Duas irmãs Harkonnen combatem forças que ameaçam o futuro da humanidade e estabelecem a lendária seita que se tornará conhecida como Bene Gesserit.Duas irmãs Harkonnen combatem forças que ameaçam o futuro da humanidade e estabelecem a lendária seita que se tornará conhecida como Bene Gesserit.Duas irmãs Harkonnen combatem forças que ameaçam o futuro da humanidade e estabelecem a lendária seita que se tornará conhecida como Bene Gesserit.
- Indicado para 4 Primetime Emmys
- 2 vitórias e 11 indicações no total
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Resumo
Reviewers say 'Dune: Prophecy' elicits mixed reactions, highlighting political intrigue, complex characters, and rich world-building. Fans commend its exploration of Bene Gesserit origins and fidelity to Dune lore. However, criticisms include pacing issues, inconsistent tone, and deviations from the source material. Acting and dialogue are often deemed subpar, with some episodes feeling generic. Visual effects and production design are praised, yet narrative coherence and character development frequently disappoint.
Avaliações em destaque
I've been looking forward to Dune: Prophecy ever since I first heard about it. Then I saw the trailers and my excitement grew even more. Well, after seeing it I can say that it without a doubt lived up to my expectations. Your expectations have to be realistic though, if you're expecting something as perfect as the Dennis Villenueve directed films then you're going to be disappointed, but if you go into it just expecting a perfectly paced, fascinating series that will keep you thoroughly invested every episode then you'll love it. The world building that takes place and the attention to every detail is as good as it gets for a tv show. This series is best watched binged because I can promise when you finish an episode you can't wait to start the next. You're not going to want to wait a week between episodes, it's that good.
"Dune: Prophecy" is a compelling addition to the Dune universe, offering a deep dive into the origins of the Bene Gesserit sisterhood. Set 10,000 years before the events of Frank Herbert's original novels, the series explores the intricate political and social dynamics that shape this enigmatic order.
The narrative centers on sisters Valya and Tula Harkonnen, portrayed by Emily Watson and Olivia Williams, respectively. Their performances are standout, bringing depth and nuance to characters navigating a complex web of power struggles and prophetic visions. The show's commitment to character development is evident, allowing viewers to engage with the protagonists' motivations and conflicts.
Visually, "Dune: Prophecy" is impressive. The cinematography captures the stark beauty of the Dune universe, with detailed set designs and special effects that enhance the storytelling. The depiction of various planets and cultures adds richness to the world-building, immersing the audience in a diverse and expansive galaxy.
The series delves into themes of power, destiny, and the ethical complexities of foresight. It effectively portrays the Bene Gesserit's manipulative strategies and their influence on imperial politics, providing insight into their rise as a formidable force. The political intrigue is reminiscent of other epic sagas, offering a blend of strategy and mysticism that keeps viewers engaged.
However, the show's dense narrative and extensive lore can be challenging for newcomers to the Dune franchise. The intricate plotlines and multitude of characters require attentive viewing to fully grasp the unfolding events. Additionally, while the series pays homage to the source material, it occasionally leans heavily on established tropes, which may feel familiar to seasoned science fiction audiences.
In summary, "Dune: Prophecy" is a well-crafted series that expands the Dune mythology with strong performances and impressive visuals. Its exploration of the Bene Gesserit's origins offers a fresh perspective for fans of the franchise. While it presents a complex and layered narrative that may be demanding for some viewers, it rewards those who invest in its rich storytelling.
The narrative centers on sisters Valya and Tula Harkonnen, portrayed by Emily Watson and Olivia Williams, respectively. Their performances are standout, bringing depth and nuance to characters navigating a complex web of power struggles and prophetic visions. The show's commitment to character development is evident, allowing viewers to engage with the protagonists' motivations and conflicts.
Visually, "Dune: Prophecy" is impressive. The cinematography captures the stark beauty of the Dune universe, with detailed set designs and special effects that enhance the storytelling. The depiction of various planets and cultures adds richness to the world-building, immersing the audience in a diverse and expansive galaxy.
The series delves into themes of power, destiny, and the ethical complexities of foresight. It effectively portrays the Bene Gesserit's manipulative strategies and their influence on imperial politics, providing insight into their rise as a formidable force. The political intrigue is reminiscent of other epic sagas, offering a blend of strategy and mysticism that keeps viewers engaged.
However, the show's dense narrative and extensive lore can be challenging for newcomers to the Dune franchise. The intricate plotlines and multitude of characters require attentive viewing to fully grasp the unfolding events. Additionally, while the series pays homage to the source material, it occasionally leans heavily on established tropes, which may feel familiar to seasoned science fiction audiences.
In summary, "Dune: Prophecy" is a well-crafted series that expands the Dune mythology with strong performances and impressive visuals. Its exploration of the Bene Gesserit's origins offers a fresh perspective for fans of the franchise. While it presents a complex and layered narrative that may be demanding for some viewers, it rewards those who invest in its rich storytelling.
DOUR. So dour. Everyone glowering intensely at everyone else. Characters absolutely crippled by the artificial "weight" of how "important" what they are doing is. How do we know it's important? Because the characters state their aspirations right away, and what they aspire to is the way things are in the present of the movies. Wow. Profound. I wonder if it's going to work out in the end??? Remember Game of Thrones? Realistic people doing their best in the horrifying world, trying to find some semblance of meaning, purpose, maybe love? Joking and chiding each other like real human beings do? Remember characters being believable people? Why does every premium show have to be completely humorless and rigid? We get it, the implications are vast. We get it, setting up the world of Dune is "important." Look, I'm a huge fan of the material and the new movies. But even in those they chide each other. "Stilgar is from the south. You didn't notice his accent?" They freaking relax for two minutes! You can't expect me to tighten up and stay rigid for the entire series. There has to be a rhythm to it! Ups and downs. Intensity and levity. Inhale, exhale. Life!
The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
The universe of this saga was unknown to me. Last year, I tried watching the movie that came out. Honestly, I wanted to get into this world, but the movie failed to captivate me. I attempted to watch it twice and gave up both times because I found it boring and felt like I was missing an introduction.
So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.
If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.
I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.
So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.
If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.
I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.
Women in Science Fiction
Women in Science Fiction
Whether they are exploring the stars, escaping dystopias, or making the world a better place, these women are what science fiction is all about.
Você sabia?
- CuriosidadesThis series uses material from the Great Schools of Dune trilogy, by Brian Herbert and Kevin J. Anderson. A prequel to the original Dune, it tells how the Sisterhood of Rossak evolved into the Bene Gesserit. The incident with Valya Harkonnen using voice is from one called 'Mentats of Dune'. All three books interweave the development of the Sisterhood, the Mentats, the Navigators and the Suk Doctors.
- ConexõesFeatured in WatchMojo: Top 24 Best TV Shows of 2024 (2024)
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Detalhes
- Tempo de duração
- 1 h(60 min)
- Cor
- Mixagem de som
- Proporção
- 2:1
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