Adicionar um enredo no seu idiomaUpon hearing of his mentor's impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as "the territory". Kino... Ler tudoUpon hearing of his mentor's impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as "the territory". Kino believes wholeheartedly that the mentor cannot die until he arrives. On his journey, Kino... Ler tudoUpon hearing of his mentor's impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as "the territory". Kino believes wholeheartedly that the mentor cannot die until he arrives. On his journey, Kino is unaware several people are on his tail - varyingly malicious and politically involved ... Ler tudo
- Bacon
- (as Brendan Purcell II)
Avaliações em destaque
I feel like originiality is lacking from the cinema these days. Everything seems to be remake, sequel or franchise, so it's refreshing to find films like this.
The acting on show here, especially from Liam Blundell (Kino Warren) and Ross Leyshon (The Philistine) is full of range and intensity. Usually the first thing that suffers on lower budget films is performances, but that's really not the case here. If anything it's what gives the bizarre events throughout such emotional weight.
It's really well shot by Andrew Toovey, the music by Sebastian Moody took my breath away, and the ideas in the script are out of this world! I feel like it could've been maybe five minutes or so shorter in a couple of places, but that's minor criticism for a film this rich and profound. The ending moved me greatly and I look forward to watching it again soon. Highly recommend!
Don't get me wrong, there is definite talent in Anhedonia. There is tone and personality. Interesting subject matter. Good use of inside/outside scene contrast. Lots of work on the sound design and photography.
But overall, it did not live up to the rave reviews for me. When, as a viewer, you embark upon deconstructed storytelling, you want something to hang your hat on to. It may not be plot, it may not be character development. But, something. The eerie weirdness of Robbe-Grillet, the depth of insight in Godard, the sheer beauty of Lynch's nightmares, the maniacal machines of Greenaway. The desperate layer-peeling of Coppola's Conversation, Nolan's Memento or Aronofsky's Pi. Most of all, what you need to get through the night is a little something called tension.
And tension, for me, was not there. The main character is on a quest, and there is a ruthless killer on his trail, but none of that matters if there is no truth there, to make you care.
That is where Anhedonia let me down. It is a nice intellectual construction. But I found it artificial through and through. The depressed hero, the maniacal villain, the enigmatic mentor, the multi-dimension universe all go through the expected motions. But for me, they did not resonate. It felt like there was no point other than the complexity itself, a convoluted path leading you back to where you started with nothing to show for it.
It may well be that I was expecting too much. Or that I am not the intended target. Or that I missed the point. I do hope it is the latter. I do hope the filmmaker will, in time, have lots to say about life, art, love, death or whatever it is he wants to talk about. I will watch his next film. Because there are few things I enjoy more than discovering new, brilliant filmmakers.
The synopsis explains the film better than I'll ever be able to, so I won't try. My opinion though? This is a team of people who really know what they are doing and have bright futures ahead of them. I haven't seen a debut/breakthrough this assured since Blood Simple. Though the staging is simple, the direction is flawless. It reminded me of No Country For Old Men a lot, but it is WAY more bizarre than that.
I've had a love-hate view of arthouse films for a long time (they're usually way to self-indulgent, lack any sense of storytelling, and are usually very alientating for the average viewer). Anhedonia walks a very fine line but somehow manages to bridge the divide between entertainment and artistic vision.
The sound design, score and cinematography are so accomplished, especially considering the constraints they must have faced. The sense of scope is incredible, largely due to the risks taken and the choices of location!
As a film student I know how hard it is to make short films, but this is one hell of an accomplishment.- a feature film that never falters, never disappoints, and always gets you asking hard questions about yourself and the universe. It's perhaps five minutes or so too long (but then again so is every film these days! See: Midsommar/Wolf of Wall Street/Blade Runner 2049 - all still great films).
When I say I cannot stop telling people about this film, what I really mean is I cannot stop telling people to watch it so I can keep talking about it. The last time I watched a film that had so many enigmatic depths to it was probably The Shining. The answers are all there, but it's for the audience to decide. And that is SO much more rewarding than just having it handed to you.
Can't wait to see what these guys make next!
Loved it. 9/10
Você sabia?
- CuriosidadesEach member of the crew can be seen as an extra at some point in the film - Alexandros as an Artist, Jule in the pub scene, Andrew as the driver who finds Philistine lying on the ground, Apostolos as the Studio Technician affected by the music, and many more hidden throughout.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 6.000 (estimativa)
- Tempo de duração1 hora 50 minutos
- Cor