Adicionar um enredo no seu idiomaOn the Homicide floor of a police headquarters in Melbourne, Australia, detectives work to bring justice for the deceased.On the Homicide floor of a police headquarters in Melbourne, Australia, detectives work to bring justice for the deceased.On the Homicide floor of a police headquarters in Melbourne, Australia, detectives work to bring justice for the deceased.
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10sasha99
I've binged my way through many American, British, and a few Australian cop shows and this is one of the best. I'm about halfway through season 2.
If I could describe City Homicide with one word, the word would be "lean." The plots are interesting and the detective work is straightforward. Some of the police work is techie, but most of it is good, old-fashioned research, door-to-door canvassing, and just plain following up leads. And the show avoids injecting unnecessary tension into the process with false leads and red herrings. There's no fat in this show-- just good police work by a capable and compatible ensemble.
There are some character back stories, but they don't shove the crime story to the back burner (as happens in many programs).
If I could describe City Homicide with one word, the word would be "lean." The plots are interesting and the detective work is straightforward. Some of the police work is techie, but most of it is good, old-fashioned research, door-to-door canvassing, and just plain following up leads. And the show avoids injecting unnecessary tension into the process with false leads and red herrings. There's no fat in this show-- just good police work by a capable and compatible ensemble.
There are some character back stories, but they don't shove the crime story to the back burner (as happens in many programs).
Australian television series can be hit or miss but this one is a few grades above the rest. Buoyed by superior scripts and crisp direction, each episode unravels without the drawn-out emotional drama of other such shows. Yes, there are soap opera moments but they are brief and tightly written.
The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).
That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.
The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).
That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.
I just finished watching the last show of the series. I waited to write a review until I saw the entire run. Yes, this isn't the strongest Australian show out there, but overall it was a very good show. The entire cast was used equally with no one major "star" coming to the front. For me that is a plus. everyone had an equal part to play. One complaint, when the show ended it left everything up in the air. It could have run at least another season or two. All in all a very good show , well worth your time.
I was 17 years late to this party, but it bore the years wonderfully. Both character and plot driven, this is a rare gem that will be just as enjoyable a decade from now.
Crime shows are among my favorites and this one is compelling watching start to finish, every episode. The core cast is strong, the crimes often creepy, the criminals eventually get their just desserts, even if it isn't in the courtroom. Most are stand alone episodes, and those that aren't always leave you with anticipation for what happens next.
In America, Law & Order SVU has been hanging on for two+ decades, and how I wish this Aussie drama were still giving us new episodes! I'm not going to say why I gave eight stars rather than ten, not wanting to influence others with my spoilers.
No one needs to watch this program out of desperation, because it's great entertainment, deserving more reviews than it has. Try not to miss this rare diamond.
Crime shows are among my favorites and this one is compelling watching start to finish, every episode. The core cast is strong, the crimes often creepy, the criminals eventually get their just desserts, even if it isn't in the courtroom. Most are stand alone episodes, and those that aren't always leave you with anticipation for what happens next.
In America, Law & Order SVU has been hanging on for two+ decades, and how I wish this Aussie drama were still giving us new episodes! I'm not going to say why I gave eight stars rather than ten, not wanting to influence others with my spoilers.
No one needs to watch this program out of desperation, because it's great entertainment, deserving more reviews than it has. Try not to miss this rare diamond.
Frankly, I'm an American watching this show "second hand" via the internet, 72 minutes at a time. This means my frame of comparison is typical American cop dramas.
I really like this show.
Unlike most US cop dramas, City Homicide is an actual ensemble show without a true "top billed" personality and a more realistic focus on the case, investigation, and legwork instead of the type of action real cops would call a SWAT team in for. Also, the plots suffer little in the way of "creep" towards outrageous plots like half of the CSI: Miami plots.
Another credit for City Homicide is the fact the actors don't come across like clothes models reading scripts. While most of the cast are attractive, they're believably so.
As far as characterization goes, City Homicide paints the characters as human with flaws that have to be lived with or worked around and not-- like many American shows--show up once out of the blue and are resolved in a single two-episode arc.
This is also a refreshing change.
If you like police dramas, give it a try. If you're an American and you somehow can watch this show, definitely give it a try.
(And don't worry, you'll pick up on the accent pretty quickly...)
I really like this show.
Unlike most US cop dramas, City Homicide is an actual ensemble show without a true "top billed" personality and a more realistic focus on the case, investigation, and legwork instead of the type of action real cops would call a SWAT team in for. Also, the plots suffer little in the way of "creep" towards outrageous plots like half of the CSI: Miami plots.
Another credit for City Homicide is the fact the actors don't come across like clothes models reading scripts. While most of the cast are attractive, they're believably so.
As far as characterization goes, City Homicide paints the characters as human with flaws that have to be lived with or worked around and not-- like many American shows--show up once out of the blue and are resolved in a single two-episode arc.
This is also a refreshing change.
If you like police dramas, give it a try. If you're an American and you somehow can watch this show, definitely give it a try.
(And don't worry, you'll pick up on the accent pretty quickly...)
Você sabia?
- CuriosidadesTranslating some of the terms and phrases used in the series for American viewers: A "door knock" is a neighborhood canvas, where police knock on doors to locate witnesses to the crime. A "death knock" is the notification of the next-of-kin of the death of a victim. To "root" someone is to have sex with them, while "rooted" means someone is tired. Similarly, "stuffed" means being tired, but telling someone to get stuffed is similar to telling them to go screw themselves. A "reggo" is a vehicle registration, which reveals the owner. A "shottie" is the term used for a shotgun.
When confronting a suspect, the police do not yell "Freeze!" as they do on American cop shows. Instead, they yell "Police! Don't move!".
- Cenas durante ou pós-créditosAt the beginning of each programme, a title card is shown that reads "No greater honour will ever be bestowed upon an officer than when they are entrusted with an investigation into the death of a Human Being."
- ConexõesFeatured in Dancing with the Stars: Episode #9.6 (2009)
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