Antígona - A Resistência Está no Sangue

In a Montreal suburb, the title character (Nahéma Ricci) is a teenage immigrant from Algeria living with her grandmother and three siblings. After her family faces a double tragedy, Antigone is determined to help a troubled family member even if this means making a great sacrifice. The film is an updated adaptation of the ancient Greek play by Sophocles.

The beginning sequences are very touching for not only revealing the troubles in the present but also the tragedies faced by the family before moving to Canada. The film's pivotal scene takes place in a prison. While the scene is bizarre to the point of being almost unbelievable, it deserves the benefit of the doubt as it is well orchestrated. To give the film further credit, scenes taking place in courtrooms and prisons have just the right amount of bleakness as they would in real life.

Later sections in the film are mixed, sadly with good intentions that go awry by taking on too much. Many subplots and issues are under-explored leaving an empty feeling by the end. Those that do work include a fascinating plot twist near the end that leaves the main character dumbfounded about her great intentions. Those that are less effective include a social media movement that unintentionally turns Antigone into a star. The sequences are entertaining but there's too little exposure of the origin of this movement. Also, the character of Antigone's boyfriend is so under-developed that he is downright annoying.

"Antigone" seems to have joined "Incindies" (2010) and "Monsieur Lazhar" (2011) to create a new film genre: the experiences of Middle Eastern/North African immigrants of tragic pasts integrating in the Montreal region. The earlier two films are stronger though "Antigone" certainly has its assets including a fiery lead performance by Ricci. - dbamateurcritic.

To anyone who has ever read or watched the tragedy of Antigone, this film is nothing but a cheap joke. They should have never dare a comparison, and if they hadn't, the film could be watchable, still very average, common, one dimensional, full of cliches, but watchable. Now it's insulting. The character of Antigone is only 50% of the tragedy. The other 50% is Creon, who guess what: he doesn't exist in the film! I guess it wasn't very easy to find an up to date parallel for him so they just ignored him... I'm actually begging: stop messing with the masters, Sophocles in this case, you can't beat them! 3 stars only for the powerful performance of young Antigone.

The pretention of this film is to make us believe that it is a tragedy because it takes its title from a famous Greek tragedy and because the protagonists it shows bear Greek names picked from the tragedy. In 2020 it sounds absurd to have North African emigrants called Antigone, Ménécée, Ismène, or Étéocle!. More over the story ignores totally the original content of the tragedy. The result is an amateurish film badly acted and badly directed. The only positive aspect is the beauty of Nahema Ricci's facial expression. Unfortunately because of the inexperienced director her expression remains the same all along the movie.

Canadian cinema, while of excellent quality, is not well enough known, unfortunately, even in Canada. We, Canadians are reluctant to toot our horn. While I understand modesty, not promoting enough real values is a serious shortcoming.

I am not a skilled review writer and I am afraid I will not do this film justice. But this film touched and awed me so much that, that I could not help it. I had to draw attention to it.

I would rank this film - in terms of depth, execution, impact, thoughtful script, acting - up there with La Strada and Zorba the Greek. It draws you in, it touches you, it leaves you thinking and feeling days and days afterwards. It is an honestly made film. It does not go for shock, easy answers, holier-than-though preaching, or political subtext. (The reviews who see political statements are WRONG.)

it starts with the 25 hundred years old story of Antigone, and, using it as a mold, tells us a story about a refugee family in Quebec. (By the way, do read the synopsis of the Greek tragedy before seeing this film. It gives you needed bearings.)

Hold on here for a moment. The moment the word "refugee" comes up, the sea parts along political lines and entrenched positions. No, they are just a family, and their refugee status does not make them "good" or "bad" or even different from the society around - it is just a backdrop for a millennia-old conundrum: who are we loyal to - the law of the land or the family blood? And how far we are ready to go. Different cultures may see different nuances.

Open your mind, open your heart, and go see this film.

This is a very powerful movie, but I'm not sure weather or not it is a good movie. It definitely is very thought provoking and leaves you (or prehaps just me) in shock at the end. This interpretation of a greek tragedy places itself in a very heavy political context, which, depending on the people, might make it seems like a very political film (which I also believe). Nevertheless, it asks very important political questions regarding individual duties, submission to law and the state, and even philosophical conceptions of what should be a good life and the integrity of conformism. Though, to me, the movie lacks nuance and finess to the profit of a radical approach that does a good job highlighting the main themes and questions of its plot, but which also makes it a bit too extreme and often clunky.

On a technical level, the movie is well shot, with a very eye pleasing cinematography by Sophie Dersape herself. I'm not as much of a fan of the editing and directing (both also from Deraspe), which can be quite ostentatious and even seem a bit forced from time to time, like she's trying a bit too hard. The music is adequate although not revolutionary.

Ricci's performance is outstanding most of the time. The other actors are also doing a very good job, although it often felt a bit unnatural to me.

It's definitely a good film to see but I would recommend reading a bit about the greek story of Antigone and the Freddy Villanueva affaire to understand the political context in which the movie situates itself, but also in order not to misjudge its reach and overestimate the political subtext.