Os Envenenamentos de Salisbury

I did enjoy learning the story, and the performances were fine. However, when I was done, I had questions about, Tracy, the public health director. She's our main character, but I really had no idea what her job entails. Maybe they could have added, at least a few, examples of Tracy performing some functions of the job. It was a disservice to the real life person portrayed because the only thing they showed was her distraught, stressed and void of confidence. She was overworked, but I never saw her work. She would show up somewhere and just looked wrecked. If her job was to show up and look wrecked at her job, she was excellent. As a bonus, when at home, she looked wrecked there too.

I wasn't sure what to expect from this, such a shocking real life event could have been sensationalised or spun, but credit where it's due, this was very well told.

Very well acted, a top notch production all round, we learn Salisbury's story, what happened to the father and daughter on that fateful day in 2018, but also the effects on beautiful Salisbury and its residents.

It could perhaps have been made into two parts, I think the three installments was perhaps a little overlong, Duff and Spall however made up for that.

It's a shocking, sad story, hard to believe possible in this day and age. The negative reviews are unrealistic, this is a good insight into what happened. 8/10.

This event drew my attention when it happened and I eagerly followed this story, as I had once lived in Salisbury, but not this one. It is pleasing to see that the BBC made a mini-series of this dastardly deed and it certainly filled all the gaps, which were never disclosed in news bulletins.

The production is well done making a thrilling exposé of the happenings and aftermath. A dramatic event well worth seeing to realize that the world is still not a safe place to live in. This event took place just 2 years ago, but the investigation only concluded in 2019.

I let this three-part BBC series pass me by when it aired over the summer of 2020, but its appearance on the Guardian's top 50 shows of the year led me to download it. Like much of the country, I remember the initial incident very well, but the secondary victim's story - as well as the specific response to the incident were interesting to learn about.

A Russian double agent, Sergei Skripal (Wayne Swann) and his daughter Yulia (Jill Winternitz) fall suddenly and violently ill on a park bench in the small English Cathedral City of Salisbury. When the identity of the victims become known, the police begin an immediate enquiry and Detective Nick Bailey (Rafe Spall) leads an investigation of the Skripal home. It's later discovered that the pair have been exposed to Novichok, a manmade and very lethal nerve agent and stringent efforts are made immediately to limit the potential exposure of the general public, led by Tracy Daszkiewicz (Anne Marie-Duff) the Director of Public safety for Wiltshire.

The docudrama really presents the details of the incident on quite an intimate scale. The Skripal's themselves are rarely seen and the alleged perpetrators only briefly in news footage, the 'why' of the attack is not explored. Instead we follow Nick Bailey through his exposure and reaction to the nerve agent, his time in hospital, the effect on his family, and then the survivors guilt he suffers. It's all nicely played by Rafe Spall and Annabel Scholey. We follow Tracy Daszkiewicz as she is pulled into the situation, sacrificing her family time to try and keep the city safe, often offering a lone argument for expanding safety measures against opposing government priorities. Then we follow the sad case of Dawn Sturgess, a mother played by Myanna Burning, whose boyfriend accidentally exposes her to the delivery mechanism for Novichok and who can't survive the dosage. We see the impact this has on her family.

Much of the macro story is going to be classified for quite a while still, so complaints about that not being there, whilst I agree would have made for a better show, are missing the point somewhat. I'd agree with the reviews that suggested that just two episodes and less repetition, particularly of the family lives, would have made for a better series, but performances are good across the board in what is occasionally a tough watch, about everyday heroism.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

In March of 2018, in the small town of Salisbury in Wiltshire, two Russian spies unleashed a deadly Novichok nerve agent, plunging the town in to a lockdown. Tracey Daszkiewicz (Anne-Marie Duff), the recently appointed local director of Public Health, is thrust in to the spotlight, taking tough decisions in the best interest of her local neighbours and friends, including local DS Nick Bailey (Rafe Spall) who is badly struck down with poisoning, while the situation takes its toll on her home life with her family.

For just under two years now, the whole of the country (and indeed the world) has been forced to adapt to a new way of life, in order to combat the outbreak of a deadly virus, but a couple of years before, in a small town in Wiltshire, a local community was forced to adapt their behaviour to control a situation contained only for them. Even if most of us didn't have to live through it, with the events of the last couple of years, there is at least now a sad air of relatability with this dramatisation of the time by director Saul Dibb.

Initially, in the first episode, Dibb goes for a minimalist, less is more approach, capturing the unfolding events in a docu-drama style fashion, presenting normal, everyday people going about their everyday lives, dealing with their individual problems and dramas, before being thrust in to a major crisis completely out of their control. While this does give it a realistic, outside world feel, it comes at the expense of any real effective character development, leaving us less able to relate and empathise with the characters as we should. He matches the mood and tone of the drama throughout with some appropriate dull, grey lighting, but is less consistent with the character portrayals, which by the second episode have become more screechy and melodramatic.

It's flaws sadly keep it from being the sum of its parts, but it's still elevated by what it gets right, along with some strong, raw lead and supporting performances. ***