Vinte anos depois do desaparecimento da IX Legião, Marcus Aquila procura descobrir o que aconteceu com a legião comandada pelo seu pai, numa perigosa busca pela honra perdida muito para lá d... Ler tudoVinte anos depois do desaparecimento da IX Legião, Marcus Aquila procura descobrir o que aconteceu com a legião comandada pelo seu pai, numa perigosa busca pela honra perdida muito para lá da Muralha de Adriano.Vinte anos depois do desaparecimento da IX Legião, Marcus Aquila procura descobrir o que aconteceu com a legião comandada pelo seu pai, numa perigosa busca pela honra perdida muito para lá da Muralha de Adriano.
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Avaliações em destaque
I am a retired director so watching any film is a bit difficult for me to sit back and let the film take me to another place. Usually I will subconsciously pick it apart as an armchair quarterback. Not so with this film. I enjoyed this film from the credits to credits. I won't go on about the plot. It is basically about the struggle between our perceptions of our parents and reality, the conflicts of people from different cultures, trust and betrayal...basically all the struggles we all face in modern life.
Of particular pleasure was the cinematography and sound...little nuances not found in a lot of films today.
A great piece of work. Not perfect perhaps, but a buddy film much better than I had expected.
Bloody version based on historical events about Roman conquests with overwhelming battles and great production values starred by Channing Tatum as the fictional Roman officer and Jamie Bell as slave , both of them are two battle-hardened warriors who try to defend themselves against a bunch of bloody barbarians led by a brutal enemy . Stunning battles scenes illuminate the full-blown feats with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there . There are great action sequences including the gory battle in woods and the final confrontation at the climax of the film . Because of budgetary consideration , cast and crew had only one night to shoot the night battle scene , which gave it the disorganized, raggedy look they wanted . The movie has great action sequences well staged with stylish and vitality , thrills , and turns out to be pretty entertaining . Although is a little revisionist about characters , history and time when is developed the action in a dirty , gritty Roman Empire during its period in Britain . Several action scenes are outstanding with spectacular battle images and thrilling fights . Unfortunately, on small house screens much of the splendor will be lost . The film is well set with nice gowns , evocative weapons , appropriate attrezzo , adequate costumes ; however , production company decided to use stirrups, despite their being anachronistic, because there would have been issues getting insurance for the lead actors, especially as Jamie Bell had never ridden before and he had to learn on set. As the movie makes a big deal out of the supposedly deathly rivalry between Romans and Celts . German archaeologists have found evidence of the 9th Legion on the banks of the Rhine River and carbon-dated them long after these events took place, suggesting that rather than being wiped out , the reason that there is no evidence of the 9th Legion being in Scotland after these battles is that they moved to Germany . The working title for the film was "Ninth Legion" , the story goes that the Ninth Legion marched to Scotland from York with 3000 men and were never seen of again. Historians dispute what actually happened to them. Some believe that they were disbanded, while others believe that they were massacred . The picture results to be a crossover among : The 13th Warrior (1999) by John McTiernan , The Last Legion (2007) by Doug Lefler and Centurion (2010) by Neil Marshall . Support casting is frankly good , such as Donald Sutherland , Dakin Matthews , Tahar Rahim , Douglas Henshall , Denis O'Hare and Mark Strong .
Impeccable and evocative cinematography by Anthony Dod Mantle . Being shot on location in Lomond, Argyll and Bute, Summer Isles, Highland, Scotland, UK and Szentendre, Pest, Budapest, Hungary . Filmmaker and his director of photography Mantle spent long time discussing the look of the film before making it , one thing they were adamant about was that it should be shot on location and nowhere near a green screen . Magnificent and stirring musical score by Atli Örvarsson . The motion picture was compellingly directed by Kevin MacDonald (State of play , The Last King of Scotland , How I Live Now ,Touching the void). Kevin shot the film in such hard conditions that some cast members suffered health problems . Rating : Good , it's a nice historical extravaganza well set in ancient Rome , done in great scale and praised for its action sequences .
The film seemed mostly faithful to Roman history. It gives a vivid illustration of why Hadrian's wall was built. But I am not totally sure the Roman Senate had a "branch" in Britain.
The two leads (Channing Tatum and Jamie Bell) were perfectly suited to their roles, kind of like Hercules and his sidekick from 60s historical adventure films. But minus the corny jokes. There were no banquets with production numbers. And there was no "love interest" written in. And no magical effects or mythical creatures. And it was very easy to follow. And hugely entertaining.
It's not art but it's rather good, regardless.
In 120 AD, The Roman Ninth Legion marched into Caledonia, they, along with their precious Golden Eagle standard, were never seen again. 20 years later and Marcus Flavius Aquila (Tatum) arrives in Britain to serve as a garrison commander. He carries a burden, though, for the Ninth Legion was led by his father. It is perhaps his destiny that he go forth into Caledonia to maybe solve the mystery and restore honour to the family name?
Better angry than dead.
A film of two different, but equally enjoyable, halves, The Eagle is a delightful throw back to the swords and shields movies of old. All things are in place for a rollicking tale of courage, friendship and honour, and the film mostly delivers on its premise. First half is all about character introduction and motives required for plotting. We get some clanking sword play and splendid synchronised army manoeuvres as a garrison defence unfolds. Great to report that CGI and digital blood are not dominating proceedings, this is very human, even if the editing is of the whippy kind. A turn of events then sees Marcus come by way of Bell's slave, incidents are defined and we then move into the second half of the picture.
Life, life, LIFE!
Here is where the film becomes a character piece as two men from different walks of life, enemies with anger and determination gnawing away at their souls, traverse the magnificent Scottish Highlands (Dod Mantle's photography is breath taking at times) to solve the mystery of The Ninth. What follows is an invigorating olde world adventure where mistrust, redemption and unknown tribes reside. Dialogue stays sharp and Macdonald never lest the pace sag. There's a pleasant adherence to period flavourings, with the Romans and their foes given an intelligent make over by the writer, while it's really refreshing to find there isn't a token female love interest jimmied into the story.
Film, perhaps inevitably given the modest budget and expectations afforded it, is far from flawless, but it's becoming increasingly difficult to understand just what the modern audience, or indeed old classics movie fans, expect of a genre film such as this? The churlish decry the casting of American Tatum in the lead, but what he lacks in actual depth of talent is more than compensated for by him knowing how to make the role of Marcus work. With impressive physicality and square jawed machismo, he cuts a splendid rugged figure, he also knows how to brood, essential for any stoic hero stung by a slur on his family name. Bell slots in nicely as the weak of body but strong of mind slave, Esca, the unrecognisable Rahim scores very well as a warrior tribesman, while the technical touches within the picture (including Örvarsson's score) are genre compliant.
Sutherland's casting is odd, and Mark Strong is badly wasted, and the ending, whilst satisfactory, is not as grandiose as it should be. The latter more galling given the one they rejected, that's available in the extras on the DVD, would have closed the film down far better. Yet this is a far better film than its box office take and internet ratings suggests it is. The days of magnificent historical epics and eye dazzling choreographed sword fights sadly look a long way off now. That doesn't mean that fans of such films have to accept any genre offering that comes their way, for example such as Neil Marshall's very uneven Centurion, but something like the smaller scale treats of The Eagle deserve our support. 7.5/10
I really liked Channing Tatum and Jamie Bell, too. Tatum seems to be trying to speak very properly and it's rather odd, but he's good as a stoic young man who wants to be honorable and is tired of spending his entire life being chastised for a mistake that he did not make. Jamie Bell is rather fantastic as the slave who has every reason to hate Rome except for his growing respect for his Roman master; he's unpredictable and tortured and terribly interesting to watch.
It's not a perfect movie--sometimes I wasn't sure that it knew what message it was trying to convey--but generally I liked it. I will probably purchase it when it comes out.
Você sabia?
- CuriosidadesThe statue that Marcus glances at at the fort before the first Celt attack is a bust of Antoninus Pius, who was emperor of Rome at the time this film is set, AD 140. His reign is considered one of the calmest in Rome's history.
- Erros de gravaçãoAs Marcus and Esca enter the village of the Seal People, there is a shot of the young boy looking up at them. To the left of him are a pair of legs of a man clearly wearing a pair of modern army boots.
- Citações
Marcus Aquila: [about Esca to Placidus and other elevated Romans] He's not a slave. And he knows more about honor and freedom than you ever will.
- Cenas durante ou pós-créditosThe names of the Director, of the Writers (screenplay and Novel) and of the main Cast are red in an old English language.
- Trilhas sonorasThe Return of the Eagle
Performed by Torc featuring Eoghan Neff, Flaithri Neff (as The Neff Brothers) and Atli Örvarsson
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El águila de la legión perdida
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.490.041
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.684.464
- 13 de fev. de 2011
- Faturamento bruto mundial
- US$ 37.989.684
- Tempo de duração
- 1 h 54 min(114 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1