James e Em Foster estão desfrutando de umas férias na ilha fictícia de La Tolqa, quando um acidente fatal expõe a subcultura perversa do turismo hedonista, a violência imprudente e os horror... Ler tudoJames e Em Foster estão desfrutando de umas férias na ilha fictícia de La Tolqa, quando um acidente fatal expõe a subcultura perversa do turismo hedonista, a violência imprudente e os horrores surreais do resort.James e Em Foster estão desfrutando de umas férias na ilha fictícia de La Tolqa, quando um acidente fatal expõe a subcultura perversa do turismo hedonista, a violência imprudente e os horrores surreais do resort.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 vitórias e 31 indicações no total
Dunja Sepcic
- Anna the Cleaning Woman
- (as Dunja Sepčić)
Adam Boncz
- Ketch
- (as Ádám Boncz)
Zijad Gracic
- Dro Thresh
- (as Zijad Gračić)
Amar Bukvic
- Resort Cop
- (as Amar Bukić)
Alan Katic
- Police Officer 1
- (as Alan Katić)
Lena Juka Stambuk
- Myro's Daughter
- (as Lena Juka Štambuk)
Romina Tonkovic
- Receptionist
- (as Romina Tonković)
Avaliações em destaque
This film totally misses it's mark. It tries so hard to be bizarre and abstract but ends up being pretentious and annyoing. I honestly have no idea why people like this film. I could barely get through it and honestly couldn't wait for it end. I normally like Mia Goth films but this one didn't do it for me. She was super cringe in this. Especially in the scene where she's riding on the front of the car. Her screeching voice almost made my head explode. How this film has a rating above six stars is beyond me. This is definitely not a film I'd recommend or torture myself by sitting through again. 4 stars.
A holiday with your girl takes quite a turn, you only came for a short stay, a brief sojourn, but when returning from the beach, an accident, leads to a breach, and the next day you're arrested, and interned. As you have wealth, you can settle and walk free, an odd procedure and some strange hyperbole, but a boundary's been stepped over, no longer fixed in an enclosure, plus there's a catalyst, to incite, who's full of glee.
Mia Goth, as the seductive Gabi Bauer, alongside her hedonistic friends, introduce the somewhat innocent James Foster, more than ably performed by Alexander Skarsgård, to their limitless world of excess, a world that doesn't quite reward him quite as well as it does his newly found playmates.
Great performances, kaleidoscopic cinematography, original in its interpretation, worth a watch, but you may well wish you hadn't, a bit like James.
Mia Goth, as the seductive Gabi Bauer, alongside her hedonistic friends, introduce the somewhat innocent James Foster, more than ably performed by Alexander Skarsgård, to their limitless world of excess, a world that doesn't quite reward him quite as well as it does his newly found playmates.
Great performances, kaleidoscopic cinematography, original in its interpretation, worth a watch, but you may well wish you hadn't, a bit like James.
This type of movie is shock value and that's it.
There is no value in the story and or the attempt at scares.
Big budget , great acting , fancy editing and bizarre sequences, but this movie really goes no where .kinda like it's characters in the plot.
I guess when all the good ideas have been used the only thing left is shock and gore .
Sad no one spends the time to think things out and develop a scary story and use atmosphere and tension .
This movie has atmosphere and tension but it's of the lower kind .
I miss great hope like the Changeling , and Exorcist ( which used shock and gore but in a much effective way) .
If this movie is trying to say something it's that people with connections and money get away with murder .
There is no value in the story and or the attempt at scares.
Big budget , great acting , fancy editing and bizarre sequences, but this movie really goes no where .kinda like it's characters in the plot.
I guess when all the good ideas have been used the only thing left is shock and gore .
Sad no one spends the time to think things out and develop a scary story and use atmosphere and tension .
This movie has atmosphere and tension but it's of the lower kind .
I miss great hope like the Changeling , and Exorcist ( which used shock and gore but in a much effective way) .
If this movie is trying to say something it's that people with connections and money get away with murder .
Infinity Pool, the latest from writer/director Brandon Cronenberg, focuses on James and Em Foster, on vacation to help James clear his head in order to attempt writing his second novel. James and Em meet and are guided by a mysterious couple also vacationing outside of the resort to find themselves stuck in a culture packed with sex, violence, and unimaginable terrors. After a fatal vehicular accident leaves them facing the wrath of local law enforcement, James and Em are faced with a decision: be executed for their crime or, if rich enough, watch themselves die. What results is a downward plunge into debauchery, murder, and desperation.
Infinity Pool stars Alexander Skarsgård and Mia Goth. Fresh off his tilt as Amleth in 2022's The Northman, Skarsgård plays a very different character here. In Infinity Pool Skarsgård is James Foster, struggling writer married to Em Foster, daughter of a power publisher and the couple's breadwinner. An amenable guy, James is enjoying his vacation with Em at Lotoka, a beachside country. Skarsgård plays James with the air of a man a bit adrift in life, clinging onto Em as a comfortable life raft. As an actor used to playing characters with power (see: True Blood) or iron determination (Mute, The Northman), Skarsgård takes a surprising turn as a meek, easily-lead man. While the change of pace is refreshing, Skarsgård's portrayal of James is nothing noteworthy. His passable acting is enough to offset the insanity that is Mia Goth.
Mia Goth as Gabi Bauer is trouble from the first moment she appears on screen until her final. A performance that starts unsettling before ramping up to completely unhinged, Goth milks every ounce of craziness she can from the script. While it's not always for the best (Goth has some truly questionable line readings in this), she's by far the overall best part of the movie. While her characterization is maddening, the motivations Cronenberg gives Gabi are nebulous at best. Thankfully, that's no fault of Goth's and when she shows up on screen, audiences are in for a treat.
Written and directed by Brandon Cronenberg, Infinity Pool is the director's second outing after 2020's amazing debut, Possessor. Sadly, the sophomore slump is apparent in his second project, giving audience and body horror fans a lackluster followup that's unfocused and meandering. From a directing standpoint, Cronenberg is still sharp, delivering tension and suspense along with the cringe-inducing scenes the family is known for. Extreme closeups of mutilation, murder, and blood by the buckets (topped off with a cumshot in the film's first 30 minutes) will put moviegoers on their backfoot while being completely vulnerable to whatever could happen next. Cinematographer Karim Hussain, who also shot the beautiful Possessor, delivers on the goods again, providing a remarkable visual journey that James embarks upon. Cronenberg's choice to shoot Infinity Pool in Croatia, one of the planet's most beautiful countries, while mostly resisting the opportunity to display that beauty and instead focus on the grime and side streets is a commendable decision that lines up with tone of the movie.
As a writer, after tackling the theme of identity loss in an increasingly technological world in Possessor, in Infinity Pool no such messages seem to exist outside of a general human desensitivity to death. The first act might be the story's strongest, developing characters and creating situations that will entice the audience to be locked in and attentive. Unfortunately in the second act turn, where everything starts to fall apart for James, is also where everything will fall apart for the audience. James' descent into depravity, while interesting to look at in a well executed montage of sex and psychedelics, ultimately leads to a chaotic story with little in the way of explanation or true resolution.
Overall, Infinity Pool is a mess of a movie. Within that mess are hints at something good, possibly great, but Cronenberg seems to be too in love with the idea of creating something off kilter more than telling an actual story. Alexander Skarsgård's performance is passable as a man lost in hedonism, while Mia Goth's unhinged insanity somehow fluctuates between amazing and downright lousy. Lacking the usual amount of body horror audiences have come to expect from the name Cronenberg, this film instead chooses to skate by on its ambience, which doesn't always work in its favor.
Infinity Pool stars Alexander Skarsgård and Mia Goth. Fresh off his tilt as Amleth in 2022's The Northman, Skarsgård plays a very different character here. In Infinity Pool Skarsgård is James Foster, struggling writer married to Em Foster, daughter of a power publisher and the couple's breadwinner. An amenable guy, James is enjoying his vacation with Em at Lotoka, a beachside country. Skarsgård plays James with the air of a man a bit adrift in life, clinging onto Em as a comfortable life raft. As an actor used to playing characters with power (see: True Blood) or iron determination (Mute, The Northman), Skarsgård takes a surprising turn as a meek, easily-lead man. While the change of pace is refreshing, Skarsgård's portrayal of James is nothing noteworthy. His passable acting is enough to offset the insanity that is Mia Goth.
Mia Goth as Gabi Bauer is trouble from the first moment she appears on screen until her final. A performance that starts unsettling before ramping up to completely unhinged, Goth milks every ounce of craziness she can from the script. While it's not always for the best (Goth has some truly questionable line readings in this), she's by far the overall best part of the movie. While her characterization is maddening, the motivations Cronenberg gives Gabi are nebulous at best. Thankfully, that's no fault of Goth's and when she shows up on screen, audiences are in for a treat.
Written and directed by Brandon Cronenberg, Infinity Pool is the director's second outing after 2020's amazing debut, Possessor. Sadly, the sophomore slump is apparent in his second project, giving audience and body horror fans a lackluster followup that's unfocused and meandering. From a directing standpoint, Cronenberg is still sharp, delivering tension and suspense along with the cringe-inducing scenes the family is known for. Extreme closeups of mutilation, murder, and blood by the buckets (topped off with a cumshot in the film's first 30 minutes) will put moviegoers on their backfoot while being completely vulnerable to whatever could happen next. Cinematographer Karim Hussain, who also shot the beautiful Possessor, delivers on the goods again, providing a remarkable visual journey that James embarks upon. Cronenberg's choice to shoot Infinity Pool in Croatia, one of the planet's most beautiful countries, while mostly resisting the opportunity to display that beauty and instead focus on the grime and side streets is a commendable decision that lines up with tone of the movie.
As a writer, after tackling the theme of identity loss in an increasingly technological world in Possessor, in Infinity Pool no such messages seem to exist outside of a general human desensitivity to death. The first act might be the story's strongest, developing characters and creating situations that will entice the audience to be locked in and attentive. Unfortunately in the second act turn, where everything starts to fall apart for James, is also where everything will fall apart for the audience. James' descent into depravity, while interesting to look at in a well executed montage of sex and psychedelics, ultimately leads to a chaotic story with little in the way of explanation or true resolution.
Overall, Infinity Pool is a mess of a movie. Within that mess are hints at something good, possibly great, but Cronenberg seems to be too in love with the idea of creating something off kilter more than telling an actual story. Alexander Skarsgård's performance is passable as a man lost in hedonism, while Mia Goth's unhinged insanity somehow fluctuates between amazing and downright lousy. Lacking the usual amount of body horror audiences have come to expect from the name Cronenberg, this film instead chooses to skate by on its ambience, which doesn't always work in its favor.
After Antiviral and The Possessor, Infinity Pool continues Brandon Cronenberg's path to being a film maker to watch. His films are unique and he will supersede his dad nicely once his legendary career comes to an end.
The casting is great with Mia Goth & Alexander Skarsgard continuing their trend of picking projects that are more exciting than the typical hollywood fair. Both are superb here and are the perfect pair with Goth on manic form, almost on Pearl levels of insanity at times.
The movie has unique ideas and surprises that don't go the conventional ways you'd expect. The film is gorgeous to look at despite being horrific in nature and the ending is well done. The normality of it all is chilling and gets under your skin after what's taken place the previous two hours.
Highly recommend.
The casting is great with Mia Goth & Alexander Skarsgard continuing their trend of picking projects that are more exciting than the typical hollywood fair. Both are superb here and are the perfect pair with Goth on manic form, almost on Pearl levels of insanity at times.
The movie has unique ideas and surprises that don't go the conventional ways you'd expect. The film is gorgeous to look at despite being horrific in nature and the ending is well done. The normality of it all is chilling and gets under your skin after what's taken place the previous two hours.
Highly recommend.
Você sabia?
- CuriosidadesIn a 2023 interview with Fangoria, Brandon Cronenberg spoke about how a real-life vacation experience inspired the film: "The film started as a short story just about the first execution, and as I was expanding it into a feature, I kept going back to a vacation I went on about 20 years ago to an all-inclusive resort in the Dominican Republic. It was surreal, because they would bus you in in the middle of the night, so you couldn't see any of the country. They would just drop you in this resort compound, which was in fact surrounded by a razor-wire fence. You couldn't leave, much like in the film, and there was a kind of fake town where you could go shopping. The Chinese restaurant and the horrible discotheque in the movie are both based on that actual resort; the scene with the man on the ATV on the beach being chased by guards actually happened. And then, at the end of the week, they bused you back during the day, and you could see the actual immediate surrounding country, which was very poverty-stricken. There were people living in shacks. That contrast was obviously horrible, but also surreal, because you realized you had never actually entered the country; you were just dropped into this strange pocket of a sort of alternate dimension that had just grown up to become this tacky Disneyland mirror image of reality."
- Erros de gravaçãoIn the last bus scene, James' hands are clearly in view and uninjured when the right one should be cut, bruised, or at least bandaged.
- Versões alternativasThere were two, slightly different versions released, an R-rated cut for the U.S. market, and an Unrated (previously, NC-17) one for the rest of the world and the home video market on Blu-Ray. Time differences are negligible; the differences are, as usual in cases such as these, that the Unrated cut contains slightly more violence and nudity. A detailed breakdown of the differences can be found at movie-censorship.com
- Trilhas sonorasCharles Serenade
Performed by Jim Williams
Written by Jim Williams
Courtesy of Bucks Music Group Limited
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Muerte infinita
- Locações de filme
- Sibenik, Croácia(resort)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.078.400
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.514.364
- 29 de jan. de 2023
- Faturamento bruto mundial
- US$ 5.202.301
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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