Um súbito ataque à fronteira do império na Bretanha deixa apenas Quintus Dias como sobrevivente. Ao lado do general Viriuls, ele marcha rumo ao Norte, no intuito de encontrar seus inimigos e... Ler tudoUm súbito ataque à fronteira do império na Bretanha deixa apenas Quintus Dias como sobrevivente. Ao lado do general Viriuls, ele marcha rumo ao Norte, no intuito de encontrar seus inimigos e eliminar o líder deles, Gorlacon.Um súbito ataque à fronteira do império na Bretanha deixa apenas Quintus Dias como sobrevivente. Ao lado do general Viriuls, ele marcha rumo ao Norte, no intuito de encontrar seus inimigos e eliminar o líder deles, Gorlacon.
- Prêmios
- 1 indicação no total
- Roman Officer Argos
- (as Jake Maskell)
Avaliações em destaque
While it is Centurion Quintus Dias (Michael Fassbender) who is the protagonist as the somewhat reluctant leader of our heroes, the most memorable character on screen is Etain, a Brigantian tracker played by Olga Kurylenko. Etain's tribe was massacred by the Romans and she took refuge with the Picts. Her backstory is a powerful device that explains all the hatred she has for Romans and the length she will go to exact revenge. Neil Marshall makes great use of actress Kurylenko and she literally eats the screen in almost every scene she is in, despite her character being mute. Etain reaches iconic status as far as I'm concerned, much like Karl Vreski (Die Hard).
The actual plot, despite its historical context, is less Gladiator and more Apocalypto. Several battles are extremely gritty, entering gory territory as blood flows. There are a lot of CGI sequences mixed with traditional effects but they do not detract from the experience too much. Quintus' bunch of survivors are portrayed by a group of effective actors but the movie's short length prevents much characterization. Where Marshall is more effective is in the portrayal of the Picts. In very few words, several characters stand out throughout the movie.
Everything is fairly entertaining but the movie never quite reaches classic epic status due to its short length and several incongruities. For instance, I still don't understand why two healthy and armed soldiers would run away from wolves, nor why wolves would pursue them (that simply flies in the face of anything we know about the behavior of wolves). Etain is also ordered to severe the heads of the men she is chasing but conveniently omits certain characters so that they survive their injuries, which makes no sense and is transparent bad writing. Likewise, when the Romans have a chance to steal or kill the Picts' horses, they simply ignore this opportunity. These plot holes add up pretty fast and detract from our experience, turning what could have been a classic into just a great pop corn flick.
But an entertaining pop corn flick it is, despite its faults! I wish Marshall would be slightly less ambitious, as it seems he is at his best working on smaller scale movies but he still has a knack to shoot fun films and create engaging characters. Special kudos for not glorifying the Roman empire and especially, for not portraying the Picts as clear-cut villains. Although the structure of the film firmly puts the Picts in the "baddies" slot, there are several hints and a lot of subtext that, on the contrary, showcases the Roman empire as bloodthirsty invaders, plotting backstabbers and savages themselves.
Every amateur of sword epic will want to see this one at least once, possibly several times.
Here, you have two sides and I personally can not empathize with any of them.
The Picts, while they have a right to protect their land and families, are shown in quite cruel way and Olga Kirylenko's character is far from being attractive.
On the other side the Centurion and his soldiers are nothing but invaders killing and enslaving the locals just for the sake of glory of the Roman Empire. All in all, it's fair for them to be killed by the people they are oppressing and I can't really worry about the Centurion trying to survive because I feel more like he deserves to die for what he's done. If you are a professional soldier and came to a foreign land to ravage it... well, you get what you get.
This movie looks like a historical documentary, which shows you some facts and reasons/motives of both sides to do what they do or have to.
It's done fairly well, but for me it defeats the main purpose of movie - it's not entertaining. There is no point of attraction in it, there is no one to feel for, and I expect quite the opposite when I'm paying for the ticket.
With Centurion, Neil Marshall has his biggest budget to date. The film is ambitious in style and tone. Marshall, who get a cult following after two excellent small horror films (Dog Soldiers and Descent) has gone on to bigger, but not really better things. Doomsday was a nice throwback to genre films (even though it didn't really know which one it wanted to be) and now Centurion, which has Marshall tipping his hat to Gladiator and Spartacus.
I consider myself a Marshall fan, which is why I even bothered to give this film a viewing. If his name weren't attached, I wouldn't have bothered. Marshall is apart of the Splat-Pack. The horror coined group for filmmakers like Rob Zombie and Eli Roth. It's no question as to why Marshall is apart of this group, every film of his has some body part ending up some place. It's funny to me that this film might be his most gruesome one yet and it isn't even horror.
The film's most gruesome moments are during the big attack on the romans. Arrows are shot into heads, arms, legs and necks are taken out like a hot knife through butter. I had a few moments where I was actually shocked at the carnage on the screen. One of the more gruesome period pieces. During the attack, the Picts (Scottish) take prisoner the General (Dominic West). The small group of survivors, including Michael Fassbender decide to try and get him back. They fail, but they did succeed in killing the lead Pict's son. He sends a group of people to go after them, thus we have a cat and mouse chase throughout the film.
It's suspenseful in places and aggravating in others. The lead tracker, is suppose to have excellent skills, where she is always on their tail, no matter what. Yet the filmmakers seem to forget this sometimes. She can sense them across the river in one scene, but not underneath her feet in another. These inconsistencies are bothersome. Yet it happens. The characters themselves aren't too memorable either. I couldn't really tell the survivors apart from one another and neither stood out of the crowd. These shortcomings in the script are what bring Centurion down. The most interesting character is killed off too early too.
Yet, Marshall still manages to deliver an entertaining film. It's not near the level of awesome that is Dog Soldiers, or even The Descent, but it does deliver what you would expect from this genre. There are moments where the film loses its sense of direction (such as a lover subplot) and there are even moments of predictability, but as a whole, the film delivers.
Loosely based on the true story of the Roman missing 9th legion (try reading the following book for a very interesting account of what we know and what is speculated; 'Roman Britain's Missing Legion: What Really Happened to IX Hispana?' by Simon Elliott).
The movie gives a breathless feel with a movie length chase across the Scottish highlands. We are treated to some beautiful aerial shots and as it is set in winter, the movie feels damp and muddy, possible helped by the tones and colours used in the film stock. This dull earthy tones mixed with great costume design gives a gritty and realistic feel eschewing any imagined gloss and glamour of legionary life. The action scenes are small scale but well shot and pretty gory (plenty of heads rolling).
I was pleasantly surprised by this film since my expectations were low as I had never heard of the title until recently. It is not CGI heavy or on the scale of Gladiator, lets say, but creates a very nice story within the small world it portrays.
A nice surprise 8/10.
If you are expecting large scale battles then look elsewhere as ultimately this becomes a chase movie as a small band of surviving Romans are being chased across Scotland by the savage Pict led by Olga Kurylenko.
Kurylenko is fantastic in this, frightening without saying a word. Fassbender is ok, seeming to grow into the role as the movie progresses. He is supported by a band of mainly British actors including David Morrissey. Dominic West steals every scene he is in, in an all too brief appearance.
I was pleasantly surprised with this movie and it just goes to show you don't have to have a huge budget or mammoth running time to create a good movie.
Você sabia?
- CuriosidadesNeil Marshall and his director of photography Sam McCurdy spent about two years discussing the look of the film before making it. One thing they were adamant about was that it should be shot on location and nowhere near a green screen.
- Erros de gravaçãoThe chief of the Picts would never have had a shaved head, as long hair and beards were considered what made a man strong and a leader.
- Citações
Centurion Quintus Dias: [narrating] In the chaos of battle, when the ground beneath your feet is a slurry of blood, puke, piss and the entrails of friends and enemies alike, it's easy to turn to the gods for salvation. But it's soldiers who do the fighting, and soldiers who do the dying, and the gods never get their feet wet.
- Cenas durante ou pós-créditosThe end of the closing credits state that "This film is based on a 2000 year-old legend", referring to the mysterious disappearance of the Ninth Hispana or Ninth Spanish Legion in Roman-occupied Britain around 117 CE.
- ConexõesFeatured in History Buffs: Gladiator (2015)
- Trilhas sonorasFort Attack
Composed and arranged by Ilan Eshkeri
Principais escolhas
- How long is Centurion?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 123.570
- Fim de semana de estreia nos EUA e Canadá
- US$ 42.826
- 29 de ago. de 2010
- Faturamento bruto mundial
- US$ 6.890.432
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1