brief and never discussed again in the film. Also his tears towards the end felt feigned, didn't seem like they were natural.

    I didn't think he and the actress had any chemistry, didn't buy their love story, she's kind of bland and one note with zero charisma. Her vibe was as if she had taken a Benadryl everyday while shooting this film, she was half asleep the entire movie. I liked a lot of the small supporting actors and their naturalness, the cinematography was beautiful as were the scenic locations and the 80's nostalgia. Mark Rylance was very good in this and a great villain because you never really know if he's a villain until the story progresses, he just always irks you the wrong way but he's so good slowly revealing himself. I've heard people say he's "the greatest" living male actor, and I don't think that's true. If anything he's proof you can be well regarded by playing yourself because I always see him in all his roles, I know it's Mark. Even when he's really good. Or maybe great acting really isn't about "losing yourself" but finding yourself, interesting thing to think about.

    Bottom line the movie has its grotesque moments and it has its pretty ambient atmosphere but I found it to be a one time watch for me. It's pretty forgettable as it doesn't really leave you with anything. I just walked away with feeling, okay.
    5Couchkik20

    Road trip lovers stop on the way for some meals

    As a massive admirer of Luca Guadagnino's work, it saddens me to say that Bones & All is disappointing.

    Even though the cinematography and atmosphere are beautiful and what you would expect from the visual master, the film suffers from tonal shifts and a very talky script that is only saved by a fantastic turn by Mark Rylance. His menacing presence is the feature only redeeming quality.

    The narrative is overstretched by a terribly slow pace reinforced by wooden dialogues between lovers that don't have much chemistry to begin with. Timothée Chalamet is clearly miscast as his sweet and soft demeanor don't match with the supposed danger and inner violence of his character.

    Star of the show, Taylor Russell is beautiful and haunting. She also carries much of the movie on her frail shoulder. But the underdeveloped family moments and repetitive travel adventures don't help to build much of her personality. So when we get to the core horror aspect of the movie it mostly fails. Most "gory" moments are contrived, shoehorned inside the romance. They are too few, tonally all over the place and end up underwhelming.

    After the masterful Suspiria, I was really expecting Guadagnino to deliver on the horror front but I think he got sucked away by the gorgeous landscapes and forgot to build up tension or fear. Bones & All ultimately ends up being a tiresome teen romance road trip interrupted by bizarre gory scenes. I will just rewatch Kathryn Bigelow's masterpiece "Near Dark" which I think would have been the perfect inspiration.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Director Luca Guadagnino stated in a video for Vanity Fair that the fringe in Maren's hairstyle came directly from the haircut of a character from Jonathan Demme's O Silêncio dos Inocentes (1991). The character in question is Stacy Hubka (played by Lauren Roselli).
    • Erros de gravação
      Janelle's reading of the letter (in voice over) doesn't exactly match the written letter seen in Maren's hands.
    • Citações

      Maren: [to Brad] You're not one of us?

      Jake: Abso-fuckin-lutely normal he is! Well, uh, clearly not normal. Hasn't had his full bones yet. But I reckon that's coming soon enough.

      Lee: Full bones?

      Jake: When you eat the whole thing, bones and all. You ain't done that yet? That's a big fucking deal. It's like your first time. There's before bones and all, and then there's after.

    • Conexões
      Featured in Amanda the Jedi Show: BONES AND ALL is the Most Disgusting Movie of the Year - Movie and Book Explained (2022)
    • Trilhas sonoras
      Swan of Tuonela (Lemminkäinen Suite, Op. 22/2)
      Written by Jean Sibelius

      Performed by Taylor Russell

    Principais escolhas

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    Perguntas frequentes

    • How long is Bones and All?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de dezembro de 2022 (Brasil)
    • Países de origem
      • Itália
      • Estados Unidos da América
      • Reino Unido
    • Central de atendimento oficial
      • united artists releasing
    • Idioma
      • Inglês
    • Também conhecido como
      • Hasta los huesos
    • Locações de filme
      • Maysville, Kentucky, EUA(location)
    • Empresas de produção
      • Frenesy Film Company
      • Per Capita Productions
      • The Apartment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 16.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 7.834.907
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 2.258.562
      • 27 de nov. de 2022
    • Faturamento bruto mundial
      • US$ 15.234.907
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 11 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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