Os Infiéis

Nothing new in the lazy script: the different man/woman perspective on erotic desire, a poor unimaginative dialogue, many scenes borrowed from previous 1960's Italian comedies (Signore e Signori, Sedotta e Abbandonata come to mind). However, it is mildly entertaining and worth your time, if you like the genre. Probably the most original episode is the Fantozzi's like behavior of a desperate herbal remedies rep that is dying to get laid at a corporate meeting dinner, and progressively downgrades his aim for a bed companion in the course of the evening. The acting is a bit limited and as a consequence characters are flat and uninspiring.

After the plane scene at the beginning of the film, a sort of gags happen, which seem to be disconnected. Some funny situations, but that is it. Poor ending.

I don't understand the bad reviews here. You need to have the patience to watch a movie till the end. And this one is entertaining enough from the first episode. I really enjoyed the sense of humour, maybe other people found it dull but it's not honestly. The last two episode were so funny and the finale is great too! Hoping to see more of such vignettes on Netflix.

A depiction of what great lengths philandering husbands will go to satisfy their unbridled libido. Some vignettes are funny but one particular story may hurt the sensibilities of women because of its offensive message and a subtle nod to the husband's machinations.

One of the characters poses a question towards the film's end: when we screw others, are we screwing ourselves? Another emphatically responds: no, we screw those of us who're screwing her. Profound or absurd? Take your pick.

For whatever its worth, the duo Riccardo Scamarcio and Valerio Mastandrea make the viewer laugh at the nutty situations they find themselves in and, perhaps, at himself.

Don't mistake this for the 2021 French film of the same title.

I haven't seen the French originals, so will just cover this one with no comparisons to source material.

The upside is that, the stories differ enough from each other to keep us interested. The downside: Said interest remaining kind of unrewarded.

The opening act was okay and what followed it had the mosty dynamic and convincing acting. I liked how smoothly of the story of the "glory hole guy" unfolded. The hallucination plot was refreshing despite the cover-up coming with flaws.

The photography has character, and the rhytm is just fine.

Overall, not a bad movie. But comes short of being "cinema" is structured more like a Twilight Zone anthology with "sexual betrayal" replacing "supernatural mystery".