Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

À Prova de Morte

Título original: Death Proof
  • 2007
  • 16
  • 2 h 7 min
AVALIAÇÃO DA IMDb
7,0/10
327 mil
SUA AVALIAÇÃO
POPULARIDADE
1.519
350
À Prova de Morte (2007)
Trailer for Death Proof
Reproduzir trailer1:09
5 vídeos
99+ fotos
Ação do carroComédia de humor negroDramaSuspense

Dois grupos separados de mulheres voluptuosas são perseguidas em diferentes ocasiões por um especialista com cicatrizes que usa seus carros "à prova de morte" para executar seus planos assas... Ler tudoDois grupos separados de mulheres voluptuosas são perseguidas em diferentes ocasiões por um especialista com cicatrizes que usa seus carros "à prova de morte" para executar seus planos assassinos.Dois grupos separados de mulheres voluptuosas são perseguidas em diferentes ocasiões por um especialista com cicatrizes que usa seus carros "à prova de morte" para executar seus planos assassinos.

  • Direção
    • Quentin Tarantino
  • Roteirista
    • Quentin Tarantino
  • Artistas
    • Kurt Russell
    • Zoë Bell
    • Rosario Dawson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    327 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.519
    350
    • Direção
      • Quentin Tarantino
    • Roteirista
      • Quentin Tarantino
    • Artistas
      • Kurt Russell
      • Zoë Bell
      • Rosario Dawson
    • 806Avaliações de usuários
    • 200Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 8 indicações no total

    Vídeos5

    Death Proof: Blu-Ray
    Trailer 1:09
    Death Proof: Blu-Ray
    Death Proof
    Trailer 0:31
    Death Proof
    Death Proof
    Trailer 0:31
    Death Proof
    How 'Once Upon a Time ... in Hollywood' Connects the TarantinoVerse
    Clip 5:09
    How 'Once Upon a Time ... in Hollywood' Connects the TarantinoVerse
    25 Years After 'Pulp Fiction', Tarantino Delivers a 'Hollywood' Masterwork
    Clip 3:13
    25 Years After 'Pulp Fiction', Tarantino Delivers a 'Hollywood' Masterwork
    "The First" Cast Connections: Meet the Mars Mission's Crew
    Clip 3:57
    "The First" Cast Connections: Meet the Mars Mission's Crew

    Fotos301

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 295
    Ver pôster

    Elenco principal41

    Editar
    Kurt Russell
    Kurt Russell
    • Stuntman Mike
    Zoë Bell
    Zoë Bell
    • Zoë Bell
    Rosario Dawson
    Rosario Dawson
    • Abernathy
    Vanessa Ferlito
    Vanessa Ferlito
    • Arlene
    Sydney Tamiia Poitier
    Sydney Tamiia Poitier
    • Jungle Julia
    • (as Sydney Poitier)
    Tracie Thoms
    Tracie Thoms
    • Kim
    Rose McGowan
    Rose McGowan
    • Pam
    Jordan Ladd
    Jordan Ladd
    • Shanna
    Mary Elizabeth Winstead
    Mary Elizabeth Winstead
    • Lee
    Quentin Tarantino
    Quentin Tarantino
    • Warren
    Marcy Harriell
    Marcy Harriell
    • Marcy
    Eli Roth
    Eli Roth
    • Dov
    Omar Doom
    Omar Doom
    • Nate
    Michael Bacall
    Michael Bacall
    • Omar
    Monica Staggs
    Monica Staggs
    • Lanna Frank
    Jonathan Loughran
    Jonathan Loughran
    • Jasper
    Marta Mendoza
    • Punky Bruiser
    Tim Murphy
    • Tim the Bartender
    • Direção
      • Quentin Tarantino
    • Roteirista
      • Quentin Tarantino
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários806

    7,0326.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    9Matt-Canalcon

    One of the most underrated films!

    I honestly think Death Proof is one of the most underrated films at the time I'm writing this (2015). A lot of people on this board seem to complain about the dialogue or the delivery of some of the actors. I personally think this movie has a lot of punch with a strong car chase sequence, very good actors, well-written script....and a perfect soundtrack!

    I really like how the first part of the movie is a classic slasher/horror movie and the second part is a great throwback to "car movies".

    Death Proof came out in 2007 and I remember watching this movie with my friend and having a really good time. I watched the movie another time a few years later and really enjoyed it to for other reasons, especially the classic car chase sequence.

    Now it's 2015, I've just watched Death Proof for a third time and it's still a blast to watch. The music is perfect, the movie is very funny, and I love the performance from Kurt Russell, Sydney Poitier (Jungle Julia) and all the other supporting characters.

    R.I.P. Sally Menke, I really love her work on this movie...not only for the great grindhouse "jump cuts" but also for one of my favorite scene halfway through the movie that I won't mention and the awesome 11-min well edited car chase.

    I gave the movie a strong 9/10 and I hope this movie will have a better reputation 5-10 years from now. Great work from Quentin Tarantino!
    7Vartiainen

    Way too talky, even for a Tarantino

    Death Proof, directed by Quentin Tarantino, is the other half of the Grindhouse double exploitation experience. The other half being Robert Rodriguez's Planet Terror. In it an aged stunt driver, played by Kurt Russel, stalks different groups of women in his souped-up muscle car, getting sick kicks out of their terror.

    And, as stated, it is an intentional, old school exploitation film, so expect a lot of stereotypes, gore scenes, sexualization of women, drinking and smoking, and just all around extreme tastes. Think of what Tarantino usually does and then remove the slightest of filters he usually utilizes. And, if you like the style, this is definitely a film worth checking out.

    That being said, it is curiously slow for an exploitation film. Tarantino is known for his lengthy, bizarre dialogue scenes, and nowhere is that more apparent than here. Granted, they are very good dialogues and these are all interesting characters, played by talented actors, but they're still as long as hunger years. Tone it down a bit, Quentin. We don't necessarily have to know the whole life story of every single character on the screen. Just saying.

    But, it's not like I was bored. More morbidly fascinated by their length. And luckily the few action scenes the film has are really good. They're just as over the top, practically made and beautiful in their goriness as we've come to expect from Tarantino. No complaints there.

    Death Proof is most probably the weakest film Quentin Tarantino has ever made. But, to paraphrase his own words, if this is the worst he's ever made, he's good. He's very good.
    7claudio_carvalho

    A B-Movie Style Full of Action, Violence and Nice Girls

    In the City of Austin, Texas, the girlfriends Jungle Julia Lucai (Sydney Tamiia Poitier), Arlene (Vanessa Ferlito), Shanna (Jordan Ladd) and Lanna Frank (Monica Staggs) reunite in a bar to drink booze, smoke pot and make out with their boyfriends before traveling alone to Lake LBJ to spend the weekend together. They meet the former Hollywood stunt Stuntman Mike (Kurt Russell) that gives a ride to Pam (Rose McGowan) in his "death-proof" stunt car. Sooner Pam discovers that Stuntman Mike is a psychopath and he kills the girls provoking a deadly accident with his car. Fourteen months later, the infamous Stuntman Mike appears in Lebanon, Tennessee, stalking a group of women that works in cinema industry. Abernathy "Abbie" (Rosario Dawson) that works with make-up; the stuntwomen Zoë Bell and Kim (Tracie Thoms) and B-actress and model Lee (Mary Elizabeth Winstead) are chased by the maniac, but the girls are tough and decide to fight back.

    "Death Proof" is an entertaining film of Quentin Tarantino that follows the style of B-movies and is full of action, violence and nice girls. There are references to many other movies, through dialogs, posters and billboards, but the greatest one is to "Vanishing Point". The choreography of the car races and accidents are amazing and the stuntwoman Zoë Bell is stunning. I was expecting to see what has happened to Lee that was left alone with the owner of the white car and his reaction after seeing the car totally wrecked, but the films has an abrupt end and forgets these characters. My vote is seven.

    Title (Brazil): "À Prova de Morte" ("Death Proof")
    8MaxBorg89

    Tarantino's B-movie: a spectacular ride!

    It all started as an homage to old exploitation cinema and double feature screenings. It was meant to be one of the most shamelessly entertaining films of the year. Sadly, after flopping in the US, Grindhouse has been chopped in two, with Quentin Tarantino's segment, Death Proof, being the first to be released on its own after competing at the Cannes Film Festival. It is not presented in its Grindhouse version, which included scratches, dirt, missing reels and other visual aging techniques; instead, we get the full cut, containing additional information regarding certain plot points and a few "juicy" bits that were left out first time around (a hot lap dance being the best new scene). And while it certainly would be fun to see the entire double-bill in all its glory (hopefully it will get a worldwide DVD release), I must say I really enjoyed QT's half as a separate picture.

    As this is intended to be Tarantino's answer to '60s and '70s B-movies, the plot of Death Proof is extremely simple: there is a psychopath, named Stuntman Mike (Kurt Russell), who enjoys killing women with his car, a virtually indestructible vehicle ("This car is 100% death proof. Only to get the benefit of it, honey, you REALLY need to be sitting in my seat!"). Whenever he arrives in a new town he selects a group of girls and sets his perverse plan into motion. And unless he runs into someone who is as crazy or drives as well as him, there is no way to stop him.

    Those expecting QT's usual stream of film references will be disappointed: apart from a hilarious restaurant scene that sort of spoofs the opening of Reservoir Dogs and a couple of nods to similarly themed horror flicks (and, of course, the casting of Russell, which is a deliberate homage to John Carpenter), the director is not interested in exposing his absolute knowledge of this kind of cinema. This time, he delivers a straightforward genre movie, albeit with his trademark tough women at the center. The trailer promised a wildly fun B-movie, and that's exactly what Death Proof is: a movie like they don't make anymore, old-fashioned, irony-free and exciting as hell.

    However, this does not mean Tarantino has set his visual or verbal obsessions aside: the dialogue is as imaginative and surreal as it has always been, and there are enough shots of bare female feet to keep fans happy. Naturally, being this a QT flick, those feet belong to a quality cast: the only real star in the film (apart from the villain, that is) is Rosario Dawson, but she is part of a talented ensemble, which includes Vanessa Ferlito (CSI: NY), Rose McGowan (Scream) and stunt-woman Zoe Bell (who doubled for Uma Thurman in Kill Bill). The mention of honor, though, goes to Russell, who finally has the opportunity to go all bad again, and boy, does he go bad: even when he is pretending to be a friendly chap who offers you a ride home, he exudes a sense of menace that doesn't leave until the end of the picture. Also worth praise are Michael Parks, reprising his role of foul-mouthed sheriff Earl McGraw (of From Dusk till Dawn and Kill Bill fame) and tying the two halves of the film together, and Tarantino himself, popping up as smug, ridiculously likable bartender Warren. The latter is particularly charming because, unlike other times (From Dusk's Richie Gekko is a good example), QT does not try to prove he can act (although he pulled off a remarkable job in Alias). He's just there for the sheer fun, like everyone else.

    Pure, unadulterated fun and excitement: that's the key to appreciating Death Proof. Do not expect a smart, unusual take on an overused genre, like the director has done in the past: this time around, he sticks to the rules, delivering a loud, silly, sexy, violent piece of Entertainment with a capital "e". It may not be the best film of 2007, but it sure as hell is one of the most purely enjoyable.
    ThreeSadTigers

    Probably the most misunderstood film of this decade

    Given the vast majority of major criticisms levelled at this film, it would appear that a large percentage of the audience has completely missed the joke, or simply, didn't find it at all amusing. With Death Proof (2007), Tarantino creates such a loving homage to a notoriously cult cinematic sub-culture that many people seem unaware of how to approach it or even how to appreciate the sheer fact that the film purposely goes out of its way to ape the style of late 60's and early 70's exploitation cinema in look, feel and content. The film isn't meant to be taken entirely seriously, but rather, is a parody and/or pastiche of the kind of films that the vast majority of mainstream audiences simply wouldn't want to see. I'm talking about films such as Two-Thousand Maniacs (1964), Ride the Whirlwind (1965), Manos: The Hands of Fate (1966), Satan's Sadists (1968), The Big Bird Cage (1971), Boxcar Bertha (1972), Fight for Your Life (1977) or Satan's Cheerleaders (1977); low-budget films made with often-non-professional actors, little in the way of conventional film logic, and highly controversial in terms of plot, theme and content.

    It also sets out to pastiche the "grindhouse" cinema phenomena, with the original idea of two films being shown as a double feature at drive-in movie theatres from state to state, with both films often being re-cut and re-edited, not by the filmmakers, but by the theatre owners themselves. This is evident in the amusing switch in title; with the film opening with the caption 'Quentin Tarantino's Thunderbolt', before awkwardly cutting to an obviously out of place title card with 'Death Proof' crudely emblazoned across the screen. This is also the explanation for the purposeful mistakes in continuity, the sloppy editing and the switch between colour and black and white, as well as the façade of severely deteriorating film stock. It's not sloppy film-making, but rather, a purposeful appropriation of sloppy film-making geared towards appealing to the kind of obsessive movie aficionado who gets the references and can appreciate the joke that Tarantino is attempting to pull.

    With this in mind, it seems hard to understand what people are complaining about. Do audiences actual expect this film to keep them enthralled and entertained when the vast majority of them would balk at experiencing many of the low-budget, semi-obscure films that influenced it? Hardly! The accusation here that "nothing happens" is fascicle. The fact that there is film running through the camera is proof enough that something is happening, with the hilariously bland dialog deconstructing the film in much the same way as the purposely amateurish composition, editing and sound all intended to fracture the cinematic language in the same way that Godard did; by reminding the audience that this is the film and the point of the film is to experience the sights and sounds that unfold before us. Added to this the colourful iconography, the music, the characters, the girls in tight t-shirts, the for once entirely justified performance from the man himself, all reminding us that this is a joyous, darkly comic romp in which the point is not "why?" but "why not?".

    The effect is reminiscent of Kill Bill (2003), which at times felt superficial or perhaps even too knowing for its own good, but still demonstrated to us the filmmaker's great use of tone, texture, colour and movement, as well as turning many people on to a whole new world of cult Japanese cinema; from the works of highly individual filmmakers like Seijun Suzuki, Kinji Fukasaku and Takashi Miike, to cult performers like Sony Chiba. Death Proof attempts to do something similar with the likes of the American revisionist road movie, the B-cinema of Roger Corman and the femsploitation subgenre of films like The Big Bird Cage (1972), Caged Heat (1975), Day of the Woman (1978) and Ms. 45 (1981); a coolly ironic series of films in which wronged women take bloody revenge in an often elaborate and over the top style, chiefly intended to give a feminist slant to the still rampant degradation and misogyny prevalent in the exploitation genre.

    Other reference points are more obvious as they're mentioned explicitly in the film; notably car chase cinema such as Vanishing Point (1971), Two-Lane Blacktop (1971), Dirty Mary, Crazy Larry (1974), Gone in 60 Seconds (1974) and even Spielberg's Duel (1971). Some have complained that the film fails on account of its lack of action and emphasis on dialog and technique, but this seems churlish when you think of the films being referenced; with Vanishing Point featuring a number of cryptic, desert-set sequences in which characters talk and talk and talk, while Two-Lane Blacktop punctuates its scenes of hard driving and drag-racing with much in the way of meandering small-talk. Then we have the fact that films like Reservoir Dogs - which takes place almost entirely within a single setting - and Jackie Brown - which places emphasis entirely on character - use dialog to not only create the characters but to also tell the story.

    Regardless of this, Death Proof is meant as a piece of entertainment. There's no real desire here for Tarantino to prove what kind of filmmaker he is because he's already done that with the number of great films that came before. Sure, it can be seen as self-indulgent, but surely those of us familiar with the style of film-making being referenced here will revel in this particular kind of extravagance, loving everything from the continually inane female banter to the awesome scenes of high speed carnage. If you're not a fan cult cinema or exploitation cinema or indeed a devotee of Tarantino's work then this film really isn't going to impress you. There's no shame in that. Some films are made for a niche audience, destined to be a cult in their own right. However, for those who get it, Death Proof has the potential to be a truly exhilarating, one-off piece of film-making.

    Mais itens semelhantes

    Grindhouse
    7,5
    Grindhouse
    Planeta Terror
    7,0
    Planeta Terror
    Jackie Brown
    7,5
    Jackie Brown
    Kill Bill: Volume 2
    8,0
    Kill Bill: Volume 2
    Os Oito Odiados
    7,8
    Os Oito Odiados
    Um Drink no Inferno
    7,2
    Um Drink no Inferno
    The Hateful Eight: Extended Version
    8,5
    The Hateful Eight: Extended Version
    Kill Bill: Volume 1
    8,2
    Kill Bill: Volume 1
    Cães de Aluguel
    8,3
    Cães de Aluguel
    Sin City - A Cidade do Pecado
    8,0
    Sin City - A Cidade do Pecado
    Era Uma Vez em... Hollywood
    7,6
    Era Uma Vez em... Hollywood
    Assassinos por Natureza
    7,2
    Assassinos por Natureza

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      After Zoë Bell was cast, Quentin Tarantino told Bell that he would hire a second stunt person to take Bell's place in the stunt scenes where her face wasn't visible. Bell insisted on performing every stunt herself, saying if someone else were cast in her role, and she was only performing the stunts, those were the stunts she would do. Tarantino honored her request.
    • Erros de gravação
      As 'Death Proof' is an homage to the old, low-budget Grindhouse films of the 70's and 80's, there are many deliberate errors by the filmmaker to give an authentic Grindhouse feel.
    • Citações

      Stuntman Mike: [Stuntman Mike and Pam are in his death-proof car, but Pam is in the passenger-seat which is in a crash-box] Well, Pam... Which way you going, left or right?

      Pam: [enthusiastic] Right!

      Stuntman Mike: Oh, that's too bad...

      [ominous sound effect]

      Pam: Why?

      Stuntman Mike: Because it was a 50-50 shot on whether you'd be going left or right. You see we're BOTH going left. You could have just as easily been going left, too. And if that was the case... It would have been a while before you started getting scared. But since you're going the other way, I'm afraid you're gonna have to start getting scared... immediately!

    • Cenas durante ou pós-créditos
      In the OPENING credits during the prologue driving sequence, after "Kurt Russell in" there is a quick ten-frame color animation of the title "Quentin Tarantino's Thunder Bolt" which cuts immediately to a simple grainy white-on-black title screen that says "Death Proof".
    • Versões alternativas
      After Zoe flies off the hood, she walks back to the car and says, "Phew that was a close one". In the Unrated Extended version it then cuts right to her line, "So, where's the maniac?" In the U.S. Theatrical Double Feature version there's some extra lines of dialog in between: As Zoe notices that Abernathy and Kim have been crying she remarks, "You guys look like shit. Who died?" Abernathy then asks Zoe if she's okay, to which she replies, "Well, I'm gonna have a hell of a bruise on my bum, but aside from that I'll be sweet."
    • Conexões
      Edited from Grindhouse (2007)
    • Trilhas sonoras
      Funky Fanfare
      Written by Keith Mansfield

      Courtesy of APM Music

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes28

    • How long is Death Proof?Fornecido pela Alexa
    • Why were the cop and the doctor arguing in the hospital after the big crash?
    • Whose feet do we see during the opening credits?
    • What are the muscle cars in the movie?

    Detalhes

    Editar
    • Data de lançamento
      • 16 de julho de 2010 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • A prueba de muerte
    • Locações de filme
      • Texas Chili Parlor - 1409 Lavaca St, Austin, Texas, EUA
    • Empresas de produção
      • Dimension Films
      • Troublemaker Studios
      • Rodriguez International Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 31.126.421
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 7 min(127 min)
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Dolby Digital
      • DTS
      • SDDS
    • Proporção
      • 2.35 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.