AVALIAÇÃO DA IMDb
5,5/10
4,5 mil
SUA AVALIAÇÃO
Situada na Nicarágua em 1984, a história de paixão, medo e traição conta a voz de uma americana cuja missão na América Central é tão sombria quanto o ambiente.Situada na Nicarágua em 1984, a história de paixão, medo e traição conta a voz de uma americana cuja missão na América Central é tão sombria quanto o ambiente.Situada na Nicarágua em 1984, a história de paixão, medo e traição conta a voz de uma americana cuja missão na América Central é tão sombria quanto o ambiente.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
Avaliações em destaque
STARS AT NOON is a French romantic thriller that follows the story of an American journalist, Trish (Margaret Qualley), and a mysterious English businessman, Daniel (Joe Alwyn). Trapped in Nicaragua during the height of its civil war in the 1980s, they become embroiled in political conspiracies and must rely on each other to find a way out.
The film is a cat-and-mouse game where the stakes are high, and where tension is ever-present. The cinematography is stunning, with spectacular shots of Nicaragua's lush landscape and its turbulent political climate. Margaret Qualley and Joe Alwyn deliver powerful performances, convincingly capturing the desperation of their characters while still creating an intense and palpable chemistry.
STARS AT NOON is a slow burn - often too slow - that never quite reaches its potential. Though the story is compelling, the political intricacies of the era are not always clear, and the narrative fails to fully realize its themes.
Overall, STARS AT NOON is an ambitious and captivating thriller with moments of real beauty and insight. Though it could benefit from a more streamlined narrative and a faster pace, it's worth a watch for its gorgeous visuals and strong performances.
The film is a cat-and-mouse game where the stakes are high, and where tension is ever-present. The cinematography is stunning, with spectacular shots of Nicaragua's lush landscape and its turbulent political climate. Margaret Qualley and Joe Alwyn deliver powerful performances, convincingly capturing the desperation of their characters while still creating an intense and palpable chemistry.
STARS AT NOON is a slow burn - often too slow - that never quite reaches its potential. Though the story is compelling, the political intricacies of the era are not always clear, and the narrative fails to fully realize its themes.
Overall, STARS AT NOON is an ambitious and captivating thriller with moments of real beauty and insight. Though it could benefit from a more streamlined narrative and a faster pace, it's worth a watch for its gorgeous visuals and strong performances.
Unlikeable characters and cast.
Possibly would have been better with different lead actors?
Script seemed poor, and situations unbelievable.
But hey, you may like it? But it wasn't for me.
Possibly would have been better with different lead actors?
Script seemed poor, and situations unbelievable.
But hey, you may like it? But it wasn't for me.
At the beginning we are introduced to the main character of the story who is suppose to be an American journalist in Nicaragua. She is a drunk and sleeps with men to earn money to buy shampoo !! She meets a British character and again sleeps with him for $50 !!
For the next two hours we are suppose to believe her romance with this guy and feel thrilled by their cat and mouse activities with authorities in this country. This film does not have a romantic angle nor a political intrigue to it. You have to insure long sex scenes and useless terrible story line that doesn't go anywhere. I don't understand what was Denis had in mind making this film, probably she loved the book and didn't realize 80s South America doesn't translate good to 2020s. At least she could have spend some time going through the politics of the country or the region. Once again Cannes Film Festival showed they give out their prizes based on whose turn it is to win rather than the quality of what is presented.
For the next two hours we are suppose to believe her romance with this guy and feel thrilled by their cat and mouse activities with authorities in this country. This film does not have a romantic angle nor a political intrigue to it. You have to insure long sex scenes and useless terrible story line that doesn't go anywhere. I don't understand what was Denis had in mind making this film, probably she loved the book and didn't realize 80s South America doesn't translate good to 2020s. At least she could have spend some time going through the politics of the country or the region. Once again Cannes Film Festival showed they give out their prizes based on whose turn it is to win rather than the quality of what is presented.
Claire Denis once again delivers a film of nuance, sensuality, secrecy. We are treated to excellent performances by Ms. Qualley, & Mr. Alwyn. Supporting roles by Mr. Romano, Mr. Ramirez, & Mr. Safdie contribute well. This world is one of heat, sweat, ruins.
Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.
Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.
Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.
These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.
Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.
Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?
Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.
Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.
Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.
These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.
Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.
Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?
I can't understand the low imdb rating! Dont trust the bad ratings!
Beautifully crafted and perfectly and nicely put together! Stunningly beautifully cinematography! A intimate, erotic, fragile, raw, deep and thrilling story about love, escaping and conspiracy! Amazingly filmed and edited! The work with light is amazing! Gorgeous visuals!
Deserves all its nominations and awards!
Great acting which feels very authentic. Manuscript is perfect with depth.
Acting is very good!
PURE CINEMATIC ART!
Unfortunately a bit too long maybe, the last hour is a bit boring.
I totally recommend this!!!!
Beautifully crafted and perfectly and nicely put together! Stunningly beautifully cinematography! A intimate, erotic, fragile, raw, deep and thrilling story about love, escaping and conspiracy! Amazingly filmed and edited! The work with light is amazing! Gorgeous visuals!
Deserves all its nominations and awards!
Great acting which feels very authentic. Manuscript is perfect with depth.
Acting is very good!
PURE CINEMATIC ART!
Unfortunately a bit too long maybe, the last hour is a bit boring.
I totally recommend this!!!!
Você sabia?
- CuriosidadesRobert Pattinson was originally cast alongside Margaret Qualley as the lead, but had to leave the project due to filming commitments for Batman (2022) following delays of shooting due to the Covid-19 pandemic. Taron Egerton was cast as Pattinson's replacement, however he dropped out as well before filming started due to personal reasons and Joe Alwyn took the role.
- Citações
Teen Travel Agent: Fuck is a good word. Fuck is the property of the whole world.
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- How long is Stars at Noon?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 225.509
- Tempo de duração2 horas 15 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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