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Anthony Hopkins portrays in a fantastic way how life erodes, piece by piece, when dementia takes over an old man's life. Olivia Coleman, who plays his daughter, shows with greatness how painful and sad it is to see her loved father slowly disappear into the fog. The film really grabbed me and tore my heart apart.

After his previous carer leaves the daughter of an octogenarian, Anthony, organises a new carer for him. However, to Anthony everything is confusion: faces change, one day his daughter Anne is moving to Paris, the next day she's not, is this his flat or not? And why doesn't his other daughter visit him anymore?

Brilliant. An absorbing, sensitive-yet-jarring look into what a person living with dementia or similar must go through plus what those that love them and care for them must experience. Told in a very intriguing and compelling manner: nothing is signposted, everything unfolds in a layered altered-reality fashion, making you figure things out for yourself.

Quite haunting and thought-provoking, as that could be you one day, or someone you love. Incredibly emotional too as you think about this affects his loved ones, the life he's lived and that this is what it now amounts to.

Incredible performance by Anthony Hopkins in the lead role. While the plot and direction are fantastic the film needed an excellent performance as Anthony and that's what Hopkins does, absolutely nailing it. He well deserved his Best Actor Oscar.

Great supporting cast: Olivia Colman (who got a Best Supporting Actress nomination for her efforts), Rufus Sewell, Olivia Williams, Imogen Poots and Mark Gatiss.

This movie was shot in May 2019 just a few months before the COVID-19 pandemic was recognized. The writer-director says he wrote this with Anthony Hopkins, who was 81, in mind. The movie has a number of well established actors but the story's impact depends on Hopkins and he achieves this as very few might be able to do.

Usually movies dealing with aging and dementia depict it from the points of view of all the others around, friends, family members, medical personnel. This does the opposite, it depicts it from the point of view of the afflicted person. As such I found myself totally confused after about 20 minutes but eventually understood why it had to be this way. We are seeing what Anthony (character's name) sees and experiences, the confusion as to where he is and his failure to recognize people he knows.

In many ways this is a hard movie to watch because we know people who have gone through dementia and its inevitable end, or know people who are in the early stages of it. For that reason my wife chose not to watch this movie.

For the subject matter it is a very good movie.

And then you get Anthony Hopkins in THE FATHER. This is a devastatingly, heartbreakingly-brilliant performance and a great film. Hopkins' range is incredible. He goes from charming and funny to menacing to wholly lost in seconds. From man to child on a dime. It's a powerful rumination on a terrifying disease, bolstered by Sir Tony at his finest, a strong supporting turn from Olivia Colman, and an excellent script by Christopher Hampton and Florian Zeller (based on Zeller's play). It's a daring move to tell the story from the perspective of Hopkins' character as his mind increasingly deteriorates. A savvy one too, as the audience is forced to engage to truly understand what is real, who is who, and where precisely we are in our protagonist's gut-wrenching journey. This may be Hopkins best work, a late-career revelation that once again reminds us why he's one of our finest cinematic performers. Be warned. If you've ever been touched by the tragedy of dementia, this film could wreck you.

This is a film that stays with you. Of course there's the brilliant performances but there's more. While other films have taken on old age and dementia, those films took on coping with a significant other's condition. The difference here is that the film is from the sufferer's perspective. You therefore see these events as if you yourself have dementia. And it's stunning how, when you walk away, you know you can.