Trois jours et une vie

The cinematography is gorgeous and the movie has a great choice of music, scenes are filmed in dynamic shots that are very much character focused.

The story is filled with tention, and some great pieces of dialogue, pacing sometimes feels a bit odd as the movie skips large periods of time however the scenes we did see all serve a purpose.

I suffered 25 minutes of this unique junk. If I write what I really think of what MUST happen to EVERYONE in EVERY way involved in this film, I would be banned for ever from imdb.

An engaging movie about the ironies of life, especially the life of one Antoine who lives in a northern French village. Antoine is the character whose life of predicaments holds this story together, and he is well-played by two actors, Jeremy Senez as the younger version and Pablo Pauly as the grown-up one. We feel for Antoine and want to be on his side, and the actors manage to make him sympathetic. The scenes that took place during the historic winter storm of 1999 were brilliantly shot.

It is a little slow, have to say, but it's good. I don't understand the relationship between Antoine and his mother. She was so cold and they never talked about things that had happened to him. Every single caring mom would ask her son what is going on. Even when she found out that he witnessed the dog being shot, she didn't ask her son about it. Weird. Years later, he came back to the village and due to the circumstances he decided to stay there. His mother never asked about his sudden change of plans. Then, her partner revealed that he had known the whole truth, and probably, she had too, but she never spoke to her son about it. These are the things I didn't like, everything else was well made.

This is a very good thriller, immersive from the first minute, but also with a heart. And especially with an amazing twist in the end, that almost brought tears in my eyes and that may hit home for anyone. With a single word, it rewrites the story, the film, it even shifts the role of main character to another one. I was also pleased to see Sandrine Bonnaire and Charles Berling again, but young Pablo Pauly was the main attraction. Please note I love good American thrillers and don't like European dramas too much, so don't be deterred from seeing this Belgian film just because it's European; it is is a lesson of writing, shooting and acting.