Primeiro Amor, o Último Yakuza

Leo is an up and coming boxer who is diagnosed with a fatal brain tumour after surprisingly losing a fight. Yuri is a young woman who has been forced into prostitution because her father is indebted to the Yakuza; she has become addicted to drugs and suffers from strange hallucinations of her father. One day she escapes and Leo steps in and knocks out the man chasing her... they are about to have one unforgettable night. A corrupt cop and a member of the Yakuza have hatched a plan to steal a large stash of drugs and pin the blame on Yuri. With the city on the brink of a gang war Leo and Yuri will need to be very lucky to survive the night.

If you are a fan of director Takashi Miike you should enjoy this; it might not be as crazed and disturbingly violent as 'Ichi the Killer' but it is still pretty violent. This violence is mixed in with some fairly incongruous humour. Most of the action takes place over the course of one night and the tension rarely lets up for long. The characters, even the obviously bad people, are fun to watch and often manage to be amusing even while committing acts of violence. The cast is impressive as they bring their over the top characters to life. Overall I really enjoyed this; definitely worth a watch if you are a fan of Miike's work or just enjoy Japanese gangster films.

These comments are based on watching the film in Japanese with English subtitles.

First Love takes too long to actually get going but it's ultimately worth it once it does. A twisted tale of true romance with a colourful cast of characters and brutally cartoonish violence. This is a better Yakuza movie than Takashi Miike's actual Yakuza adaptation, especially when it comes to its tonal balance.

Masataka Kubota and Sakurako Konshi are great leads who are easy to root for however, in a film like this it's the characters who are truly deranged who make the biggest impression. Becky's vengeance obsessed Julie and Jun Murakami's coolest Yakuza ever are the most over the top characters and therefore run away with the whole film.

Director Takashi Miike excels at balancing wildly different tones here. Moving from creepy hallucinations to bloody sword fights and pretty moving emotional beats whilst still finding time for some comedy. His trademark love of shoddy CGI remains intact and he comes up with a very clever way to work around the lack of budget when it comes to a late stage car chase.

Good casting, great cinematography, fitting score and decent directing, but there were obvious plot and technical issues. The 108 run time felt much longer and some scenes were too long and/or unnecessary. The choreography and camera shots were terrible in the action scenes. A good film but could've easily been great.

On the light side of Miike but still with plenty of what you expect from his palette. Camera work and cliches work perfect here supported by a great soundtrack. Kind of modern jazz frenzy beat. Also great to see Shota Sometani in a different roll.

Pretty good to have a taste of Miike.

This is a crazy black comedy. Not seen a Miike movie before but will be on the lookout now! I can't wait for a crappy American remake to show just how good it was.

A fast, funny, zany escapade. Comic book fun. A delightful surprise.

Strongly recommend.